Inbunden, Engelska, 1977
1 870 kr
Skickas inom 3-6 vardagar
Russell Fraser – författare
Visar alla böcker från författaren Russell Fraser. Handla med fri frakt och snabb leverans.
22 produkter
22 produkter
- Häftad, Engelska, 1998
161 kr
Skickas inom 3-6 vardagar
- Häftad, Engelska, 2004
219 kr
Skickas inom 5-8 vardagar
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All's Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser's text of one of Shakespeare's most puzzling, ambiguous and demanding plays. Leggatt's interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume. - Inbunden, Engelska, 2003
1 227 kr
Skickas inom 5-8 vardagar
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All's Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser's text of one of Shakespeare's most puzzling, ambiguous and demanding plays. Leggatt's interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume. - E-bokEngelska, 1998
97 kr
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The Signet Classics edition of one of William Shakespeare’s greatest tragedies.Full of cruelty and betrayal, King Lear is the timeless and timely story of a kingdom held in the thrall of an aging ruler’s descent into madness. Desperate for praise, he banishes those who would guide him with honesty and surrounds himself with sycophants—an action which leads to his ultimately tragic downfall...This revised Signet Classics edition includes unique features such as: • An overview of Shakespeare''s life, world, and theater • A special introduction to the play by the editor, Russell Fraser• Selections from Raphael Holinshed''s Chronicles of England, Scotland, and Ireland, Sir Philip Sidney''s Arcadia, and The True Chronicle History of King Lear, the sources from which Shakespeare derived King Lear • Dramatic criticism from Samuel Johnson, A. C. Bradley, John Russell Brown, and others • A comprehensive stage and screen history of notable actors, directors, and productions • Text, notes, and commentaries printed in the clearest, most readable text • And more... - Häftad, Engelska, 2018
864 kr
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In this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many outlived it, enduring an eclipse that Fraser intends this book to dispel. Each of the authors differs in background and in the kinds of writing practiced, and while together they do not constitute a modern canon, Fraser persuasively presents them as a group distinguished by a more than ordinary affiliation for language. Leading off are Oscar Wilde and J. M. Synge, both of whom were Irish and principally known as playwrights. The Scottish poets Edwin Muir and G.M. Brown are complemented by three great Europeans: Paul Valery, Eugenio Montale, and Osip Mandelstam, "mandarins" who wrote for an elite of their time, not a social elite, but readers who could read. The New Critics, who gave language first place in their writing, loom large in this account. R.P. Blackmur and Allen Tate are followed by Delmore Schwartz, Austin Warren, and Francis Fergusson, lesser stars orbiting those greater than themselves. Kingsley Amis the novelist and James Dickey the poet, with whom the book concludes, had a great run at fame and fortune, but ended bleakly. The world was livelier for these writers' presence, and what they left us still gives satisfaction. This heterogeneous group may be said to be our saving remnant. In a time of coarsened feeling, its members possess in high degree the ability to discriminate, seeing acutely, and inspiring feeling where it was dead. Their function is therapeutic, even restorative for the life of letters. To give them a hearing is the principal purpose of the book. - Inbunden, Engelska, 2017
2 542 kr
Skickas inom 10-15 vardagar
R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time of his death, he had completed five books and numerous plays, poems, and short stories. He devoted most of his life to studies on Henry Adams - someone he saw in himself. In his lifetime, he received a share of adulation, but he was not successful in the way that success is commonly measured. In this work, Russell Fraser follows the course of Blackmur's self-declared failed genius. He tells the story of his precocious youth in Cambridge; his eclectic education; his years of poverty and renown as a poet, novelist, freelance music critic, and essayist; his obsessive marriage to artist Helen Dickson; his entangled friendships with T. S. Eliot, Delmore Schwartz, Allen Tate, and John Berryman; and, his passion for the wilds of Maine. He discusses Blackmur's crucial role in the literary magazines of the twenties and thirties; his unique influence as instructor of creative writing; the emotional and professional price he paid for a doubtful security at Princeton University; and, the torment of wavering between intellectual inertia and prolific inspiration. With empathy and insight, Fraser shows how the trajectory of Blackmur's career parallels the movements in the American literary scene; the experiments in poetry and fiction; the development of the New Criticism; the writer's conflict between order and anarchy, taxonomy and the full response; and, the emergence of the critic as artist. A biography, intellectual history, and literary criticism, "A Mingled Yarn" unravels Blackmur's complex character and celebrates his great achievement. - Inbunden, Engelska, 2017
