Ruth M. Van Dyke – författare

A unique collection of newly written essays by archaeologists working in a variety of contexts and geographical areas, Archaeologies of Memory is a groundbreaking text that presents a coherent framework for the study of memory in past societies. Serves as an accessible introduction to central issues in the study of memory, including authority and identity, and the role memory plays in their creation and transformation.Presents a collection of newly commissioned essays that provide a coherent framework for the study of memory in past societies.Brings together essays from both anthropological and classical archaeologists.Includes contributions drawn from a variety of cultures and time periods, including New Kingdom Egypt and the prehistoric American Southwest.

A unique collection of newly written essays by archaeologists working in a variety of contexts and geographical areas, Archaeologies of Memory is a groundbreaking text that presents a coherent framework for the study of memory in past societies. Serves as an accessible introduction to central issues in the study of memory, including authority and identity, and the role memory plays in their creation and transformation.Presents a collection of newly commissioned essays that provide a coherent framework for the study of memory in past societies.Brings together essays from both anthropological and classical archaeologists.Includes contributions drawn from a variety of cultures and time periods, including New Kingdom Egypt and the prehistoric American Southwest.

It is little wonder that relationships between things and humans are front-and-center in the contemporary social sciences, given the presence of technologies in every conceivable aspect of our lives. From Bruno Latour to Ian Hodder, anthropologists and archaeologists are embracing thing theory and the ontological turn. In Practicing Materiality, Ruth M. Van Dyke cautions that as anthropologists turn toward animals and things, they run the risk of turning away from people and intentional actions.Practicing Materiality focuses on the practical job of applying materiality to anthropological investigations, but with the firm retention of anthropocentrism. The philosophical discussions that run through the nine chapters develop practical applications for material studies, including Heideggerian phenomenology, Gellian secondary agency, object life histories, and bundling. Seven case studies are flanked by an introduction and a discussion chapter. The case studies represent a wide range of archaeological and anthropological contexts, from contemporary New York City and Turkey to fifteenth-century Portugal, the ancient southwest United States, and the ancient Andes. Authors in every chapter argue for the rejection of subject/object dualism, regarding material things as actively involved in the negotiation of power within human social relationships. Practicing Materiality demonstrates that it is possible to focus on the entangled lives of things without losing sight of their political and social implications.

Seeking to move beyond the customary limits of archaeological prose and representation, Subjects and Narratives in Archaeology presents archaeology in a variety of nontraditional formats. The volume demonstrates that visual art, creative nonfiction, archaeological fiction, video, drama, and other artistic pursuits have much to offer archaeological interpretation and analysis.Chapters in the volume are augmented by narrative, poetry, paintings, dialogues, online databases, videos, audio files, and slideshows. The work will be available in print and as an enhanced ebook that incorporates and showcases the multimedia elements in archaeological narrative. While exploring these new and not-so-new forms, the contributors discuss the boundaries and connections between empirical data and archaeological imagination.Both a critique and an experiment, Subjects and Narratives in Archaeology addresses the goals, advantages, and difficulties of alternative forms of archaeological representation. Exploring the idea that academically sound archaeology can be fun to create and read, the book takes a step beyond the boundaries of both traditional archaeology and traditional publishing.