Henry Louis Gates – författare

Introduced by Maya Angelou, the inspiring sermon-poems of James Weldon Johnson James Weldon Johnson was a leading figure of the Harlem Renaissance, and one of the most revered African Americans of all time, whose life demonstrated the full spectrum of struggle and success. In God's Trombones, one of his most celebrated works, inspirational sermons of African American preachers are reimagined as poetry, reverberating with the musicality and splendid eloquence of the spirituals. This classic collection includes "Listen Lord (A Prayer)," "The Creation," "The Prodigal Son," "Go Down Death (A Funeral Sermon)," "Noah Built the Ark," "The Crucifixion," "Let My People Go," and "The Judgment Day."For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In this volume, Gates focuses critical attention on the most repressed element of African-American criticism - the language of the text. Incorporating the theoretical insights of critics such as Bakhtin, Foucault, Lacan, Derrida, and Bloom, he explores the work of a wide range of African-American writers from Phillis Wheatley to Ishmael Reed and Alice Walker.

This book is intended for Prizes won etc.

This volume of essays examines the forced dispossession of the Middle Passage through the texts, religious rites, economic exchanges, dance and music it elicited, both on the liminal transatlantic journey, and on the continent and eventual return. The totality of this collection establishes a broad topographical and temporal context for the Passage that extends from the interior of Africa across the Atlantic and to the interior of the Americas, and from the time of the Middle Passage to the present day. A collective narrative of itinerant cultural consciousness as represented in histories, myth and arts, these contributions reconceptualize the meaning of the Middle Passage for African American history and fiction.

This volume of essays examines the forced dispossession of the Middle Passage through the texts, religious rites, economic exchanges, dance and music it elicited, both on the liminal transatlantic journey and on the continent and eventual return. As a whole this collection establishes a broad topographical and temporal context for the Passage that extends from the interior of Africa across the Atlantic and to the interior of the Americas, and from the time of the Middle Passage to the present day. A collective narrative of itinerant cultural consciousness as represented in histories, myth and arts, these contributions reconceptualize the meaning of the Middle Passage for African American history and fiction.

Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey, whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system of interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the 'Talking Book', a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. The second volume in an enterprising trilogy on African-American literature, The Signifying Monkey--which expands the arguments of Figures in Black--makes an important contribution to literary theory, African-American literature, folklore, and literary history.

Ninety years after W.E.B. Du Bois first articulated the need for "the equivalent of a black Encyclopedia Britannica," Kwame Anthony Appiah and Henry Louis Gates Jr., realized his vision by publishing Africana: The Encyclopedia of the African and African American Experience in 1999. This new, greatly expanded edition of the original work broadens the foundation provided by Africana. Including more than one million new words, Africana has been completely updated and revised. New entries on African kingdoms have been added, bibliographies now accompany most articles, and the encyclopedia's coverage of the African diaspora in Latin America and the Caribbean has been expanded, transforming the set into the most authoritative research and scholarly reference set on the African experience ever created. More than 4,000 articles cover prominent individuals, events, trends, places, political movements, art forms, business and trade, religion, ethnic groups, organizations and countries on both sides of the Atlantic. African American history and culture in the present-day United States receive a strong emphasis, but African American history and culture throughout the rest of the Americas and their origins in African istelf have an equally strong presence. The articles that make up Africana cover subjects ranging from affirmative action to zydeco and span over four million years from Lucy, our oldest-known human ancestor, to Sean "P. Diddy" Combs. With entries ranging from the African ethnic groups to members of the Congressional Black Caucus, Africana, Second Edition, conveys the history and scope of cultural expression of people of African descent with unprecedented depth.