2 838 kr
Skickas inom 10-15 vardagar
Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like "the yolk and white of one shell." What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain's Men became the King's Men, passing under the sovereign's protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser's subjects. In short, Fraser's principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the "largest and most comprehensive soul." John Dryden, Shakespeare's first great critic, said that, and Fraser tries to estimate what he meant. - E-bokPDF, Engelska, 2004
202 kr
Läs direkt efter köp
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All''s Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser''s text of one of Shakespeare''s most puzzling, ambiguous and demanding plays. Leggatt''s interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play''s critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume. - E-bokEngelska, 2004
202 kr
Läs direkt efter köp
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All''s Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser''s text of one of Shakespeare''s most puzzling, ambiguous and demanding plays. Leggatt''s interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play''s critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume. - E-bokEngelska, 2019
1 013 kr
Läs direkt efter köp
In this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many outlived it, enduring an eclipse that Fraser intends this book to dispel. Each of the authors differs in background and in the kinds of writing practiced, and while together they do not constitute a modern canon, Fraser persuasively presents them as a group distinguished by a more than ordinary affiliation for language. Leading off are Oscar Wilde and J. M. Synge, both of whom were Irish and principally known as playwrights. The Scottish poets Edwin Muir and G.M. Brown are complemented by three great Europeans: Paul Valery, Eugenio Montale, and Osip Mandelstam, "mandarins" who wrote for an elite of their time, not a social elite, but readers who could read. The New Critics, who gave language first place in their writing, loom large in this account. R.P. Blackmur and Allen Tate are followed by Delmore Schwartz, Austin Warren, and Francis Fergusson, lesser stars orbiting those greater than themselves. Kingsley Amis the novelist and James Dickey the poet, with whom the book concludes, had a great run at fame and fortune, but ended bleakly. The world was livelier for these writers'' presence, and what they left us still gives satisfaction. This heterogeneous group may be said to be our saving remnant. In a time of coarsened feeling, its members possess in high degree the ability to discriminate, seeing acutely, and inspiring feeling where it was dead. Their function is therapeutic, even restorative for the life of letters. To give them a hearing is the principal purpose of the book.
- E-bokPDF, Engelska, 2019
1 013 kr
Läs direkt efter köp
In this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many outlived it, enduring an eclipse that Fraser intends this book to dispel. Each of the authors differs in background and in the kinds of writing practiced, and while together they do not constitute a modern canon, Fraser persuasively presents them as a group distinguished by a more than ordinary affiliation for language. Leading off are Oscar Wilde and J. M. Synge, both of whom were Irish and principally known as playwrights. The Scottish poets Edwin Muir and G.M. Brown are complemented by three great Europeans: Paul Valery, Eugenio Montale, and Osip Mandelstam, "mandarins" who wrote for an elite of their time, not a social elite, but readers who could read. The New Critics, who gave language first place in their writing, loom large in this account. R.P. Blackmur and Allen Tate are followed by Delmore Schwartz, Austin Warren, and Francis Fergusson, lesser stars orbiting those greater than themselves. Kingsley Amis the novelist and James Dickey the poet, with whom the book concludes, had a great run at fame and fortune, but ended bleakly. The world was livelier for these writers'' presence, and what they left us still gives satisfaction. This heterogeneous group may be said to be our saving remnant. In a time of coarsened feeling, its members possess in high degree the ability to discriminate, seeing acutely, and inspiring feeling where it was dead. Their function is therapeutic, even restorative for the life of letters. To give them a hearing is the principal purpose of the book.
