Peter Marren - Böcker

As with Flora and Birds, Bugs is not a biological guide but a richly-illustrated cultural one, seen through the eyes of writers, musicians, artists and naturalists - from the great Tudor naturalist, Thomas Muffet (father of Little Miss Muffet) to Irvine Welsh's talking tapeworm in Filth - as well as contributions by ordinary men and women who are fascinated by creepy-crawlies of all kinds. The book is structured along a roughly evolving path, from simple cell life-forms - amoeba, worms, crustaceans (proof, say the authors, of 'just how far you can go on very little') - to bugs we all might recognise - spiders, butterflies, bees - and back into the water to meet molluscs and 'almost-fish'... The book works so triumphantly because author Peter Marren has examined bugs in the dusty corners of our houses and gardens as well as traversing mountains, lakes and fields. In addition to the fascinating habits of the bug world, he also includes the eccentric behaviour of the bug obsessives themselves.But of course, the true heroes of the book are the bugs themselves: the nimble-dicks, clock ladies and coffin-cutters. From the Boring Sponge (its official name!) to the Mermaid's Glove and Penis Worm, via the glamourous Dark Crimson Underwing and Ruby-Tailed Wasp - this rich compendium of bugs is a must not only for naturalists but for anyone who cares about the crawling, buzzing swarms at our feet.

A beautifully written and illustrated account of the threatened plant species that inhabit the British Isles.Britain and Ireland are home to around 300 species of rare flowering plants, and many more rare ferns, mosses, liverworts and freshwater algae. These are species at the cutting edge of biodiversity: fascinating, often beautiful, and in decline. Yet as some teeter on the brink, more rare species are still being discovered.In Rare Plants, prize-winning author Peter Marren describes the allure of Britain and Ireland’s vanishing wild flora, from the simple joy of plant hunting to the wonder and (sometimes) weirdness of the plants themselves, as well as their important place in our landscape and culture. He also explores the condition of rarity in the context of our changing world and climate: why do plants become rare, what threats do they face, and what opportunities do we have to protect them before it is too late? The book concludes with an overview of different conservation techniques. Using test cases such as Lady’s Slipper Orchid and Starved Wood-sedge, Peter asks: at what point does careful management becomes gardening? And how far are we are justified in intervening in the life of a wild species?Illustrated with around 300 colour images by some of Britain's best plant photographers, as well as boxed texts telling the fascinating stories of several key species, this is above all a celebration of rare plants and why they matter.

“Peter Marren is a master storyteller and gifted with an inimitable gallows humour. He was destined to write The Devil’s Garden.” Richard MabeyA lively exploration of the poisoners, tricksters, stingers, stinkers and invaders of the plant world and how their lives intertwine with ours.Some plants and fungi – those we cultivate in farms, gardens and allotments – are pretty, useful or edible. Others are more troublesome: poisonous, or with painful stings, sinister looks or foul smells. In the medieval mind, these would be the flowers of the devil, planted on earth to torment humankind. The infamous death cap mushroom, innocent-looking but lethal. The monstrous corpse flower, with a stench to match its name. The mandrake, said to scream if uprooted. In this deeply insightful and unflinching read, naturalist and conservationist Peter Marren explores the world’s ‘worst’ plants and fungi and the ways they maim, murder and make mischief to get by.These species have rich histories, steeped in folklore and superstition, but there are also biological reasons behind why they are the way they are. Step into the devil’s garden and discover their stories, amusing as they are unexpected and gripping as they are horrifying.

Mushrooms, the first of a major new series of books on British natural history, provides a remarkable insight into the natural and human world of fungi.Peter Marren, in his inimitable, relaxed style, guides the reader through the extraordinary riches of this often overlooked group, from the amazing diversity of forms and lifestyles that populate the fungal landscape, to the pursuit of edible fungi for the pot, and the complexities of identification thrown up by our modern understanding of DNA. Throughout the book, the author tells a story rich in detail about how we have come to appreciate and, in some cases, fear the mushrooms and toadstools that are such an integral part of the changing seasons. Marren also provides a refreshingly candid view of our attempts to name species, the role of fungi in ecosystems, and our recent efforts to record and conserve them.

