Peter Keegan – författare

Ancient graffiti - hundreds of thousands of informal, ephemeral texts spanning millennia - offer a patchwork of fragmentary conversations in a variety of languages spread across the Mediterranean world. Cut, painted, inked or traced in charcoal, the surviving graffiti present a layer of lived experience in the ancient world unavailable from other sources. Graffiti in Antiquity reveals how and why the inhabitants of Greece and Rome - men and women and free and enslaved - formulated written and visual messages about themselves and the world around them as graffiti. The sources - drawn from 800 BCE to 600 CE - are examined both within their individual historical, cultural and archaeological contexts and thematically, allowing for an exploration of social identity in the urban society of the ancient world. An analysis of one of the most lively and engaged forms of personal communication and protest, Graffiti in Antiquity introduces a new way of reading sociocultural relationships among ordinary people living in the ancient world.

Ancient graffiti - hundreds of thousands of informal, ephemeral texts spanning millennia - offer a patchwork of fragmentary conversations in a variety of languages spread across the Mediterranean world. Cut, painted, inked or traced in charcoal, the surviving graffiti present a layer of lived experience in the ancient world unavailable from other sources. Graffiti in Antiquity reveals how and why the inhabitants of Greece and Rome - men and women and free and enslaved - formulated written and visual messages about themselves and the world around them as graffiti. The sources - drawn from 800 BCE to 600 CE - are examined both within their individual historical, cultural and archaeological contexts and thematically, allowing for an exploration of social identity in the urban society of the ancient world. An analysis of one of the most lively and engaged forms of personal communication and protest, Graffiti in Antiquity introduces a new way of reading sociocultural relationships among ordinary people living in the ancient world.

Livy’s Women explores the profound questions arising from the presence of women of influence and power in the socio-political canvas of one of the most important histories of Rome and the Roman people, Ab Urbe Condita (From the Foundation of the City).

This theoretically informed study of Livy’s monumental narrative charts the fascinating links between episodes containing references to women in prominent roles and the historian’s treatment of Rome’s evolutionary foundation story. Explicitly gendered in relation to the socio-cultural contexts informing the narrative, the author’s background, the literary landscape of Livy''s Rome, and the subsequent historiographical commentary, this volume offers a comprehensive, coherent and contextualised overview of all episodes in Ab Urbe Condita relating to women as agents of historical change.

As well as proving invaluable insights into socio-cultural history for Classicists, Livy’s Women will also be of interest to instructors, researchers, and students of female representation in history in general.

Livy’s Women explores the profound questions arising from the presence of women of influence and power in the socio-political canvas of one of the most important histories of Rome and the Roman people, Ab Urbe Condita (From the Foundation of the City).

This theoretically informed study of Livy’s monumental narrative charts the fascinating links between episodes containing references to women in prominent roles and the historian’s treatment of Rome’s evolutionary foundation story. Explicitly gendered in relation to the socio-cultural contexts informing the narrative, the author’s background, the literary landscape of Livy''s Rome, and the subsequent historiographical commentary, this volume offers a comprehensive, coherent and contextualised overview of all episodes in Ab Urbe Condita relating to women as agents of historical change.

As well as proving invaluable insights into socio-cultural history for Classicists, Livy’s Women will also be of interest to instructors, researchers, and students of female representation in history in general.