Richard Mabey – författare

In The Cabaret of Plants, Mabey explores the plant species which have challenged our imaginations, awoken our wonder, and upturned our ideas about history, science, beauty and belief. Picked from every walk of life, they encompass crops, weeds, medicines, religious gathering-places and a water lily named after a queen. Beginning with pagan cults and creation myths, the cultural significance of plants has burst upwards, sprouting into forms as diverse as the panacea (the cure-all plant ginseng, a single root of which can cost up to $10,000), Newton's apple, the African 'vegetable elephant' or boabab - and the mystical, night-flowering Amazonian cactus, the moonflower.Ranging widely across science, art and cultural history, poetry and personal experience, Mabey puts plants centre stage, and reveals a true botanical cabaret, a world of tricksters, shape-shifters and inspired problem-solvers, as well as an enthralled audience of romantics, eccentric amateur scientists and transgressive artists. The Cabaret of Plants celebrates the idea that plants are not simply 'the furniture of the planet', but vital, inventive, individual beings worthy of respect - and that to understand this may be the best way of preserving life together on Earth.

The ideal portable companion, the world-renowned Collins Gem series returns with a fresh new look and updated material.This is the perfect pocket guide for aspiring foragers. Over 100 edible plants are listed, fully illustrated and described, together with recipes and other fascinating details on their use throughout the ages.Practical advice on how to pick along with information on countryside laws and regulations on picking wild plants helps you to plan your foray with a feast in mind.This is the ideal book for both nature lovers and cooks keen to enjoy what the countryside has to offer.

This fully updated special edition of the classic complete guide to the edible species that grow around us includes a new foreword from the author and a plate section with identification guides for all major species.Originally published in 1972, Richard Mabey’s classic foraging guide has never been out of print since. Food for Free is a complete guide to help you safely identify edible species that grow around us, together with detailed field identification notes and recipes.In this stunning 50th anniversary edition, Richard Mabey’s updated text is accompanied by a wealth of practical information on identifying, collecting, cooking and preparing, as well as history and folklore. Informative illustrations of key species by expert botanical artists are included in a colour plate section. Beautifully written and produced in a new, readable format, Food for Free will inspire us to be more self-sufficient and make use of the natural resources around us to enhance our lives.

'Britain's greatest living nature writer' The TimesRediscover the extraodinary power of nature and the British wilderness, from award-winning naturalist and author Richard MabeyIn the last year of the old millennium, Richard Mabey, Britain's foremost nature writer, fell into a severe depression. The natural world – which since childhood had been a source of joy and inspiration for him – became meaningless. Then, cared for by friends, he moved to East Anglia and he started to write again. Having left the cosseting woods of the Chiltern hills for the open flatlands of Norfolk, Richard Mabey found exhilaration in discovering a whole new landscape and gained fresh insights into our place in nature. Structured as intricately as a novel, a joy to read, truthful, exquisite and questing, Nature Cure is a book of hope, not just for individuals, but for our species.'A brilliant, candid and heartfelt memoir...how he broke free of depression, reshaped his life and reconnected with the wild becomes nothing short of a manifesto for living...Mabey's particular vision, informed by a lifetime's reading and observation, is ultimately optimistic' Sunday Times

From ash die-back to the Great Storm of 1987 to Dutch elm disease, our much-loved woodlands seem to be under constant threat from a procession of natural challenges. Just when we need trees most, to help combat global warming and to provide places of retreat for us and our wildlife, they seem at greatest peril. But these dangers force us to reconsider the narrative we construct about trees and the roles we press on them.In this now classic book, Richard Mabey looks at how, for more than a thousand years, we have appropriated and humanised trees, turning them into arboreal pets, status symbols, expressions of fashionable beauty - anything rather than allow them lives of their own. And in the poetic and provocative style he has made his signature, Mabey argues that respecting trees' independence and ancient powers of survival may be the wisest response to their current crises. Originally published with the title Beechcombings, this updated edition includes a new foreword and afterword by the author.