When newly-liberated African American slaves attempted to enter the marketplace and exercise their rights as citizens of the United States in 1865, few, if any, Americans expected that, a century and a half later, the class divide between black and white Americans would be as wide as it is today. The United States has faced several potential key turning points in the status of African Americans over the course of its history, yet at each of these points the prevailing understanding of African Americans and their place in the economic and political fabric of the country was at best contested and resolved on the side of second-class citizenship. The Oxford Handbook of African American Citizenship, 1865-Present seeks to answer the question of what the United States would look like today if, at the end of the Civil War, freed slaves had been granted full political, social and economic rights. It does so by tracing the historical evolution of African American experiences, from the dawn of Reconstruction onward, through the perspectives of sociology, political science, law, economics, education and psychology. As a whole, the book is the first systematic study of the gap between promise and performance of African Americans since 1865. Over the course of thirty-four chapters, written by some of the most eminent scholars of African American studies and across every major social discipline, this Handbook presents a full and powerful portrait of the particular hurdles faced by African Americans and the distinctive contributions African Americans have made to the development of U.S. institutions and culture. As such, it tracks where African Americans have been in order to better illuminate the path ahead.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. DuBois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. The Oxford W. E. B. Du Bois is a collection of Du Bois's works in 19 volumes. Each work is introduced by a brief essay by an eminent scholar and each volume includes a general introduction from the series editor, Henry Louis Gates, Jr. Spanning over a half-century, this collection is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.John Brown is W. E. B. Du Bois's groundbreaking political biography that paved the way for his transition from academia to a lifelong career in social activism. This biography is unlike Du Bois's earlier work; it is intended as a work of consciousness-raising on the politics of race. Less important are the historical events of John Brown's life than the political revelations found within the pages of this biography. At the time that he wrote it in 1909, Du Bois had begun his transformation into the most influential civil rights leader of his time. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Paul Finkelman, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Arguably a contender for the Great American Novel, The Quest of the Silver Fleece is W. E. B. Du Bois's powerful first novel about Zora, a determined, strong Southern black woman who seeks to transcend race and social class in the late nineteenth century. Following the same path of the Greek myth after which it was named, Du Bois's novel confronts not only economic and political circumstances, but also racial and social issues of the time. Over a century after its original publication, we return to The Quest again and again for its political boldness about sexual, gender, and economic institutions. Zora, a breakthrough in the portrayal of black women, stands as a model of courage in a volatile moment in history. The novel portrays not only a story of economics but also of love, gender, and race. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by William L. Andrews, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Intended as an accessible, up-to-date introduction to African American history by its 1915 publisher, The Negro was much more to W. E. B. Du Bois. The chance to write on African American History for a wide audience became his chance to write a manifesto on African history worldwide. Du Bois focuses on the continent of Africa, giving justice to its oft-neglected positive history. Drawing on anthropological and linguistic literature of the time, Du Bois captures a succinct portrait of African and African American history ready for any reader no matter their prior knowledge. His argument enters the narrative fully, revealing his quest for the vindication of black history. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by John K. Thornton, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Considered a sequel to Du Bois's wildly popular The Souls of Black Folks, Darkwater revisits many of the same themes with a more militant edge, even revising previously published essays and poems to include in this newer volume. Published in 1920, Darkwater focuses on the political climate following World War I. In ten carefully crafted chapters, Du Bois explores the important issues of that period- labor, capital, politics, gender, education, and international relations-in tandem with an overarching theme of race. Blending lyrical autobiography with political thoughts and even poetry, Du Bois makes a powerful, forceful argument regarding race and the color line. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Evelyn Brooks Higginbotham, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Published in 1924 in response to growing racial tensions, W. E. B. Du Bois's The Gift of Black Folk explores the contributions African Americans have made to American society, detailing the importance of racial diversity to the United States. Writing for a general audience, Du Bois employs a sweeping scope for his argument, covering the European discovery of America to the twentieth century. In doing so he works to prove that through African Americans' struggle for freedom and equality, they have most fully realized the goal of democracy. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Glenda Carpio, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.The Dark Princess is a story of magical love and radical politics, a romance facing obstacles in a white-dominated world. Du Bois's allegorical tale follows Mathew Townes from his political disillusionment to his association with a powerful and seductive revolutionary leader, Kautilya, the princess of the Tibetan Kingdom of Bwodpur. With Dark Princess, Du Bois explores the color line from a fantastical angle while inserting his signature sociological style. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Homi Bhahba, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Written in very accessible prose, these two booklets, originally published in 1930, allowed W. E. B. Du Bois to reach a wide audience with an interest in Africa. What is so incredible about the two Africa booklets is their lasting relevance and value to the study of Africa today. Coupling Du Bois's breadth of scholarship with his passion for the subjects, the analyses in these booklets are integral to the study of Africa. Many of his arguments foreshadowed the issues and debates regarding Africa in the twentieth century. Expertly synthesized in an introduction by Emmanuel Akyeampong, this edition of the two Africa booklets is essential for anyone interested in African history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Black Reconstruction in America tells and interprets the story of the twenty years of Reconstruction from the point of view of newly liberated African Americans. Though lambasted by critics at the time of its publication in 1935, Black Reconstruction has only grown in historical and literary importance. In the 1960s it joined the canon of the most influential revisionist historical works. Its greatest achievement is weaving a credible, lyrical historical narrative of the hostile and politically fraught years of 1860-1880 with a powerful critical analysis of the harmful effects of democracy, including Jim Crow laws and other injustices. