This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to connect the colonial and postcolonial origins of modernist architecture, the historical processes they underwent, and their present use and habitation, adaptation, and decay.

Deriving from a workshop in connection with the 2015 exhibition “Forms of Freedom” at the National Museum in Oslo and the Venice Biennale, the volume combines recent developments in architectural history, the anthropology of modernism and of material culture, and contemporary archaeology to move beyond the admiration or preservation of prized architectural “heritage” and to complicate the contemplation—or critique—of “ruins” and “ruination.”

This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to connect the colonial and postcolonial origins of modernist architecture, the historical processes they underwent, and their present use and habitation, adaptation, and decay.

Deriving from a workshop in connection with the 2015 exhibition “Forms of Freedom” at the National Museum in Oslo and the Venice Biennale, the volume combines recent developments in architectural history, the anthropology of modernism and of material culture, and contemporary archaeology to move beyond the admiration or preservation of prized architectural “heritage” and to complicate the contemplation—or critique—of “ruins” and “ruination.”

Based on several years of ethnographic fieldwork, the book explores life in and around a Luo-speaking village in western Kenya during a time of death. The epidemic of HIV/AIDS affects every aspect of sociality and pervades villagers'' debates about the past, the future and the ethics of everyday life. Central to such debates is a discussion of touch in the broad sense of concrete, material contact between persons. In mundane practices and in ritual acts, touch is considered to be key to the creation of bodily life as well as social continuity. Underlying the significance of material contact is its connection with growth – of persons and groups, animals, plants and the land – and the forward movement of life more generally. Under the pressure of illness and death, economic hardship and land scarcity, as well as bitter struggles about the relevance and application of Christianity and ‘Luo tradition’ in daily life, people find it difficult to agree about the role of touch in engendering growth, or indeed about the aims of growth itself.

This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to connect the colonial and postcolonial origins of modernist architecture, the historical processes they underwent, and their present use and habitation, adaptation, and decay.

Deriving from a workshop in connection with the 2015 exhibition “Forms of Freedom” at the National Museum in Oslo and the Venice Biennale, the volume combines recent developments in architectural history, the anthropology of modernism and of material culture, and contemporary archaeology to move beyond the admiration or preservation of prized architectural “heritage” and to complicate the contemplation—or critique—of “ruins” and “ruination.”

This edited collection of essays and image-driven pieces by anthropologists, archaeologists, architects, and historians examines the legacies of African architecture from around the time of independence through examples from different countries. Drawing on ethnography, archival research, and careful observation of buildings, remains, and people, the case studies seek to connect the colonial and postcolonial origins of modernist architecture, the historical processes they underwent, and their present use and habitation, adaptation, and decay.

Deriving from a workshop in connection with the 2015 exhibition “Forms of Freedom” at the National Museum in Oslo and the Venice Biennale, the volume combines recent developments in architectural history, the anthropology of modernism and of material culture, and contemporary archaeology to move beyond the admiration or preservation of prized architectural “heritage” and to complicate the contemplation—or critique—of “ruins” and “ruination.”

Based on several years of ethnographic fieldwork, the book explores life in and around a Luo-speaking village in western Kenya during a time of death. The epidemic of HIV/AIDS affects every aspect of sociality and pervades villagers'' debates about the past, the future and the ethics of everyday life. Central to such debates is a discussion of touch in the broad sense of concrete, material contact between persons. In mundane practices and in ritual acts, touch is considered to be key to the creation of bodily life as well as social continuity. Underlying the significance of material contact is its connection with growth – of persons and groups, animals, plants and the land – and the forward movement of life more generally. Under the pressure of illness and death, economic hardship and land scarcity, as well as bitter struggles about the relevance and application of Christianity and ‘Luo tradition’ in daily life, people find it difficult to agree about the role of touch in engendering growth, or indeed about the aims of growth itself.