More than any other writer Gilbert White (1720-93) has shaped the relationship between man and nature. A hundred years before Darwin, White realised the crucial role of worms in the formation of soil and understood the significance of territory and song in birds. His precise, scrupulously honest and unaffectedly witty observations led him to interpret animals' behaviour in a unique manner. This collection of his letters to the explorer and naturalist Daines Barrington and the eminent zoologist Thomas Pennant - White's intellectual lifelines from his country-village home - are a beautifully written, detailed evocation of the lives of the flora and fauna of eighteenth-century England.

As with Flora and Birds, Bugs is not a biological guide but a richly-illustrated cultural one, seen through the eyes of writers, musicians, artists and naturalists - from the great Tudor naturalist, Thomas Muffet (father of Little Miss Muffet) to Irvine Welsh's talking tapeworm in Filth - as well as contributions by ordinary men and women who are fascinated by creepy-crawlies of all kinds. The book is structured along a roughly evolving path, from simple cell life-forms - amoeba, worms, crustaceans (proof, say the authors, of 'just how far you can go on very little') - to bugs we all might recognise - spiders, butterflies, bees - and back into the water to meet molluscs and 'almost-fish'... The book works so triumphantly because author Peter Marren has examined bugs in the dusty corners of our houses and gardens as well as traversing mountains, lakes and fields. In addition to the fascinating habits of the bug world, he also includes the eccentric behaviour of the bug obsessives themselves.But of course, the true heroes of the book are the bugs themselves: the nimble-dicks, clock ladies and coffin-cutters. From the Boring Sponge (its official name!) to the Mermaid's Glove and Penis Worm, via the glamourous Dark Crimson Underwing and Ruby-Tailed Wasp - this rich compendium of bugs is a must not only for naturalists but for anyone who cares about the crawling, buzzing swarms at our feet.

Richard Mabey began experimenting with cooking as soon as he was big enough to clamber to the cupboard where the powdered chocolate was kept. At scout camp he learned how to cook a Sussex Pond Pudding in a billy-can, and thirty years ago he permanently broadened the nation's palate with his guide to edible wild plants, Food For Free. His new book is a joyous exploration of local ingredients, broadening your horizons by travelling, vernacular heritage, and making use of everything except, as the saying goes, 'the pig's squeal'. It includes:*Collecting Corsican chestnut receipes and American mushroom ideas, and meditating on what a forest-food culture would have been like;* Cooking eggs in nothing but the sun;* Making bread the prehistoric way - with old beer;* Exploring the outer limits of apple cusine (i.e. the outer limit is making leather out of apples);* 'Cooking against the grain' - if we didn't have access to wheat, what could we make with nuts?* How to deal with gluts - those autumn mountains of beans and courgettes;* Making-do the wartime way - canny tricks his mother taught him; re-introducing his father's passion for offals.

With more than two hundred editions, Gilbert White’s The Natural History of Selborne is one of the most published books in the English language. An environmental study of the eighteenth-century Hampshire parish where White was born and later served as curate, the book is distinguished by the author’s meticulous observations of plant and animal life-the ""minute particulars""-and his uncanny sense of their interdependence. His book is both the definitive expression of the English love for countryside and a cornerstone of all environmental writing.In this Whitbread Prize-winning biography, Richard Mabey-whom the Times has called ""Britain’s foremost nature writer""-looks at the life from which the celebrated work grew. This is not an easy task. Although White’s findings did not go unnoticed in his own time (much of the Selborne book’s contents are in fact letters to Thomas Pennant, one of the era’s leading zoologists), relatively little is known about this minor clergyman, who made twenty pounds a year and rarely ventured outside his parish. Mabey visits not only the public and private records but the environs of Selborne, which survive to this day and are remarkably unchanged. A portrait of exceptional detail emerges, and we begin to see very clearly this singular man whose superb scientific eye was complemented by a patient curiosity (he valued observing over collecting) and an emotional investment in his work that still speaks to us. White typifies the eclectic but intense engagement that has nearly vanished in our era of scientific specialization. We recognize in his work a crucial shift in the human perception of nature-as something benign rather than as an adversary.The first U.S. edition of this classic biography coincides with a new BBC documentary on Gilbert White, for which Mabey is a featured commentator. These are only the latest reminders of the fascination White’s book has exercised upon readers for two centuries.

