Steve Penfold – författare

In Canada, the donut is often thought of as the unofficial national food. Donuts are sold at every intersection and rest stop, celebrated in song and story as symbols of Canadian identity, and one chain in particular, Tim Horton's, has become a veritable icon with over 2500 shops across the country. But there is more to the donut than these and other expressions of 'snackfood patriotism' would suggest. In this study, Steve Penfold puts the humble donut in its historical context, examining how one deep-fried confectionary became, not only a mass commodity, but an edible symbol of Canadianness.Penfold examines the history of the donut in light of broader social, economic, and cultural issues, and uses the donut as a window onto key developments in twentieth-century Canada such as the growth of a 'consumer society,' the relationship between big business and community, and the ironic qualities of Canadian national identity. He goes on to explore the social and political conditions that facilitated the rapid rise and steady growth of donut shops across the country.Based on a wide range of sources, from commercial and government reports to personal interviews, The Donut is a comprehensive and fascinating look at one of Canada's most popular products. It offers original insights on consumer culture, mass consumption, and the dynamics of Canadian history.

The Dominion of Shoppers is a concise introduction to the long history of Canadian consumption. Building on the “four Ps” of consumer history – place, product, payment, and power – historian Steve Penfold traces the complex mix of business, economic, social, and cultural dynamics that shaped shopping and exchange from the bygone fur trade to contemporary online buying. Stretching from the 17th to the 21st century, The Dominion of Shoppers builds its narrative around several key moments in the history of the (now bankrupt) Hudson’s Bay Company, leading the reader through the exchanges of the fur trade, retail in settler colonialism, modern consumption, post-World War Two consumer boom, consumer nationalism, state regulation, and more recent technological and retail disruptions. Through the pages of this book, readers will visit fur trade posts, public markets, small rural shops, department stores, shopping malls, power centres, discount houses, and online markets. The Dominion of Shoppers is a valuable introduction to Canadian consumerism for historians, students, and anyone interested in Canada’s past and present.

The Dominion of Shoppers is a concise introduction to the long history of Canadian consumption. Building on the "e;four Ps"e; of consumer history - place, product, payment, and power - historian Steve Penfold traces the complex mix of business, economic, social, and cultural dynamics that shaped shopping and exchange from the bygone fur trade to contemporary online buying. Stretching from the 17th to the 21st century, The Dominion of Shoppers builds its narrative around several key moments in the history of the (now bankrupt) Hudson s Bay Company, leading the reader through the exchanges of the fur trade, retail in settler colonialism, modern consumption, post-World War Two consumer boom, consumer nationalism, state regulation, and more recent technological and retail disruptions. Through the pages of this book, readers will visit fur trade posts, public markets, small rural shops, department stores, shopping malls, power centres, discount houses, and online markets. The Dominion of Shoppers is a valuable introduction to Canadian consumerism for historians, students, and anyone interested in Canada s past and present.

The Dominion of Shoppers is a concise introduction to the long history of Canadian consumption. Building on the "e;four Ps"e; of consumer history - place, product, payment, and power - historian Steve Penfold traces the complex mix of business, economic, social, and cultural dynamics that shaped shopping and exchange from the bygone fur trade to contemporary online buying. Stretching from the 17th to the 21st century, The Dominion of Shoppers builds its narrative around several key moments in the history of the (now bankrupt) Hudson s Bay Company, leading the reader through the exchanges of the fur trade, retail in settler colonialism, modern consumption, post-World War Two consumer boom, consumer nationalism, state regulation, and more recent technological and retail disruptions. Through the pages of this book, readers will visit fur trade posts, public markets, small rural shops, department stores, shopping malls, power centres, discount houses, and online markets. The Dominion of Shoppers is a valuable introduction to Canadian consumerism for historians, students, and anyone interested in Canada s past and present.

A Mile of Make Believe examines the unique history of the Santa Claus parade in Canada. This volume focuses on the Eaton’s sponsored parades that occurred in Toronto, Montreal and Winnipeg as well as the shorter-lived parades in Calgary and Edmonton. There is also a discussion of small town alternatives, organized by civic groups, service clubs, and chambers of commerce.By focusing on the pioneering effort of the Eaton’s department store Steve Penfold argues that the parade ultimately represented a paradoxical form of cultural power: it allowed Eaton’s to press its image onto public life while also reflecting the decline of the once powerful retailer. Penfold’s analysis reveals the "corporate fantastic" – a visual and narrative mix of meticulous organization and whimsical style– and its influence on parade traditions. Steve Penfold’s considerable analytical skills have produced a work that is simultaneously a cultural history, history of business and commentary on consumerism. Professional historians and the general public alike would be remiss if this wasn’t on their holiday wish list.

A Mile of Make Believe examines the unique history of the Santa Claus parade in Canada. This volume focuses on the Eaton’s sponsored parades that occurred in Toronto, Montreal and Winnipeg as well as the shorter-lived parades in Calgary and Edmonton. There is also a discussion of small town alternatives, organized by civic groups, service clubs, and chambers of commerce.By focusing on the pioneering effort of the Eaton’s department store Steve Penfold argues that the parade ultimately represented a paradoxical form of cultural power: it allowed Eaton’s to press its image onto public life while also reflecting the decline of the once powerful retailer. Penfold’s analysis reveals the "corporate fantastic" – a visual and narrative mix of meticulous organization and whimsical style– and its influence on parade traditions. Steve Penfold’s considerable analytical skills have produced a work that is simultaneously a cultural history, history of business and commentary on consumerism. Professional historians and the general public alike would be remiss if this wasn’t on their holiday wish list.

