Tomasz Żukowski – författare

During the Holocaust, Polish bystanders were witnesses not only to Nazi crimes but also to their own collective violence toward Jewish neighbors. This book shows how these memories continue to be distorted and silenced in the Polish culture.Considering the ways in which Polish culture displays symptoms of a suppressed and violent memory while obstinately refusing to see the meaning of such symptoms, the author shows how the narrative of the Holocaust, in threatening the self-image of the community, causes a continuous anxiety and thus compulsive and neurotic reactions. Through analyses of a wide range of literary, journalistic, commemorative, and cinematic texts, Forgetting Polish Violence Against the Jews sheds light on a set of narrative and discursive models connected with social practices, which serve to discipline individuals – especially Polish Jews – while generating pressure to defend both habits of silence and also an idealized selfimage of the Polish Christian majority.This book will appeal to scholars with interests in memory studies, cultural studies, Holocaust studies, and psychoanalytic studies.

During the Holocaust, Polish bystanders were witnesses not only to Nazi crimes but also to their own collective violence toward Jewish neighbors. This book shows how these memories continue to be distorted and silenced in the Polish culture.Considering the ways in which Polish culture displays symptoms of a suppressed and violent memory while obstinately refusing to see the meaning of such symptoms, the author shows how the narrative of the Holocaust, in threatening the self-image of the community, causes a continuous anxiety and thus compulsive and neurotic reactions. Through analyses of a wide range of literary, journalistic, commemorative, and cinematic texts, Forgetting Polish Violence Against the Jews sheds light on a set of narrative and discursive models connected with social practices, which serve to discipline individuals – especially Polish Jews – while generating pressure to defend both habits of silence and also an idealized selfimage of the Polish Christian majority.This book will appeal to scholars with interests in memory studies, cultural studies, Holocaust studies, and psychoanalytic studies.

Year 1966 analyzes the breakthrough moment in the culture of the Polish People’s Republic when revolutionary social and cultural changes slowed down in the mid-1960s, leading to a turn toward the idea of a nation as a field of ideological dispute between different social actors.The book explores the question of what happened in Polish culture at that time: how social ties were defined, where sources of legitimization of power for the new order were sought beyond the slogans of the revolution (equality, advancement, or prosperity), how historical politics participated in this process, the fate of the great emancipation projects of the 1950s such as emancipation of women or equality for ethnic minorities, and how the meanings of the related narratives changed. It also shows how all important actors (the diverse power camp, the emerging opposition, the Church) participated in this process, adapted their own narratives, and built a new understanding of society, social ties, history, and collective identity, with effects that would weigh heavily on the democratic transformations of the 1990s.This volume is intended for researchers interested in the history and culture of Poland, communist Central and Eastern Europe, memory studies, cultural and literary history, social history, and sociology.

Philo-Semitic Violence: Poland’s Jewish Past in New Polish Narratives addresses the growing popularity of philo-Semitic violence in Poland between the 2000 revelation of Polish participation in the Holocaust and the 2015 authoritarian turn. Elzbieta Janicka and Tomasz Zukowski examine phenomena termed a “new opening in Polish-Jewish relations,” thought to stem from sociocultural change and the posthumous inclusion of those subjected to anti-Semitic violence. The authors investigate the terms and conditions of this inclusion whose object is an imagined collective Jewish figure.Different creators and media, same friendly intentions, same warm reception beyond class and political cleavages, regardless of gender and age. The made-to-measure Jewish figure confirms and legitimizes the majority narrative—especially about Polish stances and behaviors during the Holocaust. Enabled by this, philo-Semitic feelings indulge the dominant group in Baudrillard’s retrospective hallucinations. The consequence: aggression toward anyone who dares to interrupt the narcissistic self-staging.This book exposes the Polish ethnoreligious identity regime that privileges the concern for the collective image over reality. The authors’ inquiry shows how patterns of exclusion and violence are reproduced when anti-Semitism—with its Christian sources and community-building function—is not openly problematized, reassessed, and rejected in light of its consequences and the basic principle of equal rights.

Starting with the war, the authors analyze the functions of this category in the Polish discourse of memory through following its changing forms and showing links with social practices organizing the collective memory.