During the early 1970s Richard Mabey set about mapping his unofficial countryside. He walked crumbling city docks and overgrown bomb sites, navigating inner city canals and car parks, exploring sewage works, gravel pits, rubbish tips. What he discovered runs deeper than a natural history of our suburbs and cities. The Unofficial Countryside prescribes another way of seeing, another way of experiencing nature in our daily lives. Wild flowers glimpsed from a commuter train. A kestrel hawking above a public park. Enchanter's nightshade growing through pavement cracks. Fox cubs playing on a motorway's scrubby fringe. There is a scarcely a nook in our urban landscape incapable of supporting life. It is an inspiration to find this abundance, to discover how plants, birds, mammals and insects flourish against the odds in the most obscure and surprising places.

'One of our greatest nature writers' GuardianFor over fifty years, Richard Mabey has been a pioneering voice in modern nature writing. This book collects pieces across his rich career, tracing his continually evolving ideas as much as the profound changes in our environment. From the rediscovery of food foraging in the 1970s, to reflections on the musicality of birdsong, these essays show Mabey's passionate belief that our planet is a commonwealth for all species, and that our reconnection with the living world is more vital than ever.'Richard Mabey is among the best writers at work in Britain' Tim Dee'Poised where nature meets culture, [Mabey] is knowledgeable, politically savvy and wry, and an excellent naturalist' New Statesman

In his trademark style, Richard Mabey weaves together science, art and memoirs (including his own) to show the weather's impact on our culture and national psyche. He rambles through the myths of Golden Summers and our persistent state of denial about the winter; the Impressionists' love affair with London smog, seasonal affective disorder (SAD - do we all get it?) and the mysteries of storm migraines; herrings falling like hail in Norfolk and Saharan dust reddening south-coast cars; moonbows, dog-suns, fog-mirages and Constable's clouds; the fact that English has more words for rain than Inuit has for snow; the curious eccentricity of country clothing and the mathematical behaviour of umbrella sales. We should never apologise for our obsession with the weather. It is one of the most profound influences on the way we live, and something we all experience in common. No wonder it's the natural subject for a greeting between total strangers: 'Turned out nice again.'

Birds are inextricably entwined with British lifeBritish customs, more than 1,000 years of English literature and even the landscape itself, have all been enhanced by the presence of birds. This superb book pays tribute to the remarkable relationship forged between a nation and its most treasured national heritage. Birds Britannica concentrates on our social history and on the cultural links between humans and birds.What makes Birds Britannica special is the inclusion of observations and experiences from more than 1,000 naturalists and bird lovers. These contributions from the public touch on avian ecology; the lore and language of birds; their myths, the art and literature they have inspired; birds as food; and the crucial role they play in our sense of place and the changing seasons.No other book has dealt so completely with the rich connections between birds and humans; Birds Britannica captures the very essence of that relationship and explores why birds matter and why we care.WITH AN INTRODUCTION BY HELEN MACDONALD, SUNDAY TIMES BESTSELLING AUTHOR OF H IS FOR HAWK

LONGLISTED FOR THE WAINWRIGHT PRIZESHORTLISTED FOR THE RICHARD JEFFRIES AWARDA WATERSTONES BEST NATURE WRITING BOOK OF 2024 PICKA BBC WILDLIFE BOOK OF THE YEAR 2024 'Delightful ... Mabey is the doyen of UK nature writing' New Statesman'Both instructive and exciting, often ecstatic... Mabey is a great, pioneering nature writer' Irish Times'Our greatest nature writer' New ScientistWe regard gardens as our personal dominions, where we can create whatever worlds we desire. But they are also occupied by myriads of other organisms, all with their own lives to lead. The conflict between these two power bases, Richard Mabey suggests, is a microcosm of what is happening in the larger world. Rooted in the daily dramas of his own Norfolk garden, Mabey offers a different scenario, where nature becomes an equal partner, a 'gardener' itself. Against a background of disordered seasons he watches his 'accidental' garden reorganising itself. Ants sow cowslip seeds in the parched grass. Moorhens take to nesting in trees. A spectacular self-seeded rose springs up in the gravel. The garden becomes a place of cultural and ecological fusion, and perhaps a metaphor for the troubled planet. This is vintage Mabey - maverick, intensely observed, and written with an unquenchable sense of wonder.

