Susan Hawthorne – författare

Australia is a land full of opportunities, but where can you go to find the things that matter to women? This book is a guide to the land as well as the diverse culture of women. Women's culture in Australia goes back more than 40,000 years and is a rich mosaic of story, art and music. On the top of this has come the culture of the past 200 years: from the British convicts, from China, from the Pacific, from the newer waves of migration and from the women's movement. This is reflected in literature, theatre, the visual arts, music, circuses and dance. Rural and urban women describe the places they know and love, they also describe their histories and show something of what lies behind a first impression.Contributors featured include: Oodgeroo Noonuccal, Faith Bandler, Portia Robinson, Elizabeth Jolley, Sara Dowse, Janine Haines, Dale Spender, Ruby Langford Ginibi, Kate Llewellyn, and Finola Moorhead.

In a dawn raid, Kate is arrested. She is imprisoned, beaten, kept awake and tortured. She has no idea what has happened to her partner, Mercedes. The uncertainty plagues her. It is as if she has no history. Trying to retain her sense of self in a swirling psychic state, she invents stories. And she remembers stories of her mother, her grandmothers and aunts, the rich mythic traditions of Greece. She rearranges them and writes poems in her head. After Kate’s death, her niece, Desi, is going through boxes of papers, trying to make sense of her aunt’s life. Desi travels to South America and unlocks the history of Mercedes' family: a history of political torture, disappearance and escape. Susan Hawthorne’s dark story uncovers the hidden histories of organised violence against lesbians. She traces fear and uncertainty, and finds a narrative of resilience created through the writing of poems. The author asks: how do we pass on stories hidden by both shame and resistance to shame? A novel that is poetic and terrifying.

the Muses have been sackedtheir role in the pantheonsold up for some newreal estate ventureWhen the Muses are sacked, what are we to do? The Muses who inspire poetry, astronomy, history and daily living bring their song and dance into present-day political struggles. These Muses are for rebellion. Susan Hawthorne’s poems span millennia of resistance by women. The earth itself is implicated. She writes about women's bodies, how they are used, abused and celebrated in birthing, in sexual pleasure, in grief, in imagining. She draws on stories from ancient and contemporary India, from Greece and Rome, through language, storytelling and translation.we embrace our double liveslike actors and their alter egossome say śleṣa is unnatural I've heard the same said about us

In Defence of Separatism is a timely book. When it was first written in 1976, although it was an important subject of conversation among many feminists it was not welcomed by academics or publishers. When a political group wants to strategise so that its members can arrive at agreed-on political tactics and ideas, they call for, and create, separate spaces. These might be in coffee shops, in community centres, in one another's homes or in semi-public spaces such as workers clubs, even cinemas. When the proletariat was rebelling, they did not ask the capitalists and aristocracy to join them (even if a few did); when the civil rights movement started it was not thanks to the ideas and politics of white people (even though some whites joined to support the cause); when the women's liberation movement sprang into life, it was women joining together to fight against their oppression. The difference is that women are supposed to love men.Through careful argument, Susan Hawthorne takes us through the ideas which are central to her argument. She analyses the nature of power, oppression, domination and institutions and applies these to heterosexuality, rape and romantic love. She concludes with a call for women, all women no matter their sexuality, to have separate spaces so they can work together to change the world and end patriarchy.This 2019 edition includes a Preface, Afterword and additional commentary in italicised footnotes that bring the reader up to date on changes, developments and controversies in feminist theory.

A history of feminist and lesbian thinking from the 1970s to the presentAcross almost 50 years of writing, Susan Hawthorne’s essays on lesbian culture and politics take the reader on a journey through the concerns of radical feminists engaged in the Women’s Liberation Movement. Not only does she trace the experiments of lesbians creating a vibrant woman-loving culture, but she also traces the backlash against lesbians and a history of violence perpetrated by the state, corporations and individual men. She begins with a recollection of a rape in her pre-feminist days, followed by a critique of the institution of heterosexuality and the role of lesbian feminism as a strategy. She is soon asking questions about lesbian existence. The essays span reflections on lesbian literature and the development of lesbian culture, including the politics of physical expression in circus. Susan Hawthorne writes about cultural appropriation, depoliticisation and the erasure of lesbian inventiveness. She researches violence against lesbians including rape, torture and murder and the way in which this violence is ignored and often distorted by the media. Her investigations include lesbian refugees, lesbian economics, violation of lesbian human rights and the impact of the transgender industrial complex on the existence of lesbians as a political force.

Aus dem Englischen übersetzt und mit einem Nachwort versehen von Doris HermannsDer Begriff Bibliodiversität, den Susan Hawthorne in ihrem Buch erklärt, bezeichnet die kulturelle Vielfalt innerhalb des Verlagswesens – und begründet, warum es unabhängige Buchhandlungen und Verlage braucht. Ihr Begriff ist inspiriert vom strukturell verwandten Begriff der Biodiversität. Wie diese unverzichtbar für das gesunde Funktionieren eines Öksystems ist, ist die Bibliodiversität ein Indikator für ein funktionierendes Buchwesen. Verlage und Buchhandlungen sind hierbei vergleichbar mit den Bewohnerinnen und Bewohnern eines Ökosystems.Hawthorne kritisiert, dass Großverlage und Großbuchhandlungen ihren Fokus allein auf hohe Auflagen und Verkaufszahlen legen, weshalb die Bibliodiversität aus dem Gleichgewicht gerate. Gerade Bücher von und über Minderheiten sowie Werke aus kleineren Sprachgemeinschaften oder anspruchsvolle literarische Texte finden so keine Verbreitung mehr.Das aber führt letztlich dazu, dass die kulturelle Vielfalt schwindet. Bibliodiversität bietet dagegen eine stolze Selbstdefinition für unabhängige Buchhandlungen und Verlage. Denn diese sind es, die die kulturelle Vielfalt abbilden – und somit erhalten.