Shmuel N. Eisenstadt – författare

In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the "new economic sociology," Music on Demand shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores).Faulkner's interviews with those composers considered to be elite and those on the industry's periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.

How may we characterize contemporary society in a world so complex? Can looking at the diverse paths followed by various cultures in the modern world generate useful new social scientific typologies, or must a different set of questions be posed in this era of globalization? What, in short, is the nature of modernity? These are some of the questions addressed by the contributors to Multiple Modernities.Following the theme in an earlier work edited by Shmuel Eisenstadt, Public Spheres and Collective Identities, this book challenges conventional notions of how the world has changed politically, socially, and economically. The authors consider the meaning of modernity in contexts as different as communist Russia, modern India, the Muslim world, Latin America, China and East Asia, and the United States. Miscegenation, transnational migration, technological developments, and changing communications have shifted the ground on which theories of society were once built; political system, diaspora groups, religion, and "classical" theories of modernity have to be reconsidered in a new context.Authors and chapters include: S.N. Eisenstadt, "Multiple Modernities"; Bjrn Wittrock, "Modernity: One, None, or Many? European Origins and Modernity as a Global Condition"; Johann P. Arnason, "Communism and Modernity"; Nilfer Gle, "Snapshots of Islamic Modernities"; Dale F. Eickelman, "Island and the Languages of Modernity"; Sudipta Kaviraj, "Modernity and Politics in India"; Stanley J. Tambiah, "Transnational Movements, Diaspora, and Multiple Modernities"; Tu Weiming, "Implications of the Jrise of 'Confucian' East Asia"; Jrgen Heideking, "The Pattern of American Modernity from the Revolution to the Civil War"; and Renato Ortiz, "From Incomplete Modernity to World Modernity."Written in clear and non-technical language for both a scholarly and general audience, this volume confronts the problem of just what constitutes the common core of modernity.

The republication of From Generation to Generation-almost half a century after its first appearance in 1956-constitutes a good occasion for a look at the way in which problems of youth and generations developed in contemporary societies. In this brilliant, pioneering effort, different approaches in the social sciences to the analysis of these issues receive close scrutiny. Eisenstadt reexamines these issues by including in this edition several new chapters on this theme.

Multidisciplinary examination of the public sphere in "traditional" Muslim society.Challenging conventional assumptions, the contributors to this interdisciplinary volume argue that premodern Muslim societies had diverse and changing varieties of public spheres, constructed according to premises different from those of Western societies. The public sphere, conceptualized as a separate and autonomous sphere between the official and private, is used to shed new light on familiar topics in Islamic history, such as the role of the shari`a (Islamic religious law), the `ulama' (Islamic scholars), schools of law, Sufi brotherhoods, the Islamic endowment institution, and the relationship between power and culture, rulers and community, from the ninth to twentieth centuries.

This book presents a new and original analysis of the great ancient civilizations, focusing on the breakthroughs and their institutionalization in Greece, Israel, China, and India. The conditions under which these civilizations developed are systematically explored. For comparative purposes, the civilization of Assyria, where such a breakthrough did not take place is analyzed. Attention is given to the transformation of modes of thought and symbolism. Special focus is brought to the development of the great religions and the perception of tension between the transcendental and mundane orders and between rulers and other elites.

The republication of From Generation to Generation-almost half a century after its first appearance in 1956-constitutes a good occasion for a look at the way in which problems of youth and generations developed in contemporary societies. In this brilliant, pioneering effort, different approaches in the social sciences to the analysis of these issues receive close scrutiny. Eisenstadt reexamines these issues by including in this edition several new chapters on this theme.

How may we characterize contemporary society in a world so complex? Can looking at the diverse paths followed by various cultures in the modern world generate useful new social scientific typologies, or must a different set of questions be posed in this era of globalization? What, in short, is the nature of modernity? These are some of the questions addressed by the contributors to Multiple Modernities.Following the theme in an earlier work edited by Shmuel Eisenstadt, Public Spheres and Collective Identities, this book challenges conventional notions of how the world has changed politically, socially, and economically. The authors consider the meaning of modernity in contexts as different as communist Russia, modern India, the Muslim world, Latin America, China and East Asia, and the United States. Miscegenation, transnational migration, technological developments, and changing communications have shifted the ground on which theories of society were once built; political system, diaspora groups, religion, and "classical" theories of modernity have to be reconsidered in a new context.Authors and chapters include: S.N. Eisenstadt, "Multiple Modernities"; Bjrn Wittrock, "Modernity: One, None, or Many? European Origins and Modernity as a Global Condition"; Johann P. Arnason, "Communism and Modernity"; Nilfer Gle, "Snapshots of Islamic Modernities"; Dale F. Eickelman, "Island and the Languages of Modernity"; Sudipta Kaviraj, "Modernity and Politics in India"; Stanley J. Tambiah, "Transnational Movements, Diaspora, and Multiple Modernities"; Tu Weiming, "Implications of the Jrise of 'Confucian' East Asia"; Jrgen Heideking, "The Pattern of American Modernity from the Revolution to the Civil War"; and Renato Ortiz, "From Incomplete Modernity to World Modernity."Written in clear and non-technical language for both a scholarly and general audience, this volume confronts the problem of just what constitutes the common core of modernity.

In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the "new economic sociology," Music on Demand shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores).Faulkner's interviews with those composers considered to be elite and those on the industry's periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.

Winner of the prestigious MacIver Award when it was first published, this remains a towering work of modern political sociology, especially of macrosociology. Its main objective is comparative analysis of political commonalities found in different societies, both historical and present. The book seeks to find some pattern or laws in the structure and development of such systems. The imaginative use of data helps to bring order into what might otherwise be considered a speculative volume.The purpose of The Political Systems of Empires is to apply sociological concepts to the analysis of historical societies through the comparative analysis of a special type of political system. This analysis does not purport to be historical or descriptive. Its main objective is comparative analysis of political commonalities found in different societies. The book seeks to find some pattern or laws in the structure and development of such systems.

Winner of the prestigious MacIver Award when it was first published, this remains a towering work of modern political sociology, especially of macrosociology. Its main objective is comparative analysis of political commonalities found in different societies, both historical and present. The book seeks to find some pattern or laws in the structure and development of such systems. The imaginative use of data helps to bring order into what might otherwise be considered a speculative volume.The purpose of The Political Systems of Empires is to apply sociological concepts to the analysis of historical societies through the comparative analysis of a special type of political system. This analysis does not purport to be historical or descriptive. Its main objective is comparative analysis of political commonalities found in different societies. The book seeks to find some pattern or laws in the structure and development of such systems.

Winner of the prestigious MacIver Award when it was first published, this remains a towering work of modern political sociology, especially of macrosociology. Its main objective is comparative analysis of political commonalities found in different societies, both historical and present. The book seeks to find some pattern or laws in the structure and development of such systems. The imaginative use of data helps to bring order into what might otherwise be considered a speculative volume.The purpose of The Political Systems of Empires is to apply sociological concepts to the analysis of historical societies through the comparative analysis of a special type of political system. This analysis does not purport to be historical or descriptive. Its main objective is comparative analysis of political commonalities found in different societies. The book seeks to find some pattern or laws in the structure and development of such systems.

In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the ""new economic sociology,"" Music on Demand shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores).Faulkner''s interviews with those composers considered to be elite and those on the industry''s periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.

In this remarkable study, Robert R. Faulkner shows that the Hollywood film industry, like most work communities, is dominated by a highly productive and visible elite who exercise major influence on the control of available resources, career chances, and access to opportunity. Faulkner traces a network of connections that bind together filmmakers (employers) and composers (employees) and reveals how work is allocated among composers and the division of labor within the Hollywood film community, using statistical analysis and highly revealing personal interviews. One of the very first empirical studies in the ""new economic sociology,"" Music on Demand shows the dynamics of markets constituted by the interaction between buyers and artistic talent (the producers and directors of feature films) and the sellers of artistic talent (the composers of film scores).Faulkner''s interviews with those composers considered to be elite and those on the industry''s periphery reveal how they perceive their careers, how they define commercial artistic success, and how they establish, or try to establish, those vital connections with filmmakers. Now available in paperback, this pioneering study will be of compelling interest to researchers in culture studies as well as readers interested in learning more about this little-known world.