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by David Levering Lewis, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.In Black Folk Then and Now, W. E. B. Du Bois embarks on a mission to correct the omissions, misinterpretations, and deliberate lies he detected in previous depictions of black history. An exemplary revisionist exploration of history and sociology, this essay reflects Du Bois's lifelong mission to bring to light the truths of Black history and expose the African peoples' noble heritage.W. E. B. Du Bois writes extensively about the color line, which he believed at the time of publication to be the defining problem of the twentieth century. In 1946, following the Holocaust, Du Bois revised his arguments, reshaping them into the narrative we find in The World and Africa. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Wilson Moses, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Dusk of Dawn, published in 1940, is an explosive autobiography of the foremost African American scholar of his time. Du Bois writes movingly of his own life, using personal experience to elucidate the systemic problem of race. He reflects on his childhood, his education, and his intellectual life, including the formation of the NAACP. Though his views eventually got him expelled from the association, Du Bois continues to develop his thoughts on separate black economic and social institutions in Dusk of Dawn. Readers will find energetic essays within these pages, including insight into his developing Pan-African consciousness. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Kwame Anthony Appiah, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Collected in one volume for the first time, The World and Africa and Color and Democracy are two of W E. B. Du Bois's most powerful essays on race. He explores how to tell the story of those left out of recorded history, the evils of colonialism worldwide, and Africa's and African's contributions to, and neglect from, world history. More than six decades after W. E. B. Du Bois wrote The World and Africa and Color and Democracy, they remain worthy guides for the twenty-first century. With a series introduction by editor Henry Louis Gates, Jr., and two introductions by top African scholars, this edition is essential for anyone interested in world history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.One of the most neglected and obscure books by W. E. B. Du Bois, In Battle for Peace frankly documents Du Bois's experiences following his attempts to mobilize Americans against the emerging conflict between the United States and the Soviet Union. A victim of McCarthyism, Du Bois endured a humiliating trial-he was later acquitted-and faced political persecution for over a decade. Part autobiography and part political statement, In Battle for Peace remains today a powerful analysis of race in America. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Manning Marable, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Du Bois called his epic Black Flame trilogy a fiction of interpretation. It acts as a representative biography of African American history by following one man, Manuel Mansart, from his birth in 1876 until his death. The Black Flame attempts to use this historical fiction of interpretation to recast and revisit the African American experience. Readers will appreciate The Black Flame trilogy as a clear articulation of Du Bois's perspective at the end of his life.The first book in this profound trilogy, The Ordeal of Mansart, chronicles Mansart's early life during the time of Reconstruction through his involvement in black education in Atlanta. Written with lyrical, vivid prose and with accurate historical context, The Ordeal of Mansart offers readers a peek into African American life and struggle through the lens of Mansart's humble life. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Brent Hayes Edwards, this edition is essential for anyone interested in African American literature.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Du Bois called his epic Black Flame trilogy a fiction of interpretation. It acts as a representative biography of African American history by following one man, Manuel Mansart, from his birth in 1876 until his death. The Black Flame attempts to use this historical fiction of interpretation to recast and revisit the African American experience. Readers will appreciate The Black Flame trilogy as a clear articulation of Du Bois's perspective at the end of his life.The second book in this profound trilogy, Mansart Builds a School, opens with Mansart's election to superintendent of Negro schools in Atlanta and follows him as he ascends to the position of president of Georgia State A&M College. The book provides a damning portrait of the state of education for African Americans in the south. Building upon the drama and intrigue of The Ordeal of Mansart in Du Bois's signature lyrical style, Mansart Builds a School delves into the realities of the ordinary southern black experience of the early twentieth century. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Brent Hayes Edwards, this edition is essential for anyone interested in African American literature.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Du Bois called his epic Black Flame trilogy a fiction of interpretation. It acts as a representative biography of African American history by following one man, Manuel Mansart, from his birth in 1876 until his death. The Black Flame attempts to use this historical fiction of interpretation to recast and revisit the African American experience. Readers will appreciate The Black Flame trilogy as a clear articulation of Du Bois's perspective at the end of his life.The last book in this profound trilogy, Worlds of Color, opens when Mansart is sixty and a successful and established college president. Packed with political intrigue, romance, and social commentary, the book provides a dark, cynical view of the world and its relationship to the "Black Flame," or the potential of black civilization. Building upon the drama of the previous two books, Worlds of Color delves into a more sinister, bleak, and doubtful future. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Brent Hayes Edwards, this edition is essential for anyone interested in African American literature.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.Published posthumously in 1968, The Autobiography of W. E. B. Du Bois is his last and most complete autobiography. Covering his life over almost a century of living in America, it's the closest thing we have to a true autobiography of this important scholar and activist. The book, broken up into three parts, delves into the 90-year-old Du Bois's thoughts on everything from his relationship with sex to his storied association with the NAACP to his political persecution during the Cold War years to his many travels abroad. As Du Bois writes, he takes the reader on a journey to "view my life as frankly and fully as I can." With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Werner Sollors, this edition is essential for anyone interested in African American history.

