Tracy Pintchman – författare

The Parashakthi Temple in Pontiac, Michigan serves as a site of worship for the Hindu goddess Karumariamman, whose origins are in South India. In her American home Karumariamman has assumed the status of Great Goddess, a tantric deity and wonder worker who communicates directly with devotees through dreams, visions, and miracles. Drawing on fifteen years of field work, Tracy Pintchman reveals how the Parashakthi Temple has become a site of theological and ritual innovation. A unique spiritual community, the temple does not simply reproduce Indian goddess traditions, but instead reimagines Hinduism and the Hindu Goddess in the American religious, cultural, and natural landscape. The congregation's faith is grounded in a vision of the Goddess as a breaker of boundaries, including those of race, ethnicity, religion, geography, history, and nationality. Like her congregants, Pintchman suggests, the goddess is emblematic of the qualities of a new immigrant; she embraces the opportunities her new home affords her and refashions herself, but she does not forget her roots, keeping one foot planted in her Indian homeland and another planted firmly in her new land, the United States. Pintchman considers larger issues concerning the creativity of immigrant Hindu communities and the ways in which diaspora contexts facilitate the production of new forms of Hinduism that are made possible by globalization and modern technology.

The Parashakthi Temple in Pontiac, Michigan serves as a site of worship for the Hindu goddess Karumariamman, whose origins are in South India. In her American home Karumariamman has assumed the status of Great Goddess, a tantric deity and wonder worker who communicates directly with devotees through dreams, visions, and miracles. Drawing on fifteen years of field work, Tracy Pintchman reveals how the Parashakthi Temple has become a site of theological and ritual innovation. A unique spiritual community, the temple does not simply reproduce Indian goddess traditions, but instead reimagines Hinduism and the Hindu Goddess in the American religious, cultural, and natural landscape. The congregation's faith is grounded in a vision of the Goddess as a breaker of boundaries, including those of race, ethnicity, religion, geography, history, and nationality. Like her congregants, Pintchman suggests, the goddess is emblematic of the qualities of a new immigrant; she embraces the opportunities her new home affords her and refashions herself, but she does not forget her roots, keeping one foot planted in her Indian homeland and another planted firmly in her new land, the United States. Pintchman considers larger issues concerning the creativity of immigrant Hindu communities and the ways in which diaspora contexts facilitate the production of new forms of Hinduism that are made possible by globalization and modern technology.

In this book, Tracy Pintchman has assembled ten leading scholars of Hinduism to explore the complex relationship between Hindu women's rituals and their lives beyond ritual. The book focuses particularly on the relationship of women's ritual practices to domesticity, exposing and exploring the nuances, complexities, and limits of this relationship. In many cultural and historical contexts, including contemporary India, women's everyday lives tend to revolve heavilyaround domestic and interpersonal concerns, especially care for children, the home, husbands, and other relatives. Hence, women's religiosity also tends to emphasize the domestic realm and therelationships most central to women. But women's religious concerns certainly extend beyond domesticity. Furthermore, even the domestic religious activities that Hindu women perform may not merely replicate or affirm traditionally formulated domestic ideals but may function strategically to reconfigure, reinterpret, criticize, or even reject such ideals.This volume takes a fresh look at issues of the relationship between Hindu women's ritual practices and normative domesticity. Inso doing, it emphasizes female innovation and agency in constituting and transforming both ritual and the domestic realm and calls attention to the limitations of normative domesticity as a categoryrelevant to many forms of Hindu women's religious practice.

In this book, Tracy Pintchman has assembled ten leading scholars of Hinduism to explore the complex relationship between Hindu women's rituals and their lives beyond ritual. The book focuses particularly on the relationship of women's ritual practices to domesticity, exposing and exploring the nuances, complexities, and limits of this relationship. In many cultural and historical contexts, including contemporary India, women's everyday lives tend to revolve heavilyaround domestic and interpersonal concerns, especially care for children, the home, husbands, and other relatives. Hence, women's religiosity also tends to emphasize the domestic realm and therelationships most central to women. But women's religious concerns certainly extend beyond domesticity. Furthermore, even the domestic religious activities that Hindu women perform may not merely replicate or affirm traditionally formulated domestic ideals but may function strategically to reconfigure, reinterpret, criticize, or even reject such ideals.This volume takes a fresh look at issues of the relationship between Hindu women's ritual practices and normative domesticity. Inso doing, it emphasizes female innovation and agency in constituting and transforming both ritual and the domestic realm and calls attention to the limitations of normative domesticity as a categoryrelevant to many forms of Hindu women's religious practice.

