Tanya Pollard – författare
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24 produkter
24 produkter
E-bok
PDF, Engelska, 2017471 kr
Läs direkt efter köp
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England''s dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts'' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays mostpopular in the period were not male-centered dramas such as Sophocles'' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period''s writings, these iconicfemale figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: ''What''s Hecuba to him, or he to Hecuba/ That he should weep for her?''Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
E-bok
Engelska, 2017471 kr
Läs direkt efter köp
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England''s dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts'' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays mostpopular in the period were not male-centered dramas such as Sophocles'' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period''s writings, these iconicfemale figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: ''What''s Hecuba to him, or he to Hecuba/ That he should weep for her?''Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Häftad, Engelska, 2022
533 kr
Skickas inom 5-8 vardagar
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?'Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Inbunden, Engelska, 2017
2 217 kr
Skickas inom 5-8 vardagar
Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.
Inbunden, Engelska, 2005
3 394 kr
Skickas inom 5-8 vardagar
Drugs and Theater in Early Modern England asks why Shakespeare and his contemporary playwrights were so preoccupied with drugs and poisons and, at a deeper level, why both critics and supporters of the theater, as well as playwrights themselves, so frequently adopted a chemical vocabulary to describe the effects of the theater on audiences. Drawing upon original medical and literary research, Pollard shows that the potency of the link between drugs and plays in the period demonstrates a model of drama radically different than our own, a model in which plays exert a powerful impact on spectators' bodies as well as minds. Early modern physiology held that the imagination and emotions were part of the body, and exerted a material impact on it, yet scholars of medicine and drama alike have not recognised the consequences of this idea. Plays, which alter our emotions and thought, simultaneously change us physically. This book argues that the power of the theater in early modern England, as well as the striking hostility to it, stems from the widely held contemporary idea that drama acted upon the body as well as the mind. In yoking together pharmacy and theater, this book offers a new model for understanding the relationship between texts and bodies. Just as bodies are constituted in part by the imaginative fantasies they consume, the theater's success (and notoriety) depends on its power over spectators' bodies. Drugs, which conflate concerns about unreliable appearances and material danger, evoked fascination and fear in this period by identifying a convergence point between the imagination and the body, the literary and the scientific, the magical and the rational. This book explores that same convergence point, and uses it to show the surprising physiological powers attributed to language, and especially to the embodied language of the theater.
Inbunden, Engelska, 2027
303 kr
Kommande
We often imagine Shakespeare as a solitary genius. But the playwright’s dazzling imagination was enabled and inspired by the blazing charisma and unruly temper of his toweringly ambitious lead actor, Richard Burbage. Today, Burbage’s name is almost forgotten, but his presence haunts the history of theatre, and offers a new way to understand Shakespeare and his plays.Burbage’s volatile, larger-than-life energy shaped some of the world’s most iconic characters – brooding, hero-villains such as Hamlet, King Lear, Othello, Macbeth and Richard III. These roles, each written especially for Burbage, are so dominant that they often account for over a quarter of their scripts. With a life stalked by drama and dispute that made its way onto the stage, Burbage was the celebrity megastar of his day, whose fame far eclipsed Shakespeare's own during their lifetimes.Burbage’s audience understood his roles as his creations, not simply Shakespeare’s. Now, with celebrated scholar Tanya Pollard’s investigation, we can too. In the first biography of this creative marriage, she explores the ways in which these two restless artists challenged and drove each other’s imaginations, like Lennon and McCartney. Not Shakespeare alone, but Shakespeare-and-Burbage, put an indelible stamp on the tragedies that came to define Elizabethan theatre and change literature forever.
Häftad, Engelska, 2019
537 kr
Skickas inom 10-15 vardagar
This collection reconsiders Milton’s engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer, Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.
E-bok
PDF, Engelska, 20082 328 kr
Läs direkt efter köp
Shakespeare''s Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater.
A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. Brings together in one volume texts that would otherwise be hard to locate. Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.
Inbunden, Engelska, 2013
1 477 kr
Skickas inom 7-10 vardagar
This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers.
Häftad, Engelska, 2015
534 kr
Skickas inom 7-10 vardagar
This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers.
