Richard Scholar - Böcker

Cities, at their best, are cradles of diversity, opportunity, and citizenship. Why, then, do so many cities today seem scarred by divisions separating the powerful and privileged from the victims of deprivation and injustice? What is it like to live on the wrong side of the divide in Paris, London, New York, Sao Paolo, and other cities all over the world?In this book, based on the internationally renowned Oxford Amnesty Lectures, eight leading urban thinkers argue about why divisions arise in cities and about what could and should be done to bring those divisions to an end. The book features essays by Patrick Declerck, Stuart Hall, David Harvey, Richard Rogers, Patricia Williams, and James Wolfensohn, with commentaries from Peter Hall, Michael Likosky, and others. The many contemporary issues that the book addresses include the impact of globalization and migration on the urban environment, the consequences of the 'war on terror' for those living in cities, the new development paradigm being adopted by international institutions in the developing world, the need for a genuine urban renaissance in Britain and elsewhere, and the suffering of the homeless.These controversial and sometimes conflicting essays, linked by Richard Scholar's incisive introduction, aim to encourage and inform debate about the challenges to human rights in our increasingly urban world.

What is the je-ne-sais-quoi? How-if at all-can it be put into words? In addressing these questions, Richard Scholar offers the first full-length study of the je-ne-sais-quoi and its fortunes in early modern Europe. He describes the rise and fall of the expression as a noun and as a topic of debate, examines its cluster of meanings, and uncovers the scattered traces of its 'pre-history'. The je-ne-sais-quoi is often assumed to belong purely to the realm of the literary, but in the early modern period it serves to articulate problems of knowledge in natural philosophy, the passions, and culture, and for that reason it is approached here from an interdisciplinary perspective. Placing major figures of the period such as Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries, Scholar argues that the je-ne-sais-quoi serves above all to capture first-person encounters with a 'certain something' that is as difficult to explain as its effects are intense. When early modern writers use the expression in this way, he suggests, they give literary form to an experience that twenty-first-century readers may recognize as something like their own.

The fascinating history of French words that have entered the English language and the fertile but fraught relationship between English- and French-speaking cultures across the worldEnglish has borrowed more words from French than from any other modern foreign language. French words and phrases—such as à la mode, ennui, naïveté and caprice—lend English a certain je-ne-sais-quoi that would otherwise elude the language. Richard Scholar examines the continuing history of untranslated French words in English and asks what these words reveal about the fertile but fraught relationship that England and France have long shared and that now entangles English- and French-speaking cultures all over the world.Émigrés demonstrates that French borrowings have, over the centuries, “turned” English in more ways than one. From the seventeenth-century polymath John Evelyn’s complaint that English lacks “words that do so fully express” the French ennui and naïveté, to George W. Bush’s purported claim that “the French don’t have a word for entrepreneur,” this unique history of English argues that French words have offered more than the mere seasoning of the occasional mot juste. They have established themselves as “creolizing keywords” that both connect English speakers to—and separate them from—French. Moving from the realms of opera to ice cream, the book shows how migrant French words are never the same again for having ventured abroad, and how they complete English by reminding us that it is fundamentally incomplete.At a moment of resurgent nationalism in the English-speaking world, Émigrés invites native Anglophone readers to consider how much we owe the French language and why so many of us remain ambivalent about the migrants in our midst.

The fascinating history of French words that have entered the English language and the fertile but fraught relationship between English- and French-speaking cultures across the worldEnglish has borrowed more words from French than from any other modern foreign language. French words and phrases—such as à la mode, ennui, naïveté and caprice—lend English a certain je-ne-sais-quoi that would otherwise elude the language. Richard Scholar examines the continuing history of untranslated French words in English and asks what these words reveal about the fertile but fraught relationship that England and France have long shared and that now entangles English- and French-speaking cultures all over the world.Émigrés demonstrates that French borrowings have, over the centuries, “turned” English in more ways than one. From the seventeenth-century polymath John Evelyn’s complaint that English lacks “words that do so fully express” the French ennui and naïveté, to George W. Bush’s purported claim that “the French don’t have a word for entrepreneur,” this unique history of English argues that French words have offered more than the mere seasoning of the occasional mot juste. They have established themselves as “creolizing keywords” that both connect English speakers to—and separate them from—French. Moving from the realms of opera to ice cream, the book shows how migrant French words are never the same again for having ventured abroad, and how they complete English by reminding us that it is fundamentally incomplete.At a moment of resurgent nationalism in the English-speaking world, Émigrés invites native Anglophone readers to consider how much we owe the French language and why so many of us remain ambivalent about the migrants in our midst.

The uses of fiction in early modern Europe are far more varied than is often assumed by those who consider fiction to be synonymous with the novel. The contributors to this volume demonstrate the significant role that fiction plays in early modern European culture, not only in a variety of its literary genres, but also in its formation of philosophical ideas, political theories, and the law. The volume explores these uses of fiction in a series of interrelated case studies, ranging from the Italian Renaissance to the French Revolution and examining the work of, among others, Montaigne, Corneille, Descartes, Hobbes, Locke, and Diderot. It asks: Where does fiction live, and thrive? Under what conditions, and to what ends? It suggests that fiction is best understood not as a genre or a discipline but, instead, as a frontier: one that demarcates literary genres and disciplines of knowledge and which, crucially, allows for the circulation of ideas between them.

Caribbean Globalizations explores the relations between globalization and the Caribbean since 1492, when Columbus first arrived in the region, to the present day. It aims to help change prevalent ways of thinking, not only about the Caribbean archipelago as a complex field of historical enquiry and cultural production, but also about the nature of globalization. It argues that the region has long been – and remains – a theatre of conflict between, as well as a site of emergence for, different forms of globalization. It thereby offers the opportunity to focus research and debate across the interdisciplinary spectrum by reflecting upon and re-imagining the idea of globalization in a specifically Caribbean context. It does so at a time when the Caribbean is urgently rethinking its own identity and place in a world where the Western economic model of globalization is more in question than ever.With contributors including Patrick Chamoiseau, Christopher Miller, Mimi Sheller and Charles Forsdick, this book will be required reading for all scholars working in Caribbean Studies.