Sailaja Krishnamurti – författare
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3 produkter
3 produkter
395 kr
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In Canada, women's bodies are often at the centre of debates about religious pluralism, multiculturalism, and secularism. Women have long played a critical role in building and maintaining diasporic religious communities and networks, and they have also been catalysts for change and transformation within religious groups and the wider community.Relation and Resistance explores the stories and lives of racialized women connected with religious diaspora communities in Canada. Contributors from across disciplines show how women are conceptualizing traditions in transformative ways, challenging prevailing assumptions about diasporic religion as nostalgically entrenched in the past. The collected essays include chapters on feminist and queer women thinking critically about Hindu and Muslim identities and beliefs and challenging anti-Black racism and settler colonialism; Afro-Caribbean and Métis writers using literature to explore religion and belonging; the impact of women's participation in Japanese, Chinese, and Pakistani transnational religious organizations; and marriage, migration, and gender equality in the Punjabi Sikh and Malayali Christian communities. The volume closes with a chapter exploring Métis diasporic experience and inviting readers to think critically about diasporic religion on Indigenous land.An innovative and timely volume, Relation and Resistance reveals that a deeper understanding of women's experiences of displacement, migration, race, and gender is critical to the study of religion in Canada.
1 120 kr
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Growing recognition of transnational practices and identities is changing the way scholars and activists ask questions about migration. Organizing the Transnational articulates a multi-level cultural politics of transnationalism to frame contemporary analyses of immigration and diasporas. With chapters by academics and activists working from diverse perspectives, the volume moves beyond the conventional focus on states and migrants to consider a wide array of institutions, actors, and forms of mobilization that shape transnational engagements and communities. Its unique approach will inform the work of researchers, practitioners, and activists interested in the dynamics of transnational social spaces.
758 kr
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Through an exploration of subjects such as Gandhi impersonators, "God-men," performance artists, and participants in ritual enactments of sacred stories through dance and theatre, Mimetic Desires makes an intervention toward understanding the phenomenon of impersonation and guising in South Asia and the world. This volume defines impersonation as the temporary assumption of an identity or guise in performance that is perceived to be not one’s own, regardless of whether this assumption is deliberate, intentional, and conscious or not. Interrogating the legitimacy of the purported dialectic between the "real/original" and "fake/dupe," Mimetic Desires refutes any ordering of identity along the lines of a binary or dichotomy that presupposes the myth of an original identity. Guising captures sartorial and kinetic play more generally. By peeling back the layers of performative masks to reveal the process of the masquerade itself, we can see that those with the most social capital are often those with the most power and opportunities to impersonate "up"—and "down"—social hierarchies. The twelve chapters in Mimetic Desires disclose sites and processes of socio-political power facilitated by normative markers of social status relating to race, ethnicity, gender, caste, class, and religion—and how those markers can be manipulated to express and enhance individual and group power. The first comprehensive study to focus on impersonation in South Asia, Mimetic Desires expands on previous scholarship on impersonation and guising in vernacular theatre, dance, public processions, and religious ritual. It is particularly in conversation with the robust scholarship on gender performance and trans-kothi-hijra engagement in theatrical and dance forms in South Asia. Mimetic Desires explores some of the contexts and forms of impersonation in South Asia, with its remarkable array of performing arts, to gain insight into the very human and quotidian practices of impersonation and guising.