Richard Ingham – författare

The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.

It is opening day at Ernst Edelbaum's hotel and already things are going wrong. His English niece turns out to be Leslie, a male punk, most of his guests don't arrive and the tour company are about to discover that his required wife doesn't exist. As for the guests, they all have their own problems ... But this hilarious farce, complete with man in drag and indoor tobogganing, ends happily of course.3 women, 3 men

The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument''s history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in ''light music'' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.

The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument''s history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in ''light music'' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.

Collection examining the Anglo-Norman language in a variety of texts and contexts, in military, legal, literary and other forms.The question of the development of Anglo-Norman (the variety of medieval French used in the British Isles), and the role it played in the life of the medieval English kingdom, is currently a major topic of scholarly debate. The essays in this volume examine it from a variety of different perspectives and contexts, though with a concentration on the theme of linguistic contact between Anglo-Norman and English, seeking to situate it more precisely in space and time than has hitherto been the case. Overall they show how Anglo-Norman retained a strong presence in the linguistic life of England until a strikingly late date, and how it constitutes a rich and highly valuable record of theFrench language in the middle ages.Contributors: Richard Ingham, Anthony Lodge, William Rothwell, David Trotter, Mark Chambers, Louise Sylvester, Anne Curry, Adrian Bell, Adam Chapman, Andy King, David Simpkin, Paul Brand, Jean-Pascal Pouzet, Laura Wright, Eric Haeberli.

Why do grammars change? The cycle of negation proposed by Jespersen is crucially linked to the status of items and phrases. The definition of criteria establishing when a polarity item becomes a negative element, and the identification of the role of phrases for the evolution of negation are the two objectives pursued by the contributions to this volume. The contributions look at the emergence of negative items, and their relation within a given sentence, with particular reference to English and French. The comparative perspective supports the documentation of the fine-grained steps that shed light on the factors that (i) determine change and those that (ii) accompany actuation, which are considered through a dialogue between functionalist and formalist approaches. By looking at the place of negation in the architecture of the sentence, they take up the debate as to the relevance of phrasal projections and consider the role of features. Focusing on the make-up of individual items makes it possible to re-conceptualise the Jespersen cycle as the apparent result of the documented evolution patterns of individual (series of) items. This novel perspective is solidly grounded on an extensive use of the complete, up to date bibliography, and will contribute to shape future research.

Why do grammars change? The cycle of negation proposed by Jespersen is crucially linked to the status of items and phrases. The definition of criteria establishing when a polarity item becomes a negative element, and the identification of the role of phrases for the evolution of negation are the two objectives pursued by the contributions to this volume.

The contributions look at the emergence of negative items, and their relation within a given sentence, with particular reference to English and French. The comparative perspective supports the documentation of the fine-grained steps that shed light on the factors that (i) determine change and those that (ii) accompany actuation, which are considered through a dialogue between functionalist and formalist approaches. By looking at the place of negation in the architecture of the sentence, they take up the debate as to the relevance of phrasal projections and consider the role of features. Focusing on the make-up of individual items makes it possible to re-conceptualise the Jespersen cycle as the apparent result of the documented evolution patterns of individual (series of) items. This novel perspective is solidly grounded on an extensive use of the complete, up to date bibliography, and will contribute to shape future research.

The multilingual context of medieval Britain has been a focus of historical linguistic scholarship for some time, but Middle English has often been examined in isolation. This book analyzes a large dataset of English vocabulary from the late Middle Ages, a time when the language was gaining new importance, with attention paid to parallel lexical developments in French and Latin. It explores lexical and semantic innovations and losses, and its findings challenge the notion that native and borrowed words were in competition during the period. The book presents a new picture of ongoing bilingualism in the late medieval period and a growth in vocabulary that heralded the beginnings of standardization in English.

The multilingual context of medieval Britain has been a focus of historical linguistic scholarship for some time, but Middle English has often been examined in isolation. This book analyzes a large dataset of English vocabulary from the late Middle Ages, a time when the language was gaining new importance, with attention paid to parallel lexical developments in French and Latin. It explores lexical and semantic innovations and losses, and its findings challenge the notion that native and borrowed words were in competition during the period. The book presents a new picture of ongoing bilingualism in the late medieval period and a growth in vocabulary that heralded the beginnings of standardization in English.