The Encyclopedia of Africa presents the most up-to-date and thorough reference on this region of ever-growing importance in world history, politics, and culture. Its core is comprised of the entries focusing on African history and culture from OUP's acclaimed five-volume Africana - nearly two-thirds of these 1,300 entries have been updated, revised, and expanded to reflect the most recent scholarship. Articles cover prominent individuals, events, trends, places, political movements, art forms, business and trade, religions, organizations, contemporary nations of sub-Saharan Africa, ethnic groups, and European colonial powers, Congo River, Ivory trade, Mau Mau rebellion, and Pastoralism.

In the spirit of The Oxford Dictionary of National Biography, American National Biography, and African American National Biography--all three published by Oxford University Press--Dictionary of African Biography is a major biographical dictionary covering the lives and legacies of notable African men and women from all eras and walks of life. This groundbreaking resource tells the full story of the African continent through the lives of its people. The rich history of the African people has been unduly neglected in the scholarly literature, and reliable reference material is in short supply. This trend has begun to change, however, and in recent years many new historical discoveries have been made. Much of this research is designed as a corrective to the long tradition of inadequate treatment by scholars. Although scholarship on Africa is flourishing, very little of this research has yet filtered down into accessible reference works; well designed reference material is essential to promote further scholarly inquiry, learning, and education, and to satisfy increasing interest among nonspecialist audiences. Although there have been some isolated instances of successful biography of Africans, there is no single resource that provides comprehensive coverage. Older reference works focus unevenly on the colonial period, European adventurers, and Egyptian dynasties. There is very little attention given to the full range of African lives, and rarely is the continent treated as a whole. As a result our picture of Africa's history and its people is incomplete. A comprehensive biographical dictionary will greatly increase our understanding of the African continent and have a transformative effect on education and research. As the most wide-reaching reference project on Africa to date, DAB will be a means of codifying the explosion of new research. Entries will be written by contributing scholars from African studies departments the world over. Each entry has been reviewed by the editorial board to insure only reliable, high-quality material is published. DAB contains 2 million words in nearly 2,200 entries, each with bibliography, ranging from 750 to 2,000 words. It will have a comprehensive index. It comprises six volumes, approximately 500 pages each, and is published in a hardcover edition for specialists and libraries.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.In Black Folk Then and Now, W. E. B. Du Bois embarks on a mission to correct the omissions, misinterpretations, and deliberate lies he detected in previous depictions of black history. An exemplary revisionist exploration of history and sociology, this essay reflects Du Bois's lifelong mission to bring to light the truths of Black history and expose the African peoples' noble heritage.W. E. B. Du Bois writes extensively about the color line, which he believed at the time of publication to be the defining problem of the twentieth century. In 1946, following the Holocaust, Du Bois revised his arguments, reshaping them into the narrative we find in The World and Africa. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Wilson Moses, this edition is essential for anyone interested in African American history.