Marianne Moore – författare

Throughout her lifetime, Marianne Moore was an avid editor of her own verse. The bulk of her poems appear in numerous, at times vastly different published versions. For Moore, no text was ever stable or finished; each opportunity to publish offered an opportunity to revise. "Becoming Marianne Moore" gives scholars and readers access to the multiple variant versions of Moore's poems published between 1907 and 1924. An innovative, deeply contextualized facsimile edition of the poet's published early verse, it brilliantly demonstrates that modernist textuality is not a fixed, static product but an ongoing, fluid process. "Becoming Marianne Moore" offers readers a full facsimile reprint of the first edition of "Observations" (1924), the book that garnered Moore the Dial Award for Literature and solidified her reputation as a modernist poet of note. The reprint is followed by a collection of facsimiles that presents each of Moore's poems published between 1907 and 1924 as it first appeared in a modernist little magazine.Each facsimile is accompanied by a variorum table that gives scholars quick access to all of the published changes that Moore made to each poem and a series of brief bibliographical notes that supply information about the immediate publication contexts of all of the presentations of the poem. These notes, in turn, point readers to narrative accounts of Moore's associations with her early publishers that offer a range of historical, contextual, biographical, and bibliographic information about the publication events of Moore's poems and explore her attempts to shape her literary career in concert with some of her most famous modernist peers - Richard Aldington, H.D., Harriet Monroe, Ezra Pound, and William Carlos Williams. A wonderful fusion of historical research and critical sensitivity, "Becoming Marianne Moore" will change the way people think about Moore's verse and modernist textuality in general. A powerful intervention into Moore studies, it gives readers a broader sense of the poet's complex and brilliant career.

This is a definitive collection of one of the most genuine, witty and imaginative of twentieth-century American poets, the admired contemporary of Eliot, Pound, Stevens, Williams, H.D. and Cummings. Her fastidious and inimitable poems, with their observations of everything from a jerboa to a camel-sparrow, an ice octopus to the Brooklyn Dodgers, are part of the canon of modern poetry. 'Miss Moore's poems form part of the small body of durable poetry written in our time'. T. S. EliotThe Complete Poems was published in England in 1968, when Marianne Moore was eighty-one. This edition incorporates all her later revisions and corrections, as well as five poems written in the last years of her life. She died in New York in 1972.

During her lifetime Marianne Moore was that rarest of combinations, a genuine leader in the art of poetry, as well as a bona fide celebrity. She was an instantly recognisable symbol of Brooklyn, New York, appearing on the cover of Life magazine, asked by the Ford Motor Company to christen their new family sedan, and by the New York Yankees to throw the opening pitch of their baseball season. However, because of Moore's restless, seldom-ceasing, decade-spanning revision of her own poems, creating a 'stable' text of her work has posed editors a challenge ever since. Moore tackled the problem herself: Complete Poems (1967) was her own selection, but she favoured the later work, including less than half of her output up to that point. 'Omissions are not accidents,' she wrote pointedly in that edition, but for some readers the absence of more than one hundred poems constituted a wilful neglect of her startlingly innovative, highly influential early work, and contributed to Moore's undervaluing as a 'modernist' poet. Marianne Moore scholar Heather Cass White has prepared an edition of poems that, for the first time, presents the full range of Moore's work in its published order, while honouring the complex textual lives of the poems. With an inviting introduction and meticulous notes, the New Collected Poems of Marianne Moore is the first definitive text of this most celebrated writer, whose poems form part, as T. S. Eliot declared, of 'the small body of durable poetry written in our time'.

A reissue of the 1935 Selected Poems, which, with an Introduction by T. S. Eliot, brought Moore's work to the attention of a wider public. This beautifully designed edition forms part of a series of ten key titles celebrating Faber's publishing over the decades.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. A wily cat, a strange romance, detestable daughters: the great American poet Marianne Moore retells three stories originally written by Charles Perrault to amuse the niece of Louis XIV.Modern readers may be surprised to find that the prince does not wake Sleeping Beauty with a kiss - the more he cares, the less willing he is to intrude - and that his mother is descended from ogres. Characterised by vivid imagery, uncluttered prose, inventive alliteration and a sly sceptic's wit, Moore's versions do more than tell a tale: 'Having seen a problem solved,' she writes, each one leaves 'a pattern of order in the mind.'Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

"Vi hoppas numret visar på sätten litteraturen fortsätter att hitta nya former för oss att tänka på och känna med. Vilket får ses som tecken på att vi trots allt, med Boyers ord, "inte är döda än'". Ur numrets ledare Poesi av Gustaf Fröding, Marianne Moore, Layli Long Soldier, Lennart Sjögren och Mara Lee. Essäer av Lars-Håkan Svensson, Sofia Roberg, Anne Boyer och Lennart Sjögren. Recensioner: Lars Gustaf Andersson om Arne Johnsson, Maria Küchen om Marie Silkeberg, Lizette Romero Niknami om Malte Persson, Donia Saleh om Jonas Gren och Magdalena Rozenberg om Elisabeth Berchtold.