SHORTLISTED FOR THE RICHARD JEFFRIES AWARD A WATERSTONES BEST NATURE WRITING BOOK OF 2024 PICKA BBC WILDLIFE BOOK OF THE YEAR 2024 'Delightful ... Mabey is the doyen of UK nature writing' New Statesman'Both instructive and exciting, often ecstatic... Mabey is a great, pioneering nature writer' Irish Times'Our greatest nature writer' New ScientistWe regard gardens as our personal dominions, where we can create whatever worlds we desire. But they are also occupied by myriads of other organisms, all with their own lives to lead. The conflict between these two power bases, Richard Mabey suggests, is a microcosm of what is happening in the larger world. Rooted in the daily dramas of his own Norfolk garden, Mabey offers a different scenario, where nature becomes an equal partner, a 'gardener' itself. Against a background of disordered seasons he watches his 'accidental' garden reorganising itself. Ants sow cowslip seeds in the parched grass. Moorhens take to nesting in trees. A spectacular self-seeded rose springs up in the gravel. The garden becomes a place of cultural and ecological fusion, and perhaps a metaphor for the troubled planet. This is vintage Mabey - maverick, intensely observed, and written with an unquenchable sense of wonder.

‘A book so delightful that I must share it’ - Simon Jenkins, The Times  ‘Mabey is one of our best nature writers and he has produced a delightful book, as enlightening as it is uplifting’ - John Preston, The Sunday Telegraph  ‘A pure pleasure to read’ - Peter Levi, The Spectator ‘Exquisite and illuminating’ - Euan Dunn, The Countryman  From acclaimed nature writer Richard Mabey, Whistling in the Dark: In Pursuit of the Nightingale is a rich and thoughtful exploration of the natural and literary histories of the elusive nightingale. For thousands of years, the nightingale has been the most celebrated songbird in history. From Ovid to Shakespeare, Shelley to Keats, its exquisite song has inspired poets and playwrights, symbolising the enduring power of nature and love. But why have humans always fallen under its spell? Nightingales have acquired a newly high profile in recent years, driven by revelations about their population collapse and a renewed interest in their cultural history. Each May, radio programmes now broadcast live songs and readings from the woods of southern England. This new, fully revised edition of Whistling in the Dark promises to be more memorable than ever, featuring: New first-hand accounts of nightingale performances, capturing their ethereal beauty both at home and across the globe. Insightful explorations into the bird’s recent population changes, unveiling possible causes behind their mysterious decline. A newly uncovered story revealing that the nightingale's iconic song, featured in Beatrice Harrison’s 1924 live BBC broadcast, was, in fact, the work of a remarkably talented human bird mimic. Cutting-edge scientific and philosophical perspectives on the profound relationship between birdsong and music. Republished in 2025 by Aurum as a classic edition, this lyrical and illuminating work blends nature writing, folklore, and literary history to uncover the nightingale’s timeless allure. --  Whistling in the Dark will be accompanied by an enhanced audiobook adaptation with sound inserts featuring the nightingale’s song alongside medieval music inspired by the bird. It will also include the poignant BBC recording of a nightingale singing amid the roar of bombers during the Second World War, as well as Messiaen’s evocative piano piece from Les Oiseaux.

Ever since the first human settlements 10,000 years ago, weeds have dogged our footsteps. They are there as the punishment of 'thorns and thistles' in Genesis and , two millennia later, as a symbol of Flanders Field. They are civilisations' familiars, invading farmland and building-sites, war-zones and flower-beds across the globe. Yet living so intimately with us, they have been a blessing too. Weeds were the first crops, the first medicines. Burdock was the inspiration for Velcro. Cow parsley has become the fashionable adornment of Spring weddings.Weaving together the insights of botanists, gardeners, artists and poets with his own life-long fascination, Richard Mabey examines how we have tried to define them, explain their persistence, and draw moral lessons from them. One persons weed is another's wild beauty.