Inbunden, Engelska, 2017
1 675 kr
Skickas inom 10-15 vardagar
This collection reconsiders Milton’s engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer, Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.
Inbunden, Engelska, 2018
1 751 kr
Skickas inom 10-15 vardagar
What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related ‘likeness problems’ that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries. The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of thefictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as ‘lame’, the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page. Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor.
E-bok
Engelska, 2018638 kr
Läs direkt efter köp
This collection reconsiders Milton’s engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer, Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.
E-bok
PDF, Engelska, 2018638 kr
Läs direkt efter köp
This collection reconsiders Milton’s engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer, Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.
Inbunden, Engelska, 2003
2 007 kr
Skickas inom 5-8 vardagar
Shakespeare's Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater.Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation.Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries.A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time.Brings together in one volume texts that would otherwise be hard to locate.Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.
Häftad, Engelska, 2003
726 kr
Skickas inom 5-8 vardagar
Shakespeare's Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater.Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation.Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries.A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time.Brings together in one volume texts that would otherwise be hard to locate.Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.
E-bok
PDF, Engelska, 2023296 kr
Läs direkt efter köp
A fast-paced whirlwind of fantasy and mockery confined to a single room, The Alchemist offers a witty culmination of Jonson''s experiments with city comedy. The play has been widely recognized as one of the most impressive achievements of the period''s theatre; Coleridge famously described it as one of the three most perfect plots in literature. Yet it is a notoriously difficult play: its alchemical language has aged into obscurity, and its insiderly humour can seem impenetrable to students approaching it for the first time. This comprehensively annotated edition translates and illuminates the play''s many pleasures and shows how Jonson''s cynical, street-wise wit resonates with our contemporary sensibilities. Pollard highlights the play''s witty ingenuity, while offering the information and guidance to enable students to understand and enjoy The Alchemist fully.
Häftad, Engelska, 2023
274 kr
Skickas inom 5-8 vardagar
A fast-paced whirlwind of fantasy and mockery confined to a single room, The Alchemist offers a witty culmination of Jonson's experiments with city comedy. The play has been widely recognized as one of the most impressive achievements of the period's theatre; Coleridge famously described it as one of the three most perfect plots in literature. Yet it is a notoriously difficult play: its alchemical language has aged into obscurity, and its insiderly humour can seem impenetrable to students approaching it for the first time. This comprehensively annotated edition translates and illuminates the play's many pleasures and shows how Jonson's cynical, street-wise wit resonates with our contemporary sensibilities. Pollard highlights the play's witty ingenuity, while offering the information and guidance to enable students to understand and enjoy The Alchemist fully.
E-bok
Engelska, 2023296 kr
Läs direkt efter köp
A fast-paced whirlwind of fantasy and mockery confined to a single room, The Alchemist offers a witty culmination of Jonson''s experiments with city comedy. The play has been widely recognized as one of the most impressive achievements of the period''s theatre; Coleridge famously described it as one of the three most perfect plots in literature. Yet it is a notoriously difficult play: its alchemical language has aged into obscurity, and its insiderly humour can seem impenetrable to students approaching it for the first time. This comprehensively annotated edition translates and illuminates the play''s many pleasures and shows how Jonson''s cynical, street-wise wit resonates with our contemporary sensibilities. Pollard highlights the play''s witty ingenuity, while offering the information and guidance to enable students to understand and enjoy The Alchemist fully.
Häftad, Engelska, 2019
578 kr
Skickas inom 10-15 vardagar
This unique anthology presents the important historical essays on tragedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span, it traces the development of theories and philosophies of tragedy, enabling readers to consider the ways in which different varieties of environmentalist, feminist, leftist and postcolonial thought have transformed the status of tragedy, and the idea of the tragic, for recent generations of artists, critics and thinkers. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to Freud, Nietzsche, Schopenhauer and 21st century theorists.Ideas of tragedy and the tragic have been central to the understanding of culture for the past two millennia. Writers and thinkers from Plato through to Martha Nussbaum have analyzed the genre of tragedy to probe the most fundamental of questions about ethics, pleasure and responsibility in the world. Does tragedy demand that we enjoy witnessing the pain of others? Does it suggest that suffering is inevitable? Is human sexuality tragic? Is tragedy even possible in a world of rolling news on a digitally connected planet, where atrocity and trauma from around the globe are matters of daily information? In order to illustrate the different ways that writers have approached the answers to such questions, this Reader collects together a comprehensive selection of canonical writings on tragedy from antiquity to the present day arranged in six sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts.
