Ryan Hediger – författare

Ernest Hemingway is often recognised for his contributions to the intellectual and artistic experimentation of his day, including modernism, primitivism, naturalism and creative nonfiction. He has also long been situated in debates about the environment, often receiving criticism for his hunting practices and taken as iconic of an aggressive masculinity. This collection considers another influential artistic and intellectual formation that has particular resonance for reading Hemingway, despite postdating his life by more than a decade: posthumanism. The contributions highlight the many resonances between Hemingway's life and writing and the notions of posthumanism, including, for example: Hemingway's emphasis on a human creaturely life; his insistence on human participation in genuine ecologies; his use of and writing about technologies and prosthetics (as in cases of injury); and his scepticism about forces of modernity, economic development, labour norms and more. The collection also shows how investigating Hemingway alongside posthumanism can yield new insights about this author and contribute to posthumanist thought and practice.

Ernest Hemingway is often recognised for his contributions to the intellectual and artistic experimentation of his day, including modernism, primitivism, naturalism and creative nonfiction. He has also long been situated in debates about the environment, often receiving criticism for his hunting practices and taken as iconic of an aggressive masculinity. This collection considers another influential artistic and intellectual formation that has particular resonance for reading Hemingway, despite postdating his life by more than a decade: posthumanism. The contributions highlight the many resonances between Hemingway's life and writing and the notions of posthumanism, including, for example: Hemingway’s emphasis on a human creaturely life; his insistence on human participation in genuine ecologies; his use of and writing about technologies and prosthetics (as in cases of injury); and his scepticism about forces of modernity, economic development, labour norms and more. The collection also shows how investigating Hemingway alongside posthumanism can yield new insights about this author and contribute to posthumanist thought and practice.

Ernest Hemingway is often recognised for his contributions to the intellectual and artistic experimentation of his day, including modernism, primitivism, naturalism and creative nonfiction. He has also long been situated in debates about the environment, often receiving criticism for his hunting practices and taken as iconic of an aggressive masculinity. This collection considers another influential artistic and intellectual formation that has particular resonance for reading Hemingway, despite postdating his life by more than a decade: posthumanism. The contributions highlight the many resonances between Hemingway''s life and writing and the notions of posthumanism, including, for example: Hemingway’s emphasis on a human creaturely life; his insistence on human participation in genuine ecologies; his use of and writing about technologies and prosthetics (as in cases of injury); and his scepticism about forces of modernity, economic development, labour norms and more. The collection also shows how investigating Hemingway alongside posthumanism can yield new insights about this author and contribute to posthumanist thought and practice.

Ernest Hemingway is often recognised for his contributions to the intellectual and artistic experimentation of his day, including modernism, primitivism, naturalism and creative nonfiction. He has also long been situated in debates about the environment, often receiving criticism for his hunting practices and taken as iconic of an aggressive masculinity. This collection considers another influential artistic and intellectual formation that has particular resonance for reading Hemingway, despite postdating his life by more than a decade: posthumanism. The contributions highlight the many resonances between Hemingway''s life and writing and the notions of posthumanism, including, for example: Hemingway’s emphasis on a human creaturely life; his insistence on human participation in genuine ecologies; his use of and writing about technologies and prosthetics (as in cases of injury); and his scepticism about forces of modernity, economic development, labour norms and more. The collection also shows how investigating Hemingway alongside posthumanism can yield new insights about this author and contribute to posthumanist thought and practice.

Introducing a posthumanist concept of nostalgia to analyze steadily widening themes of animality, home, travel, slavery, shopping, and war in U.S. literature after 1945  In the Anthropocene, as climate change renders environments less stable, the human desire for place underscores the weakness of the individual in the face of the world. In this book, Ryan Hediger introduces a distinctive notion of homesickness, one in which the longing for place demonstrates not only human vulnerability but also intersubjectivity beyond the human. Arguing that this feeling is unavoidable and characteristically posthumanist, Hediger studies the complex mix of attitudes toward home, the homely, and the familiar in an age of resurgent cosmopolitanism, especially eco-cosmopolitanism. Homesickness closely examines U.S. literature mostly after 1945, including prominent writers such as Annie Proulx, Marilynne Robinson, and Ernest Hemingway, in light of the challenges and themes of the Anthropocene. Hediger argues that our desire for home is shorthand for a set of important hopes worth defending-serious and genuine relationships to places and their biotic regimes and landforms; membership in vital cultures, human and nonhuman; resistance to capital-infused forms of globalization that flatten differences and turn life and place into mere resources. Our homesickness, according to Hediger, is inevitable because the self is necessarily constructed with reference to the material past. Therefore, homesickness is not something to dismiss as nostalgic or reactionary but is rather a structure of feeling to come to terms with and even to cultivate.Recasting an expansive range of fields through the lens of homesickness-from ecocriticism to animal studies and disability studies, (eco)philosophy to posthumanist theory-Homesickness speaks not only to the desire for a physical structure or place but also to a wide range of longings and dislocations, including those related to subjectivity, memory, bodies, literary form, and language.