This book explores the rise of the Great Goddess by focusing on the development of saakti (creative energy), maya (objective illusion), and prakr(materiality) from Vedic times to the late Puranic period, clarifying how these principles became central to her theology.

Hindu Ritual at the Margins explores Hindu forms of ritual activity in a variety of "marginal" contexts. The contributors collectively examine ritual practices in diaspora; across gender, ethnic, social, and political groups; in film, text, and art; in settings where ritual itself or direct discussion of ritual is absent; in contexts that create new opportunities for traditionally marginalized participants or challenge the received tradition; and via theoretical perspectives that have been undervalued in the academy.

Explores the identity of the Hindu Great Goddess and how it relates to the many goddesses worshipped in India.While Hindus recognize and revere a variety of different goddesses, they also tend to speak of one Great Goddess, Mahadevi, as a singular divine being who is the unity underlying all female deities. In this book, ten scholars reflect on both the diverse depictions of Mahadevi found in textual and devotional environments and the ways that the singularity and multiplicity of the divine Hindu feminine are negotiated. Seeking Mahadevicovers various geographical locations, from the Punjab and Bengal in North India to Kerala and Tamilnadu in the South, and makes use of evidence from ancient texts and contemporary interviews, male-authored documents and women's possession experiences, myth, ritual, and folklore. Arguing that Mahadevi has multiple, context-dependent identities that are constructed through human interpretive activity, this book highlights the great diversity of ways that those who worship Mahadevi conceive of and portray her.Contributors include C. Mackenzie Brown, Sarah Caldwell, Thomas Coburn, Elaine Craddock, Kathleen M. Erndl, Jeffrey J. Kripal, Usha Menon, Tracy Pintchman, Andhra Pradesh, and Mark Edwin Rohe.

Explores the identity of the Hindu Great Goddess and how it relates to the many goddesses worshipped in India.While Hindus recognize and revere a variety of different goddesses, they also tend to speak of one Great Goddess, Mahadevi, as a singular divine being who is the unity underlying all female deities. In this book, ten scholars reflect on both the diverse depictions of Mahadevi found in textual and devotional environments and the ways that the singularity and multiplicity of the divine Hindu feminine are negotiated. Seeking Mahadevicovers various geographical locations, from the Punjab and Bengal in North India to Kerala and Tamilnadu in the South, and makes use of evidence from ancient texts and contemporary interviews, male-authored documents and women's possession experiences, myth, ritual, and folklore. Arguing that Mahadevi has multiple, context-dependent identities that are constructed through human interpretive activity, this book highlights the great diversity of ways that those who worship Mahadevi conceive of and portray her.Contributors include C. Mackenzie Brown, Sarah Caldwell, Thomas Coburn, Elaine Craddock, Kathleen M. Erndl, Jeffrey J. Kripal, Usha Menon, Tracy Pintchman, Andhra Pradesh, and Mark Edwin Rohe.

A fascinating look at women's rituals honoring the god Krishna.This fascinating look at the sacred Hindu month of Kartik (October–November) as it is celebrated in the city of Benares in North India highlights Kartik-related practices, stories, songs, and experiences particular to women. During Kartik, Hindu women living in and around Benares meet daily to enact a form of ritual worship, or puja, in which they raise the playful Hindu deity Krishna from childhood to adulthood throughout the month, ultimately marrying him to the plant-goddess Tulsi (Basil). Tracy Pintchman explores how women who perform Kartik puja understand and celebrate both Kartik and Krishna in ways that are linked to the desires, hopes, fears, and social realities characteristic of many Hindu women living in the rather conservative social milieu of this region.

A fascinating look at women's rituals honoring the god Krishna.This fascinating look at the sacred Hindu month of Kartik (October–November) as it is celebrated in the city of Benares in North India highlights Kartik-related practices, stories, songs, and experiences particular to women. During Kartik, Hindu women living in and around Benares meet daily to enact a form of ritual worship, or puja, in which they raise the playful Hindu deity Krishna from childhood to adulthood throughout the month, ultimately marrying him to the plant-goddess Tulsi (Basil). Tracy Pintchman explores how women who perform Kartik puja understand and celebrate both Kartik and Krishna in ways that are linked to the desires, hopes, fears, and social realities characteristic of many Hindu women living in the rather conservative social milieu of this region.

Explores how objects shape the worlds of religious participants across a range of South Asian traditions.Sacred Matters explores the lives of material objects in South Asian religions. Spanning a range of traditions including Hinduism, Islam, