Robin G. Schulze – författare
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3 produkter
3 produkter
Inbunden, Engelska, 2013
1 163 kr
Skickas inom 5-8 vardagar
This book offers an important reconsideration of the cultural impulses that drove American literary modernism. America's modernist poets came of age in a nation struggling to redefine its relationship with poetry and with nature. In the early twentieth century, Darwinian science dictated that as countries became more civilized, as their citizens dwelt increasingly in the realms of artifice they created, they ceased to engage in the invigorating struggles against nature that kept them fit. Civilization led to the medical condition known as degeneration, the morbid deviation of men from an identifiable "normal type." Eager to save America from the fate of a degenerate Europe, Progressive Era reformers prescribed the invigorating contact with American nature as a means to keep the American race clean and healthy. In order for nature to serve as an antidote for degeneration, however, it needed to remain a realm of hard facts and unremitting forces, a delusion-free place free of art that cleansed the mind rather than clouded it. Drawing on a wide range of primary and archival sources, this book argues that the widespread American turn back to nature in the early twentieth century had profound consequences for America's modernist poets. Like other Americans of their day, Harriet Monroe, Ezra Pound, and Marianne Moore heeded the widespread American call to head back to nature for the sake of the nation's health, but they faced a difficult challenge. Turning to American nature as a means to combat the threat of American degeneration in their literary work, they needed to create a form of American poetry that would be a cure for degeneration rather than a cause. My work reveals the ways in which Monroe's, Pound's, and Moore's struggles to create and publish poems that could resist degeneration by keeping faith with American nature influenced ideas about what American poetry should be and do in the twentieth century.
E-bok
PDF, Engelska, 20131 047 kr
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A tide of newfound prosperity swept through America as the nineteenth century turned into the twentieth. Modernity had arrived. Yet amid this climate of progress, concerns over the perils of modernity and civilization began to creep into the national consciousness. Stress, overcrowding, and immigration stoked fears of degeneration among the white middle- and upper classes. To correct course, the Back to Nature movement was born. By shedding the shackles of modernity and embracing the great outdoors, Americans could keep fit and stave off a descent down the evolutionary ladder.Drawing on a wide range of primary and archival sources, Robin Schulze examines how the return to nature altered the work of three modernist poets: Harriet Monroe, Ezra Pound, and Marianne Moore. Like other Americans of their day, the trio heeded the widespread national call to head back to nature for the sake of the nation''s health, but they faced a difficult challenge. Turning to nature as a means to combat the threat of degeneration in their literary and editorial work, they needed to envision a form of poetry that would be a cure for degeneration rather than a cause. The Degenerate Muse reveals the ways in which Monroe, Pound, and Moore struggled to create and publish poems that resisted degeneration by keeping faith with nature-influenced ideas about what American poetry should be and do in the twentieth century.A combination of environmental history and modernist studies, The Degenerate Muse reveals that the American relationship to nature was a key issue of modernity and an integral part of literary modernism.
Inbunden, Engelska, 2002
1 301 kr
Skickas inom 3-6 vardagar
Throughout her lifetime, Marianne Moore was an avid editor of her own verse. The bulk of her poems appear in numerous, at times vastly different published versions. For Moore, no text was ever stable or finished; each opportunity to publish offered an opportunity to revise. "Becoming Marianne Moore" gives scholars and readers access to the multiple variant versions of Moore's poems published between 1907 and 1924. An innovative, deeply contextualized facsimile edition of the poet's published early verse, it brilliantly demonstrates that modernist textuality is not a fixed, static product but an ongoing, fluid process. "Becoming Marianne Moore" offers readers a full facsimile reprint of the first edition of "Observations" (1924), the book that garnered Moore the Dial Award for Literature and solidified her reputation as a modernist poet of note. The reprint is followed by a collection of facsimiles that presents each of Moore's poems published between 1907 and 1924 as it first appeared in a modernist little magazine.Each facsimile is accompanied by a variorum table that gives scholars quick access to all of the published changes that Moore made to each poem and a series of brief bibliographical notes that supply information about the immediate publication contexts of all of the presentations of the poem. These notes, in turn, point readers to narrative accounts of Moore's associations with her early publishers that offer a range of historical, contextual, biographical, and bibliographic information about the publication events of Moore's poems and explore her attempts to shape her literary career in concert with some of her most famous modernist peers - Richard Aldington, H.D., Harriet Monroe, Ezra Pound, and William Carlos Williams. A wonderful fusion of historical research and critical sensitivity, "Becoming Marianne Moore" will change the way people think about Moore's verse and modernist textuality in general. A powerful intervention into Moore studies, it gives readers a broader sense of the poet's complex and brilliant career.