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In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Njáls saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.Revisiting the long-standing debate about the oral and literary components of the sagas, Andersson argues that there is a clear progression from the somewhat mechanical gathering of oral lore in the early sagas to an increasingly tight and authorially controlled composition in the later sagas. The early sagas—including The Legendary Saga of Saint Olaf and Odd Snorrason's Saga of Olaf Tryggvason—focus on conspicuous individuals and their memorable deeds; later works are more apt to formulate the abstract problems and ideas that preoccupied their authors. As the authors begin to impose their views on the inherited narratives, the sagas become more and more critical and self-conscious, to the point where Njáls saga may be considered not only to approximate a novel in our sense of the term but also to comment on the saga form.
318 kr
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In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Njáls saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.Revisiting the long-standing debate about the oral and literary components of the sagas, Andersson argues that there is a clear progression from the somewhat mechanical gathering of oral lore in the early sagas to an increasingly tight and authorially controlled composition in the later sagas. The early sagas—including The Legendary Saga of Saint Olaf and Odd Snorrason's Saga of Olaf Tryggvason—focus on conspicuous individuals and their memorable deeds; later works are more apt to formulate the abstract problems and ideas that preoccupied their authors. As the authors begin to impose their views on the inherited narratives, the sagas become more and more critical and self-conscious, to the point where Njáls saga may be considered not only to approximate a novel in our sense of the term but also to comment on the saga form.
814 kr
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814 kr
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2 448 kr
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This volume brings together a series of key essays by Larry D Benson, well-known for his work in editing the Riverside Chaucer. Of the studies selected, the opening three deal with Old English, recasting the possibilities for the critical study of Beowulf, above all the relation between oral and written literary production. The following ten essays turn to Middle English literature, with the focus first on Chaucer, and the evolution of his works and his language, then on the social and cultural context of medieval chivalric texts. Throughout, Professor Benson approaches his subjects with a skeptical intent, even a seeming contrariness in seeking to contradict received views, but in fact with the purpose of questioning in order to understand more deeply. Scattered in their original publications, and with one hitherto unpublished, together these studies present a powerful argument for this questioning approach to fundamental issues and constitute a major contribution to the study of the literary and cultural history of the medieval world. Larry D Benson is Francis Lee Higginson Professor of English, Harvard University.