The Quartet of Causeries have been handed down as a collection of the most ancient monologue farces in classical Sanskrit. Though stylistically divergent, they share a common plot: the hero is an inept, bungling procurer, who mismanages his client's love-affairs to an unexpectedly successful completion. A wide spectrum of India's urban society is scandalized, from respected judges to clumsy poetasters, from hypocritical Buddhist monks to greedy madams, from spoiled scions of wealthy houses to criminal low-life.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

The Dark Age Ridiculed, by Níla·kantha, Beguiling Artistry, by Ksheméndra, The Hundred Allegories, by BhállataWritten over a period of nearly a thousand years, these works show three very different approaches to satire. Níla·kantha gets straight to the point: swindlers prey on stupidity.The artistry that beguiles Ksheméndra is as varied as human nature and just as fallible. We are off to a gentle start Sanctimonious—really no more than a warm-up among vices—but soon graduate to Greed and Lust. From there it's downhill all the way, as unfaithfulness leads on to fraud, and drunkenness to depravity; deception and quackery bring up the rear. What's this at the very end? Virtue? A late arrival, pale and unconvincing.This volume presents three Indian satirists with three different strategies: in the ninth century C.E., Bhállata sought vengeance on his boorish new king by producing vicious sarcastic verse, "The Hundred Allegories;" in the eleventh century, Ksheméndra presents himself as a social reformer out to shame the complacent into compliance with Vedic morality; and in the seventeenth century little can redeem the fallen characters Níla·kantha portrays, so his duty is simply to warn about the corruption of every social type.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

The Quartet of Causeries have been handed down as a collection of the most ancient monologue farces in classical Sanskrit. Though stylistically divergent, they share a common plot: the hero is an inept, bungling procurer, who mismanages his client's love-affairs to an unexpectedly successful completion. A wide spectrum of India's urban society is scandalized, from respected judges to clumsy poetasters, from hypocritical Buddhist monks to greedy madams, from spoiled scions of wealthy houses to criminal low-life.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

The Dark Age Ridiculed, by Níla·kantha, Beguiling Artistry, by Ksheméndra, The Hundred Allegories, by BhállataWritten over a period of nearly a thousand years, these works show three very different approaches to satire. Níla·kantha gets straight to the point: swindlers prey on stupidity.The artistry that beguiles Ksheméndra is as varied as human nature and just as fallible. We are off to a gentle start Sanctimonious—really no more than a warm-up among vices—but soon graduate to Greed and Lust. From there it's downhill all the way, as unfaithfulness leads on to fraud, and drunkenness to depravity; deception and quackery bring up the rear. What's this at the very end? Virtue? A late arrival, pale and unconvincing.This volume presents three Indian satirists with three different strategies: in the ninth century C.E., Bhállata sought vengeance on his boorish new king by producing vicious sarcastic verse, "The Hundred Allegories;" in the eleventh century, Ksheméndra presents himself as a social reformer out to shame the complacent into compliance with Vedic morality; and in the seventeenth century little can redeem the fallen characters Níla·kantha portrays, so his duty is simply to warn about the corruption of every social type.Co-published by New York University Press and the JJC FoundationFor more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org