A Mile of Make Believe examines the unique history of the Santa Claus parade in Canada. This volume focuses on the Eaton’s sponsored parades that occurred in Toronto, Montreal and Winnipeg as well as the shorter-lived parades in Calgary and Edmonton. There is also a discussion of small town alternatives, organized by civic groups, service clubs, and chambers of commerce.By focusing on the pioneering effort of the Eaton’s department store Steve Penfold argues that the parade ultimately represented a paradoxical form of cultural power: it allowed Eaton’s to press its image onto public life while also reflecting the decline of the once powerful retailer. Penfold’s analysis reveals the "corporate fantastic" – a visual and narrative mix of meticulous organization and whimsical style– and its influence on parade traditions. Steve Penfold’s considerable analytical skills have produced a work that is simultaneously a cultural history, history of business and commentary on consumerism. Professional historians and the general public alike would be remiss if this wasn’t on their holiday wish list.

A Mile of Make Believe examines the unique history of the Santa Claus parade in Canada. This volume focuses on the Eaton’s sponsored parades that occurred in Toronto, Montreal and Winnipeg as well as the shorter-lived parades in Calgary and Edmonton. There is also a discussion of small town alternatives, organized by civic groups, service clubs, and chambers of commerce.By focusing on the pioneering effort of the Eaton’s department store Steve Penfold argues that the parade ultimately represented a paradoxical form of cultural power: it allowed Eaton’s to press its image onto public life while also reflecting the decline of the once powerful retailer. Penfold’s analysis reveals the "corporate fantastic" – a visual and narrative mix of meticulous organization and whimsical style– and its influence on parade traditions. Steve Penfold’s considerable analytical skills have produced a work that is simultaneously a cultural history, history of business and commentary on consumerism. Professional historians and the general public alike would be remiss if this wasn’t on their holiday wish list.

For most Canadians today, Labour Day is the last gasp of summer fun: the final long weekend before returning to the everyday routine of work or school. But over its century-long history, there was much more to the September holiday than just having a day off. In The Workers' Festival, Craig Heron and Steve Penfold examine the complicated history of Labour Day from its origins as a spectacle of skilled workers in the 1880s through its declaration as a national statutory holiday in 1894 to its reinvention through the twentieth century. The holiday's inventors hoped to blend labour solidarity, community celebration, and increased leisure time by organizing parades, picnics, speeches, and other forms of respectable leisure. As the holiday has evolved, so too have the rituals, with trade unionists embracing new forms of parading, negotiating, and bargaining, and other social groups re-shaping it and making it their own. Heron and Penfold also examine how Labour Day's monopoly as the workers' holiday has been challenged since its founding, with alternative festivals arising such as May Day and International Women's Day. The Workers' Festival ranges widely into many key themes of labour history – union politics and rivalries, radical movements, religion (Catholic and Protestant), race and gender, and consumerism/leisure – as well as cultural history – public celebration/urban procession, urban space and communication, and popular culture. From St. John's to Victoria, the authors follow the century-long development of the holiday in all its varied forms.

For most Canadians today, Labour Day is the last gasp of summer fun: the final long weekend before returning to the everyday routine of work or school. But over its century-long history, there was much more to the September holiday than just having a day off. In The Workers' Festival, Craig Heron and Steve Penfold examine the complicated history of Labour Day from its origins as a spectacle of skilled workers in the 1880s through its declaration as a national statutory holiday in 1894 to its reinvention through the twentieth century. The holiday's inventors hoped to blend labour solidarity, community celebration, and increased leisure time by organizing parades, picnics, speeches, and other forms of respectable leisure. As the holiday has evolved, so too have the rituals, with trade unionists embracing new forms of parading, negotiating, and bargaining, and other social groups re-shaping it and making it their own. Heron and Penfold also examine how Labour Day's monopoly as the workers' holiday has been challenged since its founding, with alternative festivals arising such as May Day and International Women's Day. The Workers' Festival ranges widely into many key themes of labour history – union politics and rivalries, radical movements, religion (Catholic and Protestant), race and gender, and consumerism/leisure – as well as cultural history – public celebration/urban procession, urban space and communication, and popular culture. From St. John's to Victoria, the authors follow the century-long development of the holiday in all its varied forms.

In Canada, the donut is often thought of as the unofficial national food. Donuts are sold at every intersection and rest stop, celebrated in song and story as symbols of Canadian identity, and one chain in particular, Tim Horton's, has become a veritable icon with over 2500 shops across the country. But there is more to the donut than these and other expressions of 'snackfood patriotism' would suggest. In this study, Steve Penfold puts the humble donut in its historical context, examining how one deep-fried confectionary became, not only a mass commodity, but an edible symbol of Canadianness.Penfold examines the history of the donut in light of broader social, economic, and cultural issues, and uses the donut as a window onto key developments in twentieth-century Canada such as the growth of a 'consumer society,' the relationship between big business and community, and the ironic qualities of Canadian national identity. He goes on to explore the social and political conditions that facilitated the rapid rise and steady growth of donut shops across the country.Based on a wide range of sources, from commercial and government reports to personal interviews, The Donut is a comprehensive and fascinating look at one of Canada's most popular products. It offers original insights on consumer culture, mass consumption, and the dynamics of Canadian history.