Inbunden, Engelska, 2019
2 068 kr
Skickas inom 10-15 vardagar
This unique anthology presents the important historical essays on tragedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span, it traces the development of theories and philosophies of tragedy, enabling readers to consider the ways in which different varieties of environmentalist, feminist, leftist and postcolonial thought have transformed the status of tragedy, and the idea of the tragic, for recent generations of artists, critics and thinkers. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to Freud, Nietzsche, Schopenhauer and 21st century theorists.Ideas of tragedy and the tragic have been central to the understanding of culture for the past two millennia. Writers and thinkers from Plato through to Martha Nussbaum have analyzed the genre of tragedy to probe the most fundamental of questions about ethics, pleasure and responsibility in the world. Does tragedy demand that we enjoy witnessing the pain of others? Does it suggest that suffering is inevitable? Is human sexuality tragic? Is tragedy even possible in a world of rolling news on a digitally connected planet, where atrocity and trauma from around the globe are matters of daily information? In order to illustrate the different ways that writers have approached the answers to such questions, this Reader collects together a comprehensive selection of canonical writings on tragedy from antiquity to the present day arranged in six sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts.
E-bok
Engelska, 2019627 kr
Läs direkt efter köp
This unique anthology presents the important historical essays on tragedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span, it traces the development of theories and philosophies of tragedy, enabling readers to consider the ways in which different varieties of environmentalist, feminist, leftist and postcolonial thought have transformed the status of tragedy, and the idea of the tragic, for recent generations of artists, critics and thinkers. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to Freud, Nietzsche, Schopenhauer and 21st century theorists.Ideas of tragedy and the tragic have been central to the understanding of culture for the past two millennia. Writers and thinkers from Plato through to Martha Nussbaum have analyzed the genre of tragedy to probe the most fundamental of questions about ethics, pleasure and responsibility in the world. Does tragedy demand that we enjoy witnessing the pain of others? Does it suggest that suffering is inevitable? Is human sexuality tragic? Is tragedy even possible in a world of rolling news on a digitally connected planet, where atrocity and trauma from around the globe are matters of daily information? In order to illustrate the different ways that writers have approached the answers to such questions, this Reader collects together a comprehensive selection of canonical writings on tragedy from antiquity to the present day arranged in six sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts.
E-bok
PDF, Engelska, 2019627 kr
Läs direkt efter köp
This unique anthology presents the important historical essays on tragedy, ranging from antiquity to the present, divided into historical periods and arranged chronologically. Across its span, it traces the development of theories and philosophies of tragedy, enabling readers to consider the ways in which different varieties of environmentalist, feminist, leftist and postcolonial thought have transformed the status of tragedy, and the idea of the tragic, for recent generations of artists, critics and thinkers. Students of literature and theatre will find this collection an invaluable and accessible guide to writing from Plato and Aristotle through to Freud, Nietzsche, Schopenhauer and 21st century theorists.Ideas of tragedy and the tragic have been central to the understanding of culture for the past two millennia. Writers and thinkers from Plato through to Martha Nussbaum have analyzed the genre of tragedy to probe the most fundamental of questions about ethics, pleasure and responsibility in the world. Does tragedy demand that we enjoy witnessing the pain of others? Does it suggest that suffering is inevitable? Is human sexuality tragic? Is tragedy even possible in a world of rolling news on a digitally connected planet, where atrocity and trauma from around the globe are matters of daily information? In order to illustrate the different ways that writers have approached the answers to such questions, this Reader collects together a comprehensive selection of canonical writings on tragedy from antiquity to the present day arranged in six sections, each featuring an introduction providing concise and informed historical and theoretical frameworks for the texts.
E-bok
Engelska, 20081 234 kr
Läs direkt efter köp
Shakespeare's Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. * A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. * Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. * Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. * A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. * Brings together in one volume texts that would otherwise be hard to locate. * Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.