Samuele F. S. Pardini – författare

In the Name of the Mother examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. Samuele Pardini links African American literature to the Mediterranean tradition of the Italian immigrants and examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. This volume emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities.

In the Name of the Mother examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. Samuele Pardini links African American literature to the Mediterranean tradition of the Italian immigrants and examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. This volume emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities.

For more than 50 years, Leslie Fiedler played a pivotal role in the development of American literary culture. Despite his often unacknowledged influence, the academy, intellectuals, and the general audience in America and abroad still read his work and draw on its concepts. The essays in The Devil Gets His Due reacquaint readers with the depth and breadth of Fiedler’s achievements. Tackling subjects ranging wildly from Dante, Ezra Pound, and Mary McCarthy to Rambo, Iwo Jima, and Jerry Lewis, these writings showcase Fiedler’s pioneering of an egalitarian canon that encompassed both “high” and popular literature, cinema, and history. As such, they show a powerful mind critiquing whole aspects of a culture and uncovering lessons therein that remain timely today. A lengthy introduction by Professor Samuele F. S. Pardini offers both context and history, with an in-depth profile of Fiedler and his career as both a literary critic and a public intellectual.

Letters written by Leslie Fiedler to his wife Margaret from May 1944 to December 1945 while he was stationed in Hawaii and various parts of the Pacific Theater as an intelligence officer during World War II.Finalist for the 2024 Foreword INDIES Book of the Year Award in the War & Military categoryThe letters in Writing Home offer a glimpse into a crucially formative period in the life of Leslie A. Fiedler, one of the greatest literary critics and American public intellectuals of the twentieth century. Written to his wife and two sons between May 1944 and December 1945, while he was serving as a cryptologist and translator for the Office of Naval Intelligence, they contain firsthand accounts of his experiences in various locations in the Pacific Theater, including Hawai'i, Iwo Jima, Okinawa, Guam, and China. Constrained by Navy censors from writing directly about his work as an intelligence officer, he writes, instead, on a variety of themes, events, places, and war situations, including the ethical contradictions between a war fought for and in the name of freedom on the one hand and the oppression of indigenous Hawai'ians and prisoners of war on the other. He also questions the mainstream, European-centered view of the war and provides new insights into the role of Jewish servicemen in World War II. Finally, the letters document the beginning of the formation of American intellectual life in the years preceding the Cold War, forcing us to rethink certain premises of American exceptionalism in the second half of the twentieth century. Taken together, they offer a unique and fascinating immersion into history through the eyes of one of the makers of post–World War II American literary culture.