How may we characterize contemporary society in a world so complex? Can looking at the diverse paths followed by various cultures in the modern world generate useful new social scientific typologies, or must a different set of questions be posed in this era of globalization? What, in short, is the nature of modernity? These are some of the questions addressed by the contributors to Multiple Modernities.Following the theme in an earlier work edited by Shmuel Eisenstadt, Public Spheres and Collective Identities, this book challenges conventional notions of how the world has changed politically, socially, and economically. The authors consider the meaning of modernity in contexts as different as communist Russia, modern India, the Muslim world, Latin America, China and East Asia, and the United States. Miscegenation, transnational migration, technological developments, and changing communications have shifted the ground on which theories of society were once built; political system, diaspora groups, religion, and ""classical"" theories of modernity have to be reconsidered in a new context.Authors and chapters include: S.N. Eisenstadt, ""Multiple Modernities""; Bjrn Wittrock, ""Modernity: One, None, or Many? European Origins and Modernity as a Global Condition""; Johann P. Arnason, ""Communism and Modernity""; Nilfer Gle, ""Snapshots of Islamic Modernities""; Dale F. Eickelman, ""Island and the Languages of Modernity""; Sudipta Kaviraj, ""Modernity and Politics in India""; Stanley J. Tambiah, ""Transnational Movements, Diaspora, and Multiple Modernities""; Tu Weiming, ""Implications of the Jrise of ''Confucian'' East Asia""; Jrgen Heideking, ""The Pattern of American Modernity from the Revolution to the Civil War""; and Renato Ortiz, ""From Incomplete Modernity to World Modernity.""Written in clear and non-technical language for both a scholarly and general audience, this volume confronts the problem of just what constitutes the common core of modernit

How may we characterize contemporary society in a world so complex? Can looking at the diverse paths followed by various cultures in the modern world generate useful new social scientific typologies, or must a different set of questions be posed in this era of globalization? What, in short, is the nature of modernity? These are some of the questions addressed by the contributors to Multiple Modernities.Following the theme in an earlier work edited by Shmuel Eisenstadt, Public Spheres and Collective Identities, this book challenges conventional notions of how the world has changed politically, socially, and economically. The authors consider the meaning of modernity in contexts as different as communist Russia, modern India, the Muslim world, Latin America, China and East Asia, and the United States. Miscegenation, transnational migration, technological developments, and changing communications have shifted the ground on which theories of society were once built; political system, diaspora groups, religion, and ""classical"" theories of modernity have to be reconsidered in a new context.Authors and chapters include: S.N. Eisenstadt, ""Multiple Modernities""; Bjrn Wittrock, ""Modernity: One, None, or Many? European Origins and Modernity as a Global Condition""; Johann P. Arnason, ""Communism and Modernity""; Nilfer Gle, ""Snapshots of Islamic Modernities""; Dale F. Eickelman, ""Island and the Languages of Modernity""; Sudipta Kaviraj, ""Modernity and Politics in India""; Stanley J. Tambiah, ""Transnational Movements, Diaspora, and Multiple Modernities""; Tu Weiming, ""Implications of the Jrise of ''Confucian'' East Asia""; Jrgen Heideking, ""The Pattern of American Modernity from the Revolution to the Civil War""; and Renato Ortiz, ""From Incomplete Modernity to World Modernity.""Written in clear and non-technical language for both a scholarly and general audience, this volume confronts the problem of just what constitutes the common core of modernit

The republication of From Generation to Generation-almost half a century after its first appearance in 1956-constitutes a good occasion for a look at the way in which problems of youth and generations developed in contemporary societies. In this brilliant, pioneering effort, different approaches in the social sciences to the analysis of these issues receive close scrutiny. Eisenstadt reexamines these issues by including in this edition several new chapters on this theme.

The republication of From Generation to Generation-almost half a century after its first appearance in 1956-constitutes a good occasion for a look at the way in which problems of youth and generations developed in contemporary societies. In this brilliant, pioneering effort, different approaches in the social sciences to the analysis of these issues receive close scrutiny. Eisenstadt reexamines these issues by including in this edition several new chapters on this theme.

