Sudhir Kakar – författare

Flowing effortlessly from Sudhir Kakar's descriptions of his early life in undivided India to discussions on the Indian psyche and sexuality, India Analysed discusses Kakar's views on secularism and modern Indian leaders such as Gandhi and Nehru wherein he brings to bear his intellect on a wide range of issues such as philosophy, Indian culture and tradition, and the Partition, and, in doing so, reveals the psychological make-up of the contemporary Indian. Part of Ramin Jahanbegloo's series of interviews with prominent intellectuals who have influenced modern Indian thought, this candid and freewheeling conversation demystifies many of the complex ideas of the eminent psychoanalyst Sudhir Kakar.

For decades India has been intermittently tormented by brutal outbursts of religious violence, thrusting thousands of ordinary Hindus and Muslims into bloody conflict. In this provocative work, psychoanalyst Sudhir Kakar exposes the psychological roots of Hindu-Muslim violence and examines with grace and intensity the subjective experience of religious hatred in his native land. With honesty, insight, and unsparing self-reflection, Kakar confronts the profoundly enigmatic relations that link individual egos to cultural moralities and religious violence. His innovative psychological approach offers a framework for understanding the kind of ethnic-religious conflict that has so vexed social scientists in India and throughout the world. Through riveting case studies, Kakar explores cultural stereotypes, religious antagonisms, ethnocentric histories, and episodic violence to trace the development of both Hindu and Muslim psyches. He argues that in early childhood the social identity of every Indian is grounded in traditional religious identifications and communalism. Together these bring about deep-set psychological anxieties and animosities toward the other. For Hindus and Muslims alike, violence becomes morally acceptable when communally and religiously sanctioned. As the changing pressures of modernization and secularism in a multicultural society grate at this entrenched communalism, and as each group vies for power, ethnic-religious conflicts ignite. The Colors of Violence speaks with eloquence and urgency to anyone concerned with the postmodern clash of religious and cultural identities.

For decades India has been the scene of outbursts of religious violence, thrusting many ordinary Hindus and Muslims into bloody conflict. This work analyzes the psychological roots of Hindu-Muslim violence and examines the subjective experience of religious hatred in the author's native land. Sudhir Kakar discusses the profoundly enigmatic relations that link individual egos to cultural moralities and religious violence. His psychological approach offers a framework for understanding the kind of ethnic-religious conflict that characterizes the turmoil in India. Using case studies, he explores cultural stereotypes, religious antagonisms, ethnocentric histories and episodic violence to trace the development of both Hindu and Muslim psyches. Kakar argues that in early childhood the social identity of every Indian is grounded in traditional religious identifications and communalism. Together these bring about deep-set psychological anxieties and animosities toward the other. For Hindus and Muslims alike, violence becomes morally acceptable when communally and religiously sanctioned.As the changing pressures of modernization and secularism in a multicultural society grate at this entrenched communalism, and as each group vies for power, ethnic-religious conflicts ignite. Sudhir Kakar is also the author of "The Analyst and the Mystic: Psychoanalytic Reflections on Religion and Mysticism", "Intimate Relations: Exploring Indian Sexuality" and "Shamans, Mystics and Doctors: A Psychological Inquiry into India and its Healing Traditions", all published by the University of Chicago Press.

Sudhir Kakar, India's foremost practitioner of psychoanalysis, has focused his career on infusing this preeminently Western discipline with ideas and views from the East. In "Mad and Divine", he takes on the separation of the spirit and the body favored by psychoanalysts, cautioning that a single-minded focus on the physical denies a person's wholeness. Similarly, Kakar argues, to focus on the spirit alone is to hold in contempt the body that makes us human. "Mad and Divine" looks at the interplay between spirit and psyche and the moments of creativity and transformation that occur when the spirit overcomes desire and narcissism. Kakar examines this relationship in religious rituals and healing traditions - both Eastern and Western - as well as in the lives of some extraordinary men: the mystic and guru Rajneesh, Gandhi, and the Buddhist saint Drukpa Kunley. Enriched with a novelist's felicity of language and an analyst's piercing insights and startling interpretations, "Mad and Divine" is a valuable addition to the literature on the integration of the spirit and psyche in the evolving psychology of the individual.