ONE OF THE GUARDIAN'S BEST NATURE BOOKS OF 2020SHORTLISTED FOR THE RICHARD JEFFERIES SOCIETY & WHITE HORSE BOOKSHOP LITERARY PRIZE'Lovely: full of fascinating detail and anecdote, but the undertow of the virus moving in real time beneath its sunlit surface gives it a unique emotional heft.'-The Times'A literary window into the wonderful wild world during lockdown... a charming book.'-Daily Mail'An entrancing testament to nature's power to restore us to ourselves.'-Ruth PadelNature took on a new importance for many people when the coronavirus pandemic arrived, providing solace in a time of great anxiety - not least because the crisis struck at the beginning of spring, the season of light, growth, rebirth and renewal.Three writers, close friends but living in widely separated, contrasting parts of the country, resolved to record their experiences of this extraordinary spring in intimate detail, to share with others their sense of the wonder, inspiration and delight the natural world can offer.The Consolation of Nature is the story of what they discovered by literally walking out from their front doors.

'Wise, challenging and offering some unexpected laughter in the dark, this is a rational and insightful account of the sixth great extinction event. Peter Marren is a brilliant writer and a national treasure.' PATRICK BARKHAM'Thoughtful, fascinating and very timely.' STEPHEN MOSS'Important and thought-provoking.' CAROLINE LUCAS, GREEN PARTY MP'Essential reading. Marren makes a page-turner out of Armageddon.' SIMON BARNES'In his characteristic style Peter Marren has humanised the story of wildlife losses with humour and wit but also with his enormous knowledge and deep love for the living world.' MARK COCKERWe are in the midst of an extinction event: the sixth mass extinction on earth and one entirely caused by mankind. All species become extinct sooner or later, but we have accelerated that natural process several hundredfold and now, it is happening right in front of our eyes.Extinction has a terrifying finality to it. And many species have already been lost to us forever; there is little we can do about that.What we can do, however, is reflect, remember, and ultimately acknowledge the unvarnished truth. We must see the natural world as it is, and not as we might want it to be. Our trajectory is one that has benefited one species alone - humankind. For all other beings, from mammals to fish, from birds to insects and coral, from plants to lichens and fungi, the future, for better or worse, is in our hands.

**ONE OF THE GUARDIAN’S BEST BOOKS OF 2018**Join renowned naturalist Peter Marren on an exciting quest to see every species of wild plant native to Britain.The mysterious Ghost Orchid blooms in near darkness among rotting leaves on the forest floor. It blends into the background to the point of invisibility, yet glows, pale and ghostly. The ultimate grail of flower hunters, it has been spotted only once in the past twenty-five years. Its few flowers have a deathly pallor and are said to smell of over-ripe bananas. Peter Marren has been a devoted flower finder all his life. While the Ghost Orchid offers the toughest challenge of any wild plant, there were fifty more British species Peter had yet to see, having ticked off the first 1,400 rummaging in hedges, slipping down gullies and peering in peat bogs. But he set himself the goal of finding the remaining fifty in a single summer. As it turned out, the wettest summer in years. This expert and emotional journey takes Peter the length and the breadth of the British Isles, from the dripping ancient woods of the New Forest to the storm-lashed cliffs of Sutherland. He paddles in lakes, clambers up cliffs in mist and rain, and walks several hundred miles, but does he manage to find them all? Partly about plants, partly autobiography, Chasing the Ghost is also a reminder that to engage with wild flowers, all we need to do is look around us and enjoy what we see. Praise for Chasing the Ghost:‘Peter Marren is the unsung hero of Britain’s nature writers’ Stephen Moss, author of Dynasties‘Jolly, quixotic and ends with real poignancy’ Guardian‘A poignant reminder to us all to engage with the wild flowers that grow around us’ i Newspaper

Many have remarked on the poetic names of our butterflies and moths. Their beauty fires our imaginations. Some are named after human occupations and social rank: Emperors, footmen,a miller, quakers, lackeys, ‘rustics’ and chimney-sweepers. Still more are named after animals: tigers, hawks, goats, sharks, even pug dogs. There are species named after jewels, musicalinstruments, fabrics, letters, carpets, flowers, heraldry and shells. Some names are downright baffling. Why was one butterfly called an ‘admiral’ and another an ‘argus’? Why, forthat matter, are they called ‘butterflies’? The scientific names, too, contain many allusions. One whole subset of moths is named after weddings. Another group isnamed after souls. A great many names are cherry-picked from classical tales and legends, often with relevance to a particular butterfly or moth. Some names are spooky, even sexy. Or funny,for Latin names contain word games and jokes. This is the first accessible and comprehensive guide to the names of our butterflies and moths, both English and Latin. This beautiful book, written with Peter Marren’s usual wit and insight, takes you on a journey back to a time before the arts and science were divided. When entomologists were also poets and painters, and when a gift for vivid language went hand-in-hand with a deep pre-Darwinian fascination for the emerging natural world.