Rajeshwari V. Pandharipande - Böcker
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3 produkter
3 produkter
1 186 kr
Skickas inom 10-15 vardagar
This is a complete grammatical description of Marathi, which belongs to the Indo-European family and is spoken in Maharashtra State in India. It has around 45 million speakers, who comprise about eight per cent of the total population of India. Marathi is particularly interesting from the point of view of its structure: it is a blending of linguistic features of the Indo-European and Dravidian language families. Marathi provides fascinating data for the study of language typology, structural change, and language universals.Marathi is presented in a broad, universally intelligible framework which makes it accessible to linguists and non-linguists, and native and non-native speakers alike.
402 kr
Skickas inom 5-8 vardagar
Commercial cinema has always been one of the biggest indigenous industries in India, and remains so in the post-globalization era, when Indian economy has entered a new phase of global participation, liberalization and expansion. Issues of community, gender, society, social and economic justice, bourgeois-liberal individualism, secular nationhood and ethnic identity are nowhere more explored in the Indian cultural mainstream than in commercial cinema. As Indian economy and policy have gone through a sea-change after the end of the Cold War and the commencement of the Global Capital, the largest cultural industry has followed suit. This book is a significant addition to the study of post-Global Indian culture. The articles represent a variety of theoretical and pedagogical approaches, and the collection will be appreciated by beginners and scholars alike.
1 099 kr
Skickas inom 5-8 vardagar
Commercial cinema has always been one of the biggest indigenous industries in India, and remains so in the post-globalization era, when Indian economy has entered a new phase of global participation, liberalization and expansion. Issues of community, gender, society, social and economic justice, bourgeois-liberal individualism, secular nationhood and ethnic identity are nowhere more explored in the Indian cultural mainstream than in commercial cinema. As Indian economy and policy have gone through a sea-change after the end of the Cold War and the commencement of the Global Capital, the largest cultural industry has followed suit. This book is a significant addition to the study of post-Global Indian culture. The articles represent a variety of theoretical and pedagogical approaches, and the collection will be appreciated by beginners and scholars alike.