Robert W. Greene – författare

The Sting Man: The True Story Behind the Film AMERICAN HUSTLEThe inspiration behind the film American Hustle, directed by David O'Russell (Silver Linings Playbook, The Fighter) and starring Christian Bale, Bradley Cooper, Jennifer Lawrence and Amy AdamsHow did a Bronx hustler nearly bring down the US government?From hustling on the streets of the Bronx to selling bogus businesses and sham investments around the world, Mel Weinberg netted millions of dollars. So legendary were his skills that in the late 1970s he was recruited by the FBI to combat art thieves and counterfeiters. But the trail quickly led to even bigger targets. His legendary sting operation, Abscam, caught eight corrupt congressmen and senators. The scandal shook America to the core.In The Sting Man, Pulitzer Prize-winning author Robert W. Greene presents not only a thrilling account of the rise of the FBI's international con mastermind, but a vivid dissection of the underbelly of the American Dream. Can you really con an honest man?This astonishing true story will be loved by fans of Argo and Catch Me If You Can.'Absorbing and hilarious... reads like good fiction'Washington PostRobert W. Greene was a veteran reporter for more than twenty-seven years, a Senior Staff Investigator for the New York City Anti-Crime Committee and an investigator for the U.S. Senate. As a reporter for Newsday, he headed investigative teams that twice won the Pulitzer Prize gold medal. He was also president of the Investigative Reporters and Editors Group. He died in 2008.

Are the words that a novelist uses adequate to his or her elusive subject—the human condition? Are they pertinent, accurate, invariably fair, unflinchingly honest? Or do the novelist's words execute essentially formal maneuvers, engaging our interest through their patterns rather than their reach? And what about a possible third, synthesizing option? Robert W. Greene discovers that the two apparently divergent intentions in question (metalinguistic vs. moralistic) often paradoxically coexist in French fiction. Also, no doubt because it is more consistently self-conscious than that of any previous era, the fiction of twentieth-century France seems to illustrate this convergence with special brillance.From L'lmmoralist (1902) to L'Usage de la parole (1980) Greene explores combinations and permutations of moralistic analysis and metalinguistic commentary in a particular sequence of prose narrative. Along the way, he observes Gide, Proust, Malraux, Camus, Duras, and Sarraute, each in his or her own fashion, moving ceaselessly back and forth between soundings of the heart and diagnoses of the tongue.

During the last sixty to seventy years avant-garde poetry in France has evolved in two directions: one toward poetry conceived as a means to an end, the other toward poetry as an end in itself. Focusing on Pierre Reverdy, Francis Ponge, Rene Char, Andre du Bouchet, Jacques Dupin, and Marcelin Pleynet as the modern French poets who most faithfully reflect these directions, Robert Greene's chronological study allows us to follow the two-pronged evolution of French poetry since 1910. Situating his argument in a detailed historical context and basing it on comparisons with artistic movements and the poets' own writings on art, and on extended analyses of selected representative poems, the author is able to establish a new intellectual-historical perspective on contemporary poetry. Professor Greene finds that whereas Reverdy, Char, du Bouchet, and Dupin all embrace a conception of poetry as quest, as a search for the absolute, as the Way of beauty or truth, Ponge and Pleynet hold to a view of poetry as jete, as a celebration of the relative, as the play and display of language in action.What knits them together, he concludes, is the way in which each poet sums up his era as a stage in the development of twentieth-century French poetry. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

During the last sixty to seventy years avant-garde poetry in France has evolved in two directions: one toward poetry conceived as a means to an end, the other toward poetry as an end in itself. Focusing on Pierre Reverdy, Francis Ponge, Rene Char, Andre du Bouchet, Jacques Dupin, and Marcelin Pleynet as the modern French poets who most faithfully reflect these directions, Robert Greene's chronological study allows us to follow the two-pronged evolution of French poetry since 1910. Situating his argument in a detailed historical context and basing it on comparisons with artistic movements and the poets' own writings on art, and on extended analyses of selected representative poems, the author is able to establish a new intellectual-historical perspective on contemporary poetry. Professor Greene finds that whereas Reverdy, Char, du Bouchet, and Dupin all embrace a conception of poetry as quest, as a search for the absolute, as the Way of beauty or truth, Ponge and Pleynet hold to a view of poetry as jete, as a celebration of the relative, as the play and display of language in action.What knits them together, he concludes, is the way in which each poet sums up his era as a stage in the development of twentieth-century French poetry. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.