- E-bokEngelska, 2017
935 kr
Läs direkt efter köp
Shakespeare: A Life in Art brings together in a single volume Fraser''s previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author''s lifelong commitment to Shakespeare''s work and seeks to find the pattern in his carpet.Fraser''s approach places Shakespeare''s work first but shows how the life and art interpenetrate, like the yolk and white of one shell. What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England''s Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain''s Men became the King''s Men, passing under the sovereign''s protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser''s subjects. In short, Fraser''s principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the largest and most comprehensive soul. John Dryden, Shakespeare''s first great critic, said that, and Fraser tries to estimate what he meant. - E-bokPDF, Engelska, 2017
874 kr
Läs direkt efter köp
Shakespeare: A Life in Art brings together in a single volume Fraser''s previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author''s lifelong commitment to Shakespeare''s work and seeks to find the pattern in his carpet.Fraser''s approach places Shakespeare''s work first but shows how the life and art interpenetrate, like the yolk and white of one shell. What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England''s Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain''s Men became the King''s Men, passing under the sovereign''s protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser''s subjects. In short, Fraser''s principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the largest and most comprehensive soul. John Dryden, Shakespeare''s first great critic, said that, and Fraser tries to estimate what he meant. - E-bokEngelska, 2017
1 053 kr
Läs direkt efter köp
R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time of his death, he had completed five books and numerous plays, poems, and short stories. He devoted most of his life to studies on Henry Adams - someone he saw in himself. In his lifetime, he received a share of adulation, but he was not successful in the way that success is commonly measured. In this work, Russell Fraser follows the course of Blackmur''s self-declared failed genius. He tells the story of his precocious youth in Cambridge; his eclectic education; his years of poverty and renown as a poet, novelist, freelance music critic, and essayist; his obsessive marriage to artist Helen Dickson; his entangled friendships with T. S. Eliot, Delmore Schwartz, Allen Tate, and John Berryman; and, his passion for the wilds of Maine. He discusses Blackmur''s crucial role in the literary magazines of the twenties and thirties; his unique influence as instructor of creative writing; the emotional and professional price he paid for a doubtful security at Princeton University; and, the torment of wavering between intellectual inertia and prolific inspiration. With empathy and insight, Fraser shows how the trajectory of Blackmur''s career parallels the movements in the American literary scene; the experiments in poetry and fiction; the development of the New Criticism; the writer''s conflict between order and anarchy, taxonomy and the full response; and, the emergence of the critic as artist. A biography, intellectual history, and literary criticism, "A Mingled Yarn" unravels Blackmur''s complex character and celebrates his great achievement. - E-bokPDF, Engelska, 2017
1 061 kr
Läs direkt efter köp
R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time of his death, he had completed five books and numerous plays, poems, and short stories. He devoted most of his life to studies on Henry Adams - someone he saw in himself. In his lifetime, he received a share of adulation, but he was not successful in the way that success is commonly measured. In this work, Russell Fraser follows the course of Blackmur''s self-declared failed genius. He tells the story of his precocious youth in Cambridge; his eclectic education; his years of poverty and renown as a poet, novelist, freelance music critic, and essayist; his obsessive marriage to artist Helen Dickson; his entangled friendships with T. S. Eliot, Delmore Schwartz, Allen Tate, and John Berryman; and, his passion for the wilds of Maine. He discusses Blackmur''s crucial role in the literary magazines of the twenties and thirties; his unique influence as instructor of creative writing; the emotional and professional price he paid for a doubtful security at Princeton University; and, the torment of wavering between intellectual inertia and prolific inspiration. With empathy and insight, Fraser shows how the trajectory of Blackmur''s career parallels the movements in the American literary scene; the experiments in poetry and fiction; the development of the New Criticism; the writer''s conflict between order and anarchy, taxonomy and the full response; and, the emergence of the critic as artist. A biography, intellectual history, and literary criticism, "A Mingled Yarn" unravels Blackmur''s complex character and celebrates his great achievement. - Häftad, Engelska, 2007
797 kr
Skickas inom 10-15 vardagar
Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like "the yolk and white of one shell." What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain's Men became the King's Men, passing under the sovereign's protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser's subjects. In short, Fraser's principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the "largest and most comprehensive soul." John Dryden, Shakespeare's first great critic, said that, and Fraser tries to estimate what he meant. - Häftad, Engelska, 2010
904 kr
Skickas inom 10-15 vardagar
R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time of his death, he had completed five books and numerous plays, poems, and short stories. He devoted most of his life to studies on Henry Adams - someone he saw in himself. In his lifetime, he received a share of adulation, but he was not successful in the way that success is commonly measured. In this work, Russell Fraser follows the course of Blackmur's self-declared failed genius. He tells the story of his precocious youth in Cambridge; his eclectic education; his years of poverty and renown as a poet, novelist, freelance music critic, and essayist; his obsessive marriage to artist Helen Dickson; his entangled friendships with T. S. Eliot, Delmore Schwartz, Allen Tate, and John Berryman; and, his passion for the wilds of Maine. He discusses Blackmur's crucial role in the literary magazines of the twenties and thirties; his unique influence as instructor of creative writing; the emotional and professional price he paid for a doubtful security at Princeton University; and, the torment of wavering between intellectual inertia and prolific inspiration. With empathy and insight, Fraser shows how the trajectory of Blackmur's career parallels the movements in the American literary scene; the experiments in poetry and fiction; the development of the New Criticism; the writer's conflict between order and anarchy, taxonomy and the full response; and, the emergence of the critic as artist. A biography, intellectual history, and literary criticism, "A Mingled Yarn" unravels Blackmur's complex character and celebrates his great achievement. - E-bokEngelska, 2012
494 kr
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"I fly to faraway places in the hopes of finding the distinguishing thing. The frequent flier miles are a bonus."
With a title borrowed from Samuel Johnson, insatiable globe-trotter Russell Fraser fondly recalls his travels in China, Peru, Italy, France, Russia, Scotland, the Persian Gulf, and the Antarctic in this series of meditations on the distinguishing elements of culture and history found in far-flung locales. Fraser establishes himself as a knowledgeable guide who combines an intimate familiarity with local history, a keen eye for culture, a companionable wit, and a penchant for speculation about the grip of the past on the present. Fraser''s fascination with people leads him to banter and at times to argue with locals in his quest to discern the peculiarities of a given place, be it a communist training school near Milan or the best bar in St. Petersburg. His grand appreciation for discoveries that can be made only through travel is apparent in every poetically phrased description and artfully reconstructed dialogue.
Fraser begins each essay with an autobiographical passage before turning to the place and moment at hand. This technique establishes camaraderie with our learned, informative, and entertaining guide as we walk deserts and frozen plains, Old World neighborhoods and Far Eastern danger zones, the lobbies of plush new hotels and the aisles of centuries-old cathedrals. In his ruminations, Fraser circles strategically between personal and global pasts—traveling in time as well as space—to put our modernity in perspective and to ponder facets of human experience found amid the regions he describes so vividly. The heart of Fraser''s memoir is a two-chapter sequence devoted to meandering through his ancestral homeland of Scotland, a narrative that ably couples family history and travelogue. In the concluding essay, the author''s adventure in Antarctica parallels a trip taken decades earlier by his great-grandfather Alexander V. Fraser, the first commander of the U.S. Coast Guard, and again he deftly juxtaposes the personal with the global and the past with the present.
As Fraser advocates for the existence and importance of timeless truths about all corners of the world, he makes even the roughest of environments seem intriguingly beautiful with crystal clear prose evocative of the times and places through which he moves. His tales are peppered with the anecdotes, asides, and well-chosen quotations of a traveler steeped in knowledge of the world''s history and its literature. A veteran of these escapades, Fraser uses his experience to hone his observations into a special brand of truth that comes from one who is equally adept at wandering the world and sharing authentic accounts of those sensational travels. From China to Peru is a welcoming invitation to traverse the globe, if only through the insightful memories of one well-versed in such passages.
