Tiya Miles - Böcker

This beautifully written book, now in its second edition, tells the haunting saga of a quintessentially American family. It is the story of Shoe Boots, a famed Cherokee warrior and successful farmer, and Doll, an African slave he acquired in the late 1790s. Over the next thirty years, Shoe Boots and Doll lived together as master and slave and also as lifelong partners who, with their children and grandchildren, experienced key events in American history including slavery, the Creek War, the founding of the Cherokee Nation and subsequent removal of Native Americans along the Trail of Tears, and the Civil War. This is the gripping story of their lives, in slavery and in freedom. Meticulously crafted from historical and literary sources, Ties That Bind vividly portrays the members of the Shoeboots family. Doll emerges as an especially poignant character, whose life is mostly known through the records of things done to her purchase, her marriage, the loss of her children but also through her moving petition to the federal government for the pension owed to her as Shoe Boots's widow.A sensitive rendition of the hard realities of black slavery within Native American nations, the book provides the fullest picture we have of the myriad complexities, ironies, and tensions among African Americans, Native Americans, and whites in the first half of the nineteenth century. Updated with a new preface and an appendix of key primary sources, this remains an essential book for students of Native American history, African American history, and the history of race and ethnicity in the United States.

At the turn of the nineteenth century, James Vann, a Cherokee chief and entrepreneur, established Diamond Hill in Georgia, the most famous plantation in the southeastern Cherokee Nation. In this first full-length study to reconstruct the history of the plantation, Tiya Miles tells the story of Diamond Hill's founding, its flourishing, its takeover by white land-lottery winners on the eve of the Cherokee Removal, its decay, and ultimately its renovation in the 1950s. This moving multiracial history sheds light on the various cultural communities that interacted within the plantation boundaries--from elite Cherokee slaveholders to Cherokee subsistence farmers, from black slaves of various ethnic backgrounds to free blacks from the North and South, from German-speaking Moravian missionaries to white southern skilled laborers. Moreover, the book includes rich portraits of the women of these various communities. Vividly written and extensively researched, this history illuminates gender, class, and cross-racial relationships on the southern frontier.

Crossing Waters, Crossing Worlds explores the critically neglected intersection of Native and African American cultures. This interdisciplinary collection combines historical studies of the complex relations between blacks and Indians in Native communities with considerations and examples of various forms of cultural expression that have emerged from their intertwined histories. The contributors include scholars of African American and Native American studies, English, history, anthropology, law, and performance studies, as well as fiction writers, poets, and a visual artist. Essays range from a close reading of the 1838 memoirs of a black and Native freewoman to an analysis of how Afro-Native intermarriage has impacted the identities and federal government classifications of certain New England Indian tribes. One contributor explores the aftermath of black slavery in the Choctaw and Chickasaw nations, highlighting issues of culture and citizenship. Another scrutinizes the controversy that followed the 1998 selection of a Miss Navajo Nation who had an African American father. A historian examines the status of Afro-Indians in colonial Mexico, and an ethnographer reflects on oral histories gathered from Afro-Choctaws. Crossing Waters, Crossing Worlds includes evocative readings of several of Toni Morrison’s novels, interpretations of plays by African American and First Nations playwrights, an original short story by Roberta J. Hill, and an interview with the Creek poet and musician Joy Harjo. The Native American scholar Robert Warrior develops a theoretical model for comparative work through an analysis of black and Native intellectual production. In his afterword, he reflects on the importance of the critical project advanced by this volume.Contributors. Jennifer D. Brody, Tamara Buffalo, David A. Y. O. Chang, Robert Keith Collins, Roberta J. Hill, Sharon P. Holland, ku'ualoha ho’omnawanui, Deborah E. Kanter, Virginia Kennedy, Barbara Krauthamer, Tiffany M. McKinney, Melinda Micco, Tiya Miles, Celia E. Naylor, Eugene B. Redmond, Wendy S. Walters, Robert Warrior

Harriet Tubman, forced to labour outdoors on a Maryland plantation, learned a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women’s basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World’s Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls also brings new context to misunderstood icons like Sakakawea and Pocahontas, and to under-appreciated figures like Gertrude Bonin, Dolores Huerta and Grace Lee Boggs.For the girls at the centre of this book, woods, rivers, ball courts and streets provided not just escape from degrees of servitude but also space to envision new spheres of action. Lyrically written and full of archival discoveries, this book evokes landscapes as richly as the girls who roamed in them—and argues for equal access to outdoor spaces for girls of every race and class today.

Harriet Tubman, forced to labour outdoors on a Maryland plantation, learned from the land a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women’s basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World’s Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls brings new context to misunderstood icons like Sacagawea and Pocahontas and to under-appreciated figures like Native American activist writer Zitkála-Šá, also known as Gertrude Bonnin, farmworkers’ champion Dolores Huerta and labour and Civil Rights organiser Grace Lee Boggs.This beautiful, meditative work of history puts girls of all races—and the landscapes they loved—at centre stage and reveals the impact of the outdoors on women’s independence, resourcefulness and vision. For these trailblazing women of the nineteenth and early twentieth centuries, navigating the woods, following the stars, playing sports and taking to the streets in peaceful protest were not only joyful pursuits, but also techniques to resist assimilation, racism and sexism. Lyrically written and full of archival discoveries, Wild Girls evokes landscapes as richly as the girls who roamed in them—and argues for equal access to outdoor spaces for young women of every race and class today.

In this book Tiya Miles explores the popular yet troubling phenomenon of ""ghost tours,"" frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. ""Dark tourism"" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic ""Old South"" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

In this paradigm-shifting book, celebrated historian Tiya Miles reveals that slavery was at the heart of the Midwest's iconic city: Detroit. Miles has pieced together the experience of the unfree - both native and African American - in the frontier outpost of Detroit, a place wildly remote yet at the centre of national and international conflict. The result is fascinating history, little-explored and eloquently told, of the limits of freedom in early America, one that adds new layers of complexity that completely change our understanding of slavery's American legacy.

LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONNATIONAL BOOK AWARD WINNER ~ NEW YORK TIMES BESTSELLER ~ WINNER OF THE CUNDILL HISTORY PRIZE'An astonishing account of love, resilience and survival' Sunday Times'A remarkable book' New York Times'An extraordinary tale through the generations' GuardianIn 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the sack in spare, haunting language.That, in itself, is a story. But it's not the whole story. How does one uncover the lives of people who, in their day, were considered property? Harvard historian Tiya Miles carefully traces these women's faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward. All That She Carried gives us history as it was lived, a poignant story of resilience and love passed down against steep odds.

SHORTLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTIONLONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONNATIONAL BOOK AWARD WINNERNEW YORK TIMES BESTSELLERWINNER OF THE CUNDILL HISTORY PRIZE'An astonishing account of love, resilience and survival' Sunday Times'A remarkable book' New York Times'An extraordinary tale through the generations' GuardianIn 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the sack in spare, haunting language.That, in itself, is a story. But it's not the whole story. How does one uncover the lives of people who, in their day, were considered property? Harvard historian Tiya Miles carefully traces these women's faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward. All That She Carried gives us history as it was lived, a poignant story of resilience and love passed down against steep odds.