Richard Glejzer – författare

Histories, films, stories, novels, memorials, museums and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptability of survivor accounts to faulty memory and the vestiges of trauma make them less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold? These essayists move past the idea that the Holocaust defies representation. They consider the ethical imperatives of Holocaust representation and the tension between history and memory.

Examines the ethical and pedagogical stakes of representing the Holocaust in books, films, and museum exhibits.The Holocaust presents an immense challenge to those who would represent it or teach it through fiction, film, or historical accounts. Even the testimonies of those who were there provide only a glimpse of the disaster to those who were not. Between Witness and Testimony investigates the difficulties inherent in the obligation to bear witness to events that seem not just unspeakable but also unthinkable. The authors examine films, fictional narratives, survivor testimonies, and the museums at Yad Vashem and the United States Holocaust Memorial Museum in order to establish an ethics of Holocaust representation. Traversing the disciplines of history, philosophy, religious studies, and literary and cultural theory, the authors suggest that while no account adequately provides access to what Adorno called "the extremity that eludes the concept," we are still obliged to testify, to put into language what history cannot contain.