Margaret Malamud – författare

The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these varied portrayals tell us about contemporary culture. The essays in Imperial Projections examine such films as Spartacus, Ben-Hur, Cleopatra, and The Fall of the Roman Empire; the acclaimed BBC television series I, Claudius; the Broadway musical A Funny Thing Happened on the Way to the Forum; and the Roman-themed Las Vegas casino Caesars Palace, combining ancient history and cutting-edge cultural studies in a challenging, engaging, and informative volume. Contributors: Nicholas J.Cull, William Fitzgerald, Alison Futrell, Sandra R. Joshel, Margaret Malamud, Martha Malamud, Donald T. McGuire, Jr., Martin M. Winkler, and Maria Wyke

The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these varied portrayals tell us about contemporary culture. The essays in Imperial Projections examine such films as Spartacus, Ben-Hur, Cleopatra, and The Fall of the Roman Empire; the acclaimed BBC television series I, Claudius; the Broadway musical A Funny Thing Happened on the Way to the Forum; and the Roman-themed Las Vegas casino Caesars Palace, combining ancient history and cutting-edge cultural studies in a challenging, engaging, and informative volume.

A new wave of research in black classicism has emerged in the 21st century that explores the role played by the classics in the larger cultural traditions of black America, Africa and the Caribbean. Addressing a gap in this scholarship, Margaret Malamud investigates why and how advocates for abolition and black civil rights (both black and white) deployed their knowledge of classical literature and history in their struggle for black liberty and equality in the United States. African Americans boldly staked their own claims to the classical world: they deployed texts, ideas and images of ancient Greece, Rome and Egypt in order to establish their authority in debates about slavery, race, politics and education. A central argument of this book is that knowledge and deployment of Classics was a powerful weapon and tool for resistance-as improbable as that might seem now-when wielded by black and white activists committed to the abolition of slavery and the end of the social and economic oppression of free blacks. The book significantly expands our understanding of both black history and classical reception in the United States.

Ancient Rome and Modern America explores the vital role the narratives and images of Rome have played in America’s understanding of itself and its history. Places America’s response to Rome in a historical context, from the Revolutionary era to the presentLooks at portrayals of Rome in different media: writing, architecture, theatre, painting, World’s Fairs and Expositions, and filmBeautifully illustrated with over 40 high quality photographs and figures

Ancient Rome and Modern America explores the vital role the narratives and images of Rome have played in America’s understanding of itself and its history. Places America’s response to Rome in a historical context, from the Revolutionary era to the present Looks at portrayals of Rome in different media: writing, architecture, theatre, painting, World’s Fairs and Expositions, and film Beautifully illustrated with over 40 high quality photographs and figures

A new wave of research in black classicism has emerged in the 21st century that explores the role played by the classics in the larger cultural traditions of black America, Africa and the Caribbean. Addressing a gap in this scholarship, Margaret Malamud investigates why and how advocates for abolition and black civil rights (both black and white) deployed their knowledge of classical literature and history in their struggle for black liberty and equality in the United States. African Americans boldly staked their own claims to the classical world: they deployed texts, ideas and images of ancient Greece, Rome and Egypt in order to establish their authority in debates about slavery, race, politics and education. A central argument of this book is that knowledge and deployment of Classics was a powerful weapon and tool for resistance-as improbable as that might seem now-when wielded by black and white activists committed to the abolition of slavery and the end of the social and economic oppression of free blacks. The book significantly expands our understanding of both black history and classical reception in the United States.

A new wave of research in black classicism has emerged in the 21st century that explores the role played by the classics in the larger cultural traditions of black America, Africa and the Caribbean. Addressing a gap in this scholarship, Margaret Malamud investigates why and how advocates for abolition and black civil rights (both black and white) deployed their knowledge of classical literature and history in their struggle for black liberty and equality in the United States. African Americans boldly staked their own claims to the classical world: they deployed texts, ideas and images of ancient Greece, Rome and Egypt in order to establish their authority in debates about slavery, race, politics and education. A central argument of this book is that knowledge and deployment of Classics was a powerful weapon and tool for resistance-as improbable as that might seem now-when wielded by black and white activists committed to the abolition of slavery and the end of the social and economic oppression of free blacks. The book significantly expands our understanding of both black history and classical reception in the United States.

A new wave of research in black classicism has emerged in the 21st century that explores the role played by the classics in the larger cultural traditions of black America, Africa and the Caribbean. Addressing a gap in this scholarship, Margaret Malamud investigates why and how advocates for abolition and black civil rights (both black and white) deployed their knowledge of classical literature and history in their struggle for black liberty and equality in the United States. African Americans boldly staked their own claims to the classical world: they deployed texts, ideas and images of ancient Greece, Rome and Egypt in order to establish their authority in debates about slavery, race, politics and education. A central argument of this book is that knowledge and deployment of Classics was a powerful weapon and tool for resistance-as improbable as that might seem now-when wielded by black and white activists committed to the abolition of slavery and the end of the social and economic oppression of free blacks. The book significantly expands our understanding of both black history and classical reception in the United States.