Winner of the prestigious MacIver Award when it was first published, this remains a towering work of modern political sociology, especially of macrosociology. Its main objective is comparative analysis of political commonalities found in different societies, both historical and present. The book seeks to find some pattern or laws in the structure and development of such systems. The imaginative use of data helps to bring order into what might otherwise be considered a speculative volume.The purpose of The Political Systems of Empires is to apply sociological concepts to the analysis of historical societies through the comparative analysis of a special type of political system. This analysis does not purport to be historical or descriptive. Its main objective is comparative analysis of political commonalities found in different societies. The book seeks to find some pattern or laws in the structure and development of such systems.

Dieses Buch gibt einen erstklassigen Überblick über die Forschungen von Shmuel N. Eisenstadt. Anschaulich stellt Eisenstadt dabei seine Positionen über den sozialen Wandel, über die Einheit und die Vielfalt der Moderne vor. Im Mittelpunkt stehen dabei in diesem Buch die "großen Revolutionen".

Der Band enthält Untersuchungen von Eisenstadt zur soziologischen Theorie und dem Forschungsprogramm der Multiple Modernities. Sie repräsentieren die gesamte Breite der umfangreichen Forschungen von Eisenstadt und sein Beitrag zur Soziologie.

Der Band enthält Untersuchungen von Eisenstadt zur soziologischen Theorie und dem Forschungsprogramm der Multiple Modernities. Sie repräsentieren die gesamte Breite der umfangreichen Forschungen von Eisenstadt und sein Beitrag zur Soziologie. 

»Antisemitismus als Orientierungsprinzip ist tatsächlich in der europäischen Gesellschaftsgeschichte verankert. Von Europa aus hat der dynamische Kapitalismus als einziges universales Gesellschaftsmodell seinen Siegeszug angetreten und mit ihm hat sich auch der Antisemitismus weltweit verbreitet. Die Produkte der Kulturindustrie, die global kommuniziert werden, treffen auf ein gesellschaftlich präfomiertes Alltagsbewusstsein, das für diese alltagsreligiösen Interpretationsmuster empfänglich ist. Man banalisiert in der Tat das Böse, wenn man es auf menschliche Aggression reduziert. Die Frage aber, wie Gewalt sozialisiert wird, ist eine Frage nach der Gesellschaft, die Auschwitz möglich machte und die antisemitische Vorstellungen auch nach Auschwitz immer wieder hervorbringt.«Detlev Claussen

This book is the analysis of the civilizational and historical context of the development of the Great Modern Revolutions; their relations to modernity, to the civilization of modernity, and to the development of multiple modernities; and the fate of revolutionary symbolism and dynamics in modern regimes, in the continually changing civilization of modernity, its dynamics and tribulations.

This volume brings together several of Prof. S.N. Eisenstadt's essays written over the years on Jewish history and identity.The major argument of the essays follows the Weberian view of Jewish historical experience as that of a distinct civilization, as a distinct Great Religion, the first monotheistic civilization – without, however, accepting many of Weber's concrete analyses. The core of the argument that underlies these essays is, that the best way to understand the Jewish experience is to look on Jews not just as a religious or ethnic group, nation or "people", although they have been all of these, but as bearers of a distinct civilization.These essays examine the historical experience of the Jewish people and communities in ancient medieval and modern times in the framework of such civilizational analysis in which special attention is given to the analysis of Israeli society and to the continual changing place of Israel in a central component of Jewish identity, in line with the different historical experience and collective agendas of the Jewish communities.

This book explains why the best way to understand the Jewish historical experience is to look at Jewish people, not just as a religious or ethnic group or a nation or "people," but, as bearers of civilization. This approach helps to explain the greatest riddle of Jewish civilization, namely, its continuity despite destruction, exile, and loss of political independence.In the first part of the book, Eisenstadt compares Jewish life and religious orientations and practices with Hellenistic and Roman civilizations, as well as with Christian and Islamic civilizations. In the second part of the book, he analyzes the modern period with its different patterns of incorporation of Jewish communities into European and American societies; national movements that developed among Jews toward the end of the nineteenth century, especially the Zionist movement; and specific characteristics of Israeli society.The major question Eisenstadt poses is to what extent the characteristics of the Jewish experience are distinctive, in comparison to other ethnic and religious minorities incorporated into modern nation-states, or other revolutionary ideological settler societies. He demonstrates through his case studies the continuous creativity of Jewish civilization.