Susanne Zepp – författare

What role has Jewish intellectual culture played in the development of modern Romance literature? Susanne Zepp seeks to answer this question through an examination of five influential early modern texts written between 1499 and 1627: Fernando de Rojas's La Celestina, Leone Ebreo's Dialoghi d'amore, the anonymous tale Lazarillo de Tormes (the first picaresque novel), Montaigne's Essais, and the poetical renditions of the Bible by João Pinto Delgado. Forced to straddle two cultures and religions, these Iberian conversos (Jews who converted to Catholicism) prefigured the subjectivity which would come to characterize modernity. As "New Christians" in an intolerant world, these thinkers worked within the tensions of their historical context to question norms and dogmas. In the past, scholars have focused on the Jewish origins of such major figures in literature and philosophy. Through close readings of these texts, Zepp moves the debate away from the narrow question of the authors' origins to focus on the innovative ways these authors subverted and transcended traditional genres. She interprets the changes that took place in various literary genres and works of the period within the broader historical context of the sixteenth and seventeenth centuries, demonstrating the extent to which the development of early modern subjective consciousness and its expression in literary works can be explained in part as a universalization of originally Jewish experiences.

In the wake of the spatial and affective turns in Literary Studies in general, and the study of Jewish literatures in particular, this volume shifts focus from the extensity of exile and return to the intensities of sense of place and belonging across a moving landscape of 20th and 20st century literatures, Jewish and other. It brings together contemporary writers and literary scholars who collectively map these intensities onto a bodily word world in transit and textures of habitable, readable space as passage.Works by Hélène Cixous, Cécile Wajsbrot, Alex Epstein, Almog Behar, and Svetlana Boym explore sites made up of layers of passages, taking configurations of sayability and readability as forms, poetic and political, of inhabiting the material world. The contributions by literary scholars explore the theoretical potential of a mapping of such sites in studies of modalities of belonging and unbelonging in modern and contemporary works of literature.The volume collects a collaborative investigation of the exigencies and potentialities of sense of place and belonging through literature, Jewish and other. It offers a literary perspective on current debates in a variety of fields, including literary criticism, human geography, architectural theory, and translation studies.

This volume offers a thorough introduction to Jewish world literatures in Spanish and Portuguese, which not only addresses the coexistence of cultures, but also the functions of a literary and linguistic space of negotiation in this context. From the Middle Ages to present day, the compendium explores the main Jewish chapters within Spanish- and Portuguese-language world literature, whether from Europe, Latin America, or other parts of the world. No comprehensive survey of this area has been undertaken so far. Yet only a broad focus of this kind can show how diasporic Jewish literatures have been (and are ) – while closely tied to their own traditions – deeply intertwined with local and global literary developments; and how the aesthetic praxis they introduced played a decisive, formative role in the history of literature. With this epistemic claim, the volume aims at steering clear of isolationist approaches to Jewish literatures.

The multilingualism and polyphony of Jewish literary writing across the globe demands a collaborative, comparative, and interdisciplinary investigation into questions regarding methods of researching and teaching literatures. Disseminating Jewish Literatures compiles case studies that represent a broad range of epistemological and textual approaches to the curricula and research programs of literature departments in Europe, Israel, and the United States. In doing so, it promotes the integration of Jewish literatures into national philologies and the implementation of comparative, transnational approaches to the reading, teaching, and researching of literatures. Instead of a dichotomizing approach, Disseminating Jewish Literatures endorses an exhaustive, comprehensive conceptualization of the Jewish literary corpus across languages. Included in this volume are essays on literatures in Arabic, English, French, German, Hebrew, Hungarian, Italian, Polish, Portuguese, Russian, Spanish, and Turkish, as well as essays reflecting the fields of Yiddish philology and Latin American studies. The volume is based on the papers presented at the Gentner Symposium funded by the Minerva Foundation, held at the Freie Universität Berlin in June 2018.

With its new subtitle, Romance Literatures of the World, the book series mimesis presents an innovative and integral understanding of the Romance world and Romance Studies from the perspective of literary studies and cultural theory. It takes account of the fact that the fascinating development of Romance literatures and cultures both in Europe and beyond has set in motion worldwide dynamics which continue the great traditions of the Romance world and open up new horizons for them. mimesis works from a transareal understanding of Romance Studies which integrates Romance literatures and cultures both within and outside Europe and which transcends the national and disciplinary boundaries which often conceal the interactions between different traditions and developmentsin Europe and the Americas, in Africa and Asia. In the archipelago of Romance Studies, mimesis reveals how the representation of reality in the Romance literatures of the world opens the door to a multilingual cosmos of diverse logics.

In the wake of the spatial and affective turns in Literary Studies in general, and the study of Jewish literatures in particular, this volume shifts focus from the extensity of exile and return to the intensities of sense of place and belonging across a moving landscape of 20th and 20st century literatures, Jewish and other. It brings together contemporary writers and literary scholars who collectively map these intensities onto a bodily word world in transit and textures of habitable, readable space as passage.Works by Hélène Cixous, Cécile Wajsbrot, Alex Epstein, Almog Behar, and Svetlana Boym explore sites made up of layers of passages, taking configurations of sayability and readability as forms, poetic and political, of inhabiting the material world. The contributions by literary scholars explore the theoretical potential of a mapping of such sites in studies of modalities of belonging and unbelonging in modern and contemporary works of literature.The volume collects a collaborative investigation of the exigencies and potentialities of sense of place and belonging through literature, Jewish and other. It offers a literary perspective on current debates in a variety of fields, including literary criticism, human geography, architectural theory, and translation studies.

This volume offers a thorough introduction to Jewish world literatures in Spanish and Portuguese, which not only addresses the coexistence of cultures, but also the functions of a literary and linguistic space of negotiation in this context. From the Middle Ages to present day, the compendium explores the main Jewish chapters within Spanish- and Portuguese-language world literature, whether from Europe, Latin America, or other parts of the world. No comprehensive survey of this area has been undertaken so far. Yet only a broad focus of this kind can show how diasporic Jewish literatures have been (and are ) – while closely tied to their own traditions – deeply intertwined with local and global literary developments; and how the aesthetic praxis they introduced played a decisive, formative role in the history of literature. With this epistemic claim, the volume aims at steering clear of isolationist approaches to Jewish literatures.