Shamans, Mystics and Doctors is a detailed and thoroughly fascinating account of the many ways in which the ancient healing traditions of India—embodied in the rituals of shamans, the teachings of gurus and the precepts of the school of medicine known as Ayurveda—diagnose and treat emotional disorder.             Drawing on three years of intensive fieldwork and his own psychoanalytic training and experience, Sudhir Kakar takes us into a world of Islamic mosques and Hindu temples, of assembled multitudes, and dingy, out-of-the-way consultation rooms… a world where patients and healers blame evil spirits for emotional disturbances… where dreams and symptoms that would be familiar to Freud are interpreted in terms of a myriad of deities and legends… where trance-like “dissociation states” are induced to bring out and resolve the conflicts of repressed anger, lust and envy… where proper grooming, diet, exercise and conduct are (and have been for centuries) seen as essential to the preservation of a healthy mind and body.             As he witnesses the practitioners and their patients, as he elucidates the therapeutic systems on which their encounters are based, as he contrasts his own Western training and biases with evidence of his eyes (and the sympathies of his heart), Kakar reveals the universal concerns of these individuals and their admittedly foreign cultures—people we can recognize and feel for, people (like their Western counterparts) trying to find some balance between the pressures and rewards of the external world and the fantasies and desires of the internal.             This is a major work of cultural interpretation, a book that challenges (and should enhance) our understanding of therapy, mental health and individual freedom.

It is 1925 and India’s struggle for independence is in disarray, impeded by factionalism among its leaders and rising incidents of unrest across the country. Meanwhile, having withdrawn himself from active politics, Mahatma Gandhi is in an ashram immersed in what he considers the most important undertaking of his life—the creation of a community that is wholly dedicated to the highest standards of self-discipline, tolerance, and austerity.Into this world comes a young British woman named Madeline, the daughter of a British admiral. Madeline has set her heart on becoming Gandhi’s greatest disciple. Madeline’s wish to serve him soon becomes an all-consuming desire to be near him at all times. Because her adoration of the great teacher is in direct conflict with his exacting moral and spiritual codes, Gandhi struggles with wanting to distance himself from her, yet wanting not to let go of her love and friendship.Using words preserved in their letters and diaries, and drawing on the reminiscences of others, the author has created a compelling fictional narrative based on the extraordinary friendship that lasted over two decades between these two people.

Tells tales of India during the Mughal era, viewed from the contrasting mindsets of European aides to the two leading princes, Dara Shikoh and Aurangzeb. Niccalao Manucci and Francois Bernier offer insights into the minds of their respective princes into the same event, give the reader a wide perspective on how history is actually shaped by every day events of its times.

The story of a young Brahmin growth into a guru--traveling with him from the time of his youth, through life in a monastery and up to becoming a mentor to another young boy.

Das neue Buch des berühmten indischen Psychoanalytikers Sudhir Kakar verbindet intelligente Analyse und Einfühlungsvermögen. Es vertieft das Verständnis des großen indischen Dichters Rabindranath Tagore (1861-1941). Sudhir Kakar rekonstruiert die entscheidenden Jahre von Tagores Kindheit und Jugend. Er untersucht die prägenden Erfahrungen des Wunderkindes und zeigt, wie sie sein kreatives Genie formten.

Of the many enduring fascinations of the love story, a vehicle for the vicarious satisfaction of our hidden desires and obscure longings, is the pleasure we take in its subversion of the conventions that govern the relationship between the sexes. At least, this is true of tales about young lovers who are believed to express the purest of romantic sentiments. This book is a compilation of classic Indian Love Stories.

En este sólido, iluminador y ameno estudio, los autores investigan la naturaleza de la "indianidad", porque más allá de las diferencias étnicas o sociales existe una unidad subyacente en la gran diversidad de la India que necesita ser reconocida.Centrándose en lo que constituye una identidad común india, los autores examinan en detalle la predominancia de la familia, la comunidad y la casta en la vida cotidiana, la actitud hacia el sexo y el matrimonio, los prejuicios, el concepto del "otro" (sobre todo en relación con el conflicto hindú-musulmán), de la salud y la muerte, así como la mente india, muy moldeada por la visión hindú.Sobre la base de tres décadas de investigación y fuentes tan variadas como el Mahabharata, el Kamasutra, los escritos de Gandhi, las películas de Bollywood y el floklore, los autores han creado un rico y revelador retrato de los indios.