Flora Britannica covers the native and naturalised plants of England, Scotland and Wales, and, while full of fascinating history, is topical and modern. Indeed, Flora Britannica is the definitive contemporary flora, an encyclopaedia of living folklore, a register – a sort of Domesday Book.It is unique in that it is not a botanical flora but a cultural one – an account of the role of wild plants in social life, arts, custom and landscape. It is also unique in that information has been supplied by the people themselves. Five years of intensive original research have aroused popular interest and ‘grassroots’ involvement on an exceptional scale. People all over Britain – both rural and urban – have been encouraged to record and celebrate the cultural dimensions of their own flora, and to send their memories and anecdotes, observations and regional knowledge to Flora Britannica.The result is a nationwide record of the popular culture, domestic uses and social meanings of our wild plants. It is both useful and delightful – superbly written by one of the most outstanding English authors on natural history and illustrated with nearly 500 photographs. Including trees and ferns, it covers 1,000 species, many of them in considerable detail. A new flora for the people, Flora Britannica is a testimony to the continuing relationship between nature and human beings, and a celebration that the seasons and the landscape, local character and identity, still matter in Britain.

When the pioneering naturalist Gilbert White (1720-93) wrote The Natural History of Selborne (1789), he created one of the greatest and most influential natural history works of all time, his detailed observations about birds and animals providing the cornerstones of modern ecology. In this award-winning biography, Richard Mabey tells the wonderful story of the clergyman - England's first ecologist - whose inspirational naturalist's handbook has become an English classic.

During the early 1970s Richard Mabey explored crumbling city docks and overgrown bomb-sites, navigated inner city canals and car parks, and discovered there was scarcely a nook in our urban landscape incapable of supporting life. The Unofficial Countryside is a timely reminder of how nature flourishes against the odds, surviving in the most obscure and surprising places. Originally published in 1973 this landmark book was described by Iain Sinclair as 'a proper reckoning, the Domesday Book of a topography too fascinating to be left alone.' This beautiful new edition forms part of the Richard Mabey library, published to celebrate the author's 80th birthday and has a cover by the artist Michael Kirkman.

In 1987 the Great Storm that ravaged southern England felled millions of trees, and prompted a reappraisal of the arboreal in our lives. In Beechcomings Richard Mabey set out to uncover our relationship with trees, and specifically the beech, their significance in nature and meaning in folklore. First published in 2007 this book was widely praised and described by Kathleen Jamie in the Guardian as 'Refreshing, droll, politically alert, occasionally self-mocking, he has the enviable ability both to write historical overview and also to slip into the woods like a dryad, bringing us back to the trees themselves.' This new edition forms part of the Richard Mabey Library, published to mark the author's 80th birthday, and includes a cover by the artist Michael Kirkman.

To celebrate Richard Mabey's 80th birthday, a reissue of the seminal Nature Cure, originally published in 2005 to great acclaim. At the height of his career, having recently published Flora Britannica, the author and naturalist fell in to a deep and all consuming depression. Unable to rise from his bed, his face turned to the wall, Richard Mabey found that the touchstones of his life - his love for nature and the land - could no longer offer him solace. But over time, with help from friends and a move to East Anglia, he slowly recovered, finding a new partner, and a new relationship with landscape.Nature Cure, full of nuance and energy, was a pioneering book in the genre that has since become known as New Nature Writing, and received many plaudits on publication. For this new hardback edition Richard has written a new foreword and Little Toller has commissioned a new jacket by the celebrated artist Michael Kirkman.

Gilbert White (1720-1793) was a pioneering naturalist whose Natural History of Selborne laid the ground for works of natural history for two hundred years and which has never been out of print. In this biography, Richard Mabey recreated a life and wonderfully evoked White's Hampshire landscape. Alan Sillitoe described Gilbert White as 'enthralling' and the book won the 1986 Whitbread Award for Biography. This new edition forms part of the Richard Mabey Library, published to mark the author's 80th birthday, and has a cover by the artist Michael Kirkman.