Sandra R. Joshel - Böcker

Women and Slaves in Classical Culture examines how ancient societies were organized around slave-holding and the subordination of women to reveal how women and slaves interacted with one another in both the cultural representations and the social realities of the Greco-Roman world.The contributors explore a broad range of evidence including:* the mythical constructions of epic and drama* the love poems of Ovid* the Greek medical writers* Augustine's autobiography* a haunting account of an unnamed Roman slave* the archaeological remains of a slave mining camp near Athens.They argue that the distinctions between male and female and servile and free were inextricably connected.This erudite and well-documented book provokes questions about how we can hope to recapture the experience and subjectivity of ancient women and slaves and addresses the ways in which femaleness and servility interacted with other forms of difference, such as class, gender and status. Women and Slaves in Classical Culture offers a stimulating and frequently controversial insight into the complexities of gender and status in the Greco-Roman world.

Women and Slaves in Classical Culture examines how ancient societies were organized around slave-holding and the subordination of women to reveal how women and slaves interacted with one another in both the cultural representations and the social realities of the Greco-Roman world.The contributors explore a broad range of evidence including:* the mythical constructions of epic and drama* the love poems of Ovid* the Greek medical writers* Augustine's autobiography* a haunting account of an unnamed Roman slave* the archaeological remains of a slave mining camp near Athens.They argue that the distinctions between male and female and servile and free were inextricably connected.This erudite and well-documented book provokes questions about how we can hope to recapture the experience and subjectivity of ancient women and slaves and addresses the ways in which femaleness and servility interacted with other forms of difference, such as class, gender and status. Women and Slaves in Classical Culture offers a stimulating and frequently controversial insight into the complexities of gender and status in the Greco-Roman world.

The Material Life of Roman Slaves is a major contribution to scholarly debates on the archaeology of Roman slavery. Rather than regarding slaves as irretrievable in archaeological remains, the book takes the archaeological record as a key form of evidence for reconstructing slaves' lives and experiences. Interweaving literature, law, and material evidence, the book searches for ways to see slaves in the various contexts - to make them visible where evidence tells us they were in fact present. Part of this project involves understanding how slaves seem irretrievable in the archaeological record and how they are often actively, if unwittingly, left out of guidebooks and scholarly literature. Individual chapters explore the dichotomy between visibility and invisibility and between appearance and disappearance in four physical and social locations - urban houses, city streets and neighborhoods, workshops, and villas.

Sandra Joshel provides a comprehensive overview of Roman slavery. Using a variety of sources, including literature, law, and material culture, she examines the legal condition of Roman slaves, traces the stages of the sale of slaves, analyses the relations between slaves and slaveholders, and details the social and family lives of slaves. Richly illustrated with images of slaves, captives, and the material conditions of slaves, this book also considers food, clothing, and housing of slaves, thereby locating slaves in their physical surroundings - the cook in the kitchen, the maid in her owner's bedroom, the smith in a workshop, and the farm labourer in a vineyard. Based on rigorous scholarship, Slavery in the Roman World serves as a lively, accessible account to introductory-level students of the ancient Mediterranean world.

Sandra Joshel provides a comprehensive overview of Roman slavery. Using a variety of sources, including literature, law, and material culture, she examines the legal condition of Roman slaves, traces the stages of the sale of slaves, analyses the relations between slaves and slaveholders, and details the social and family lives of slaves. Richly illustrated with images of slaves, captives, and the material conditions of slaves, this book also considers food, clothing, and housing of slaves, thereby locating slaves in their physical surroundings - the cook in the kitchen, the maid in her owner's bedroom, the smith in a workshop, and the farm labourer in a vineyard. Based on rigorous scholarship, Slavery in the Roman World serves as a lively, accessible account to introductory-level students of the ancient Mediterranean world.

The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these varied portrayals tell us about contemporary culture. The essays in Imperial Projections examine such films as Spartacus, Ben-Hur, Cleopatra, and The Fall of the Roman Empire; the acclaimed BBC television series I, Claudius; the Broadway musical A Funny Thing Happened on the Way to the Forum; and the Roman-themed Las Vegas casino Caesars Palace, combining ancient history and cutting-edge cultural studies in a challenging, engaging, and informative volume. Contributors: Nicholas J.Cull, William Fitzgerald, Alison Futrell, Sandra R. Joshel, Margaret Malamud, Martha Malamud, Donald T. McGuire, Jr., Martin M. Winkler, and Maria Wyke

The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these varied portrayals tell us about contemporary culture. The essays in Imperial Projections examine such films as Spartacus, Ben-Hur, Cleopatra, and The Fall of the Roman Empire; the acclaimed BBC television series I, Claudius; the Broadway musical A Funny Thing Happened on the Way to the Forum; and the Roman-themed Las Vegas casino Caesars Palace, combining ancient history and cutting-edge cultural studies in a challenging, engaging, and informative volume.