Theresa M. Kenney – författare

The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period.The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the medieval conceit of a suffering Christ Child, and the interrelationships between Christ and other figures, including saints and ordinary children. The Christ Child in Medieval Culture synthesizes various approaches to interpreting the cultural meaning of medieval religious imagery and illuminates the significance of its most central figure.

The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period.The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the medieval conceit of a suffering Christ Child, and the interrelationships between Christ and other figures, including saints and ordinary children. The Christ Child in Medieval Culture synthesizes various approaches to interpreting the cultural meaning of medieval religious imagery and illuminates the significance of its most central figure.

In the seventeenth century many leading poets wrote poems about Christ’s infancy, though charm and sweetness were not the leading note. Because these poets were university-educated classicists – many of them also Catholic or Anglican priests – they wrote in an elevated style, with elevated language, and their concerns were deeply theological as well as poetic. In an age of religious controversy, their poems had controversial elements, and because these poems were mostly intended for private use and limited circulation, they were not generally singable hymns of public celebration of Christ’s birth. However far from dry academic pieces, these poems offer a wide variety of approaches to both their subject, the infant Jesus, and the means of presenting it.All Wonders in One Sight examines the ways in which early modern English poets understood and accomplished the poetic task of representing Christ as both Child and God. Focusing on the intellectual and theological content of the poems as well as the devotional aims of the poets, Theresa M. Kenney aims to reveal their understandings of divine immanence and the sacrament of the Eucharist.

Jane Austen’s conclusions have often perplexed her readers, who at times perceive her novels’ endings as hasty or overly simplistic. However, a closer examination reveals that her final chapters are meticulously crafted, serving as critical touchstones that redefine the entire narrative. Last Impressions offers an in-depth analysis of the literary strategies Austen employs to conclude her novels. This work explores recurring techniques, such as securing parental consent, the absence of dramatized scenes, and the use of rhetorical devices like Socratic irony and metalepsis, uncovering meaningful patterns that highlight Austen’s artistry. By illuminating the intentionality behind the endings of all six of Austen’s major novels, as well as her epistolary novella Lady Susan, this book provides valuable insights into her narrative architecture. In a literary landscape that has frequently dismissed Austen’s conclusions, Last Impressions asserts that her final chapters demand critical engagement, challenging readers to reconsider their interpretations and appreciate her enduring complexity.