Rosinka Chaudhuri – författare

'...after all, natives were natives - interesting, no doubt, but finally ... an inferior people'Based on his experiences as a policeman in Burma, George Orwell's first novel is set during the end days of British colonialism, when Burma is ruled from Delhi as part of British India. In the fictional district of Kyauktada, based on Kathar, U Po Kyin, a corrupt Burmese magistrate, is planning to destroy the reputation of the Indian Dr Veraswami. The doctor's main protection is his friendship with John Flory who, as a European, has higher prestige. Dr Veraswami wants the privilege of becoming a member of the British club because he thinks that if his standing with the Europeans is good, U Po Kyin's intrigues against him will not prevail. U Po Kyin begins a campaign to persuade the Europeans that the doctor holds disloyal, anti-British opinions, and believes anonymous letters with false stories about the doctor 'will work wonders'.

This essay is a version of the text presented as a paper in Kolkata in February 2003. This was the first day of the two-day S. G. Deuskar lecture delivered by Gayatri Chakravorty Spivak at the Centre for Studies in Social Sciences, Calcutta. Fifteen years after that event, this essay finds its place among a new CSSSC lecture series titled Social Science Across Disciplines. Spivak's essay on ethics and politics is infused with a concern to bring forward the way the 'literary' works in the production of ethics and politics. The notion of ethics that she uses here is far removed from an inventory of moral principles or moral action. Instead, the ethical, here, is something like a much broader notion of a mentality, or sensibility, which remains part of ones being.

India has often been at the centre of debates on and definitions of the postcolonial condition. Offering a challenging new direction for the field, this Critical Reader confronts how theory in the Indian context is responding in vital terms to our understanding of that condition today. The Indian Postcolonial: A Critical Reader is made up of four sections looking in turn at:visual culturestranslating cultural traditionsthe ethical textglobal/cosmopolitan worlds.Each section is prefaced with a short introduction by the editors that locate these interdisciplinary articles within the contemporary national and international context. Showcasing the diversity and vitality of current debate, this volume collects the work of both established figures and a new generation of cultural critics. Challenging and unsettling many basic premises of postcolonial studies, this volume is the ideal Reader for students and scholars of the Indian Postcolonial.

Rammohun Roy (1774-1833) has been variously celebrated-or critiqued-as the 'Father of Modern India', 'the Erasmus of India', the first embodiment of the Bengal Renaissance under British rule, or, indeed, as the first modern Indian intellectual whose dilemmas revealed (to later analysts) the constraints of a colonial formation of politics and economy. He agitated for the freedom of the press, argued against the practice of sati, fought for the Hindu widow's right to inherit property, founded a religious organisation (the Brahmo Samaj) based on Unitarian principles, and gave evidence on Indian issues to the British parliament in 1831. He has been acknowledged as one of the progenitors of modern Bengali prose. His international reputation was unprecedented - much admired in America, he was feted in Britain and France, and the Spanish Constitution of Cádiz was dedicated to him. The Cambridge Companion to Rammohun Roy offers a revaluation of Rammohun's life and work through fresh readings of his life and legacy. It also aims to present a global connected history of modern thought in the early nineteenth century, prioritising local sources in both the English press and Bengali-language publications that were so far unexplored.

Rammohun Roy (1774-1833) has been variously celebrated-or critiqued-as the 'Father of Modern India', 'the Erasmus of India', the first embodiment of the Bengal Renaissance under British rule, or, indeed, as the first modern Indian intellectual whose dilemmas revealed (to later analysts) the constraints of a colonial formation of politics and economy. He agitated for the freedom of the press, argued against the practice of sati, fought for the Hindu widow's right to inherit property, founded a religious organisation (the Brahmo Samaj) based on Unitarian principles, and gave evidence on Indian issues to the British parliament in 1831. He has been acknowledged as one of the progenitors of modern Bengali prose. His international reputation was unprecedented - much admired in America, he was feted in Britain and France, and the Spanish Constitution of Cádiz was dedicated to him. The Cambridge Companion to Rammohun Roy offers a revaluation of Rammohun's life and work through fresh readings of his life and legacy. It also aims to present a global connected history of modern thought in the early nineteenth century, prioritising local sources in both the English press and Bengali-language publications that were so far unexplored.

A History of Indian Poetry in English explores the genealogy of Anglophone verse in India from its nineteenth-century origins to the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that illuminate the legacy of English in Indian poetry. Organized thematically, these essays survey the multilayered verse of such diverse poets as Henry Louis Vivian Derozio, Rabindranath Tagore, Nissim Ezekiel, Dom Moraes, Kamala Das, and Melanie Silgardo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of imperialism and diaspora in Indian poetry. This book is of pivotal importance to the development of Indian poetry in English and will serve as an invaluable reference for specialists and students alike.

Literary Activism – activism that revisits and interrogates an idea of literature – emerges from a radically altered landscape for both publishing and academia, where market pressures are effecting changes – on language, on the measuring of value, on the concept of influence – we might struggle to recognise.Taking in the roles of writer, critic, translator, academic and publisher, the essays in this volume follow no single line of enquiry. Rather, they offer the beginnings of an analysis of the literary world at a certain moment of globalization, while also questioning whether a literary world exists and, if it does, where its boundaries lie.The collection moves in many directions – from Arun Kolatkar and his near-heroic refusal of both market place and reputation; to Derek Attridge, who argues for a form of affirmative criticism which positions the critic as a ‘lover of the text’; while, from Amsterdam, Dubravka Ugrešić;reflects on life in a literary ‘out of nation zone’, adrift in a territory where intellectual protest has been stripped of ideological impetus and subsumed by the voraciousness of the market.Taken together, these essays initiate a series of conversations about who reads what and why, about the practice of writing and criticism at this particular contemporary moment, and about the activities and institutions that shape an understanding of what literature is and what it can do.Literary Activism, edited by Amit Chaudhuri, features writing from Derek Attridge, Tim Parks, Dubravka Ugrešić, Laetitia Zecchini, Peter D. Macdonald, Saikat Majumdar, Jamie McKendrick, and Swapan Chakravorty, with an afterword byJon Cook.