- Inbunden, Engelska, 2014
487 kr
Skickas inom 10-15 vardagar
Sojourner in Islamic Lands takes us on a journey from Kazakhstan in the far north of Central Asia, across the mountains to the former Soviet Union, then south to Iran just below the Caspian Sea. Russell Fraser follows the ancient Silk Road wherever possible. For centuries the Silk Road was the primary commercial link between Europe and Asia, with much of it over desert sands and accessible only by camel. Building on history and personal experience, Fraser's narrative describes this vast territory with an eye to geography, artistic culture, and religion over more than two thousand years. The book that he gives us depends first of all on travel, but the author's eye is on an interior landscape, and he focuses on the influence of religious ideology on the cultural landscape of Central Asia. Delving deeply into art and architecture, he takes them to be Islam's most significant creative expressions. Although Islam is currently the predominant religion in the region, the book also examines the two other belief systems with modern-day followers--Christianity and an antireligious sect Fraser calls secular progressivism. His aim is to present Islam to Western readers by describing its achievements during the High Middle Ages and comparing and contrasting them with those of modern Islam. The book offers insights into the history of a major world religion through the eyes of a well-known literary scholar on a journey through exotic parts of the world. He steeps us in the latter, inviting the reader to share the journey with him and participate in the sensations it gives rise to. - E-bokEngelska, 2014
454 kr
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Sojourner in Islamic Lands takes us on a journey from Kazakhstan in the far north of Central Asia, across the mountains to the former Soviet Union, then south to Iran just below the Caspian Sea. Russell Fraser follows the ancient Silk Road wherever possible. For centuries the Silk Road was the primary commercial link between Europe and Asia, with much of it over desert sands and accessible only by camel. Building on history and personal experience, Fraser''s narrative describes this vast territory with an eye to geography, artistic culture, and religion over more than two thousand years.
The book that he gives us depends first of all on travel, but the author''s eye is on an interior landscape, and he focuses on the influence of religious ideology on the cultural landscape of Central Asia. Delving deeply into art and architecture, he takes them to be Islam''s most significant creative expressions. Although Islam is currently the predominant religion in the region, the book also examines the two other belief systems with modern-day followers—Christianity and an antireligious sect Fraser calls secular progressivism.
His aim is to present Islam to Western readers by describing its achievements during the High Middle Ages and comparing and contrasting them with those of modern Islam. The book offers insights into the history of a major world religion through the eyes of a well-known literary scholar on a journey through exotic parts of the world. He steeps us in the latter, inviting the reader to share the journey with him and participate in the sensations it gives rise to.
- Inbunden, Engelska, 2005
1 282 kr
Tillfälligt slut
In this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many outlived it, enduring an eclipse that Fraser intends this book to dispel. Each of the authors differs in background and in the kinds of writing practiced, and while together they do not constitute a modern canon, Fraser persuasively presents them as a group distinguished by a more than ordinary affiliation for language. Leading off are Oscar Wilde and J. M. Synge, both of whom were Irish and principally known as playwrights. The Scottish poets Edwin Muir and G.M. Brown are complemented by three great Europeans: Paul Valery, Eugenio Montale, and Osip Mandelstam, "mandarins" who wrote for an elite of their time, not a social elite, but readers who could read. The New Critics, who gave language first place in their writing, loom large in this account. R.P. Blackmur and Allen Tate are followed by Delmore Schwartz, Austin Warren, and Francis Fergusson, lesser stars orbiting those greater than themselves. Kingsley Amis the novelist and James Dickey the poet, with whom the book concludes, had a great run at fame and fortune, but ended bleakly. The world was livelier for these writers' presence, and what they left us still gives satisfaction. This heterogeneous group may be said to be our saving remnant. In a time of coarsened feeling, its members possess in high degree the ability to discriminate, seeing acutely, and inspiring feeling where it was dead. Their function is therapeutic, even restorative for the life of letters. To give them a hearing is the principal purpose of the book.