The four volumes cover Sudhir Kakar's selected writings on psychoanalysis, culture and society, and religion and biography over the last four decades. As the 'psychoanalyst of civilizations', Kakar uniquely captures wide swathes of Indian cultural imagination through his essays. The first volume unfolds his psychoanalytic journey comprising both his theoretical innovations and clinical speculations. It recounts his personal travelogue in psychoanalysis that gave birth to the later macro spectrum of his analytic explorations into the concept of maternal enthralment, Oedipal alliance, and spiritual healing traditions. Kakar's thinking from his earliest works to the most recent is traced in the four sections of the second volume: Hinduism and psychoanalysis; psychoanalytic and spiritual healing in India; violence, self, and the sacred; and spirit and psyche. The third focusses on Kakar's original contributions on culture and society and maps the landscape of Indian cultural imagination from multiple vantage points, thus demonstrating Kakar's dynamism as a prominent, deep, and fierce Indian thinker who has combined Western philosophical thinking with critical Indian cultural thinking. The fourth volume presents psychological biographies to advance the claim that the study of life narratives across cultures needs to be pursued, especially in the era of globalization and increased cross-cultural exchange and connectivity.

This volume explores current images of afterlife/afterdeath and the presence of the dead in the imaginations of the living in Indian and European traditions. Specifically, it focuses on the deepest and most fundamental uncertainty of human existence---the awareness of human mortality, on which depends any assignment of meaning to earthly existence as also to notions of worldly and otherworldly salvation. This central idea is addressed in the literature, arts, audiovisual media and other cultural artefacts of the two traditions. The chapters are based on two main assumptions: First, that one cannot report on the direct experience of death; so it is only possible to speak allegorically of it. Second, in contemporary Western societies, marked by structural atheism, people look at literature, the arts and mass media to study their depiction and reading of traditionally religious questions of disease, death and the Beyond. This is in contrast to Asian civilizations whose preoccupationwith death and Beyond is persistent and perhaps central to the civilizations’ highest thought. The chapters cover a wide spectrum of disciplinary approaches, from psychoanalysis to religious, anthropological, literary and film studies, from sociology and philosophy to art history, and address issues of unsettling power: comforting illusions of afterlife; the relations between afterlife and fertility; visions of technological immortalization of mankind; the problem of thinking about death after the “death of God”; socialist utopias of bodily immortality; fear of Hell and punishment; different concepts in relating the living and the dead; near-death experiences; and cultural practices of spiritualism, occultism and suicide.

This volume explores current images of afterlife/afterdeath and the presence of the dead in the imaginations of the living in Indian and European traditions. Specifically, it focuses on the deepest and most fundamental uncertainty of human existence---the awareness of human mortality, on which depends any assignment of meaning to earthly existence as also to notions of worldly and otherworldly salvation. This central idea is addressed in the literature, arts, audiovisual media and other cultural artefacts of the two traditions. The chapters are based on two main assumptions: First, that one cannot report on the direct experience of death; so it is only possible to speak allegorically of it. Second, in contemporary Western societies, marked by structural atheism, people look at literature, the arts and mass media to study their depiction and reading of traditionally religious questions of disease, death and the Beyond. This is in contrast to Asian civilizations whose preoccupationwith death and Beyond is persistent and perhaps central to the civilizations’ highest thought.

The chapters cover a wide spectrum of disciplinary approaches, from psychoanalysis to religious, anthropological, literary and film studies, from sociology and philosophy to art history, and address issues of unsettling power: comforting illusions of afterlife; the relations between afterlife and fertility; visions of technological immortalization of mankind; the problem of thinking about death after the “death of God”; socialist utopias of bodily immortality; fear of Hell and punishment; different concepts in relating the living and the dead; near-death experiences; and cultural practices of spiritualism, occultism and suicide.

This volume explores current images of afterlife/afterdeath and the presence of the dead in the imaginations of the living in Indian and European traditions. Specifically, it focuses on the deepest and most fundamental uncertainty of human existence---the awareness of human mortality, on which depends any assignment of meaning to earthly existence as also to notions of worldly and otherworldly salvation. This central idea is addressed in the literature, arts, audiovisual media and other cultural artefacts of the two traditions. The chapters are based on two main assumptions: First, that one cannot report on the direct experience of death; so it is only possible to speak allegorically of it. Second, in contemporary Western societies, marked by structural atheism, people look at literature, the arts and mass media to study their depiction and reading of traditionally religious questions of disease, death and the Beyond. This is in contrast to Asian civilizations whose preoccupationwith death and Beyond is persistent and perhaps central to the civilizations’ highest thought. The chapters cover a wide spectrum of disciplinary approaches, from psychoanalysis to religious, anthropological, literary and film studies, from sociology and philosophy to art history, and address issues of unsettling power: comforting illusions of afterlife; the relations between afterlife and fertility; visions of technological immortalization of mankind; the problem of thinking about death after the “death of God”; socialist utopias of bodily immortality; fear of Hell and punishment; different concepts in relating the living and the dead; near-death experiences; and cultural practices of spiritualism, occultism and suicide.