Introducing a posthumanist concept of nostalgia to analyze steadily widening themes of animality, home, travel, slavery, shopping, and war in U.S. literature after 1945  In the Anthropocene, as climate change renders environments less stable, the human desire for place underscores the weakness of the individual in the face of the world. In this book, Ryan Hediger introduces a distinctive notion of homesickness, one in which the longing for place demonstrates not only human vulnerability but also intersubjectivity beyond the human. Arguing that this feeling is unavoidable and characteristically posthumanist, Hediger studies the complex mix of attitudes toward home, the homely, and the familiar in an age of resurgent cosmopolitanism, especially eco-cosmopolitanism. Homesickness closely examines U.S. literature mostly after 1945, including prominent writers such as Annie Proulx, Marilynne Robinson, and Ernest Hemingway, in light of the challenges and themes of the Anthropocene. Hediger argues that our desire for home is shorthand for a set of important hopes worth defending-serious and genuine relationships to places and their biotic regimes and landforms; membership in vital cultures, human and nonhuman; resistance to capital-infused forms of globalization that flatten differences and turn life and place into mere resources. Our homesickness, according to Hediger, is inevitable because the self is necessarily constructed with reference to the material past. Therefore, homesickness is not something to dismiss as nostalgic or reactionary but is rather a structure of feeling to come to terms with and even to cultivate.Recasting an expansive range of fields through the lens of homesickness-from ecocriticism to animal studies and disability studies, (eco)philosophy to posthumanist theory-Homesickness speaks not only to the desire for a physical structure or place but also to a wide range of longings and dislocations, including those related to subjectivity, memory, bodies, literary form, and language.

Labor and labor norms orient much of contemporary life, organizing our days and years and driving planetary environmental change. Yet, labor, as a foundational set of values and practices, has not been sufficiently interrogated in the context of the environmental humanities for its profound role in climate change and other crises. This collection of essays demonstrates the urgent need to rethink models and customs of labor and leisure in the Anthropocene. Recognizing the grave traumas and hazards plaguing planet Earth, contributors expose fundamental flaws in ideas of work and search for ways to redirect cultures toward more sustainable modes of life. These essays evaluate Anthropocene frames of interpretation, dramatize problems and potentials in regimes of labor, and explore leisure practices such as walking and storytelling as modes of recasting life, while a coda advocates reviving notions of work as craft.

Labor and labor norms orient much of contemporary life, organizing our days and years and driving planetary environmental change. Yet, labor, as a foundational set of values and practices, has not been sufficiently interrogated in the context of the environmental humanities for its profound role in climate change and other crises. This collection of essays demonstrates the urgent need to rethink models and customs of labor and leisure in the Anthropocene. Recognizing the grave traumas and hazards plaguing planet Earth, contributors expose fundamental flaws in ideas of work and search for ways to redirect cultures toward more sustainable modes of life. These essays evaluate Anthropocene frames of interpretation, dramatize problems and potentials in regimes of labor, and explore leisure practices such as walking and storytelling as modes of recasting life, while a coda advocates reviving notions of work as craft.

While many scholars who write about animals deal with animal agency in some way, this volume is the first to position the question of nonhuman agency as the primary focus of inquiry. Section I presents studies of actual animals demonstrating agency; Section II moves agency into new terrain while considering key representations of animal agency in literature; Section III analyzes animals as mediators and as conveyances of human-to-human communication;and Section IV investigates the agency of beings who defy conventional species categories. The Envoi demonstrates how the microscopic polyp is interwoven into notions of agency and mythical superagency. This volume's interdisciplinary explorations press hard on issues of agency to open up space for more questions about how we can understand relationships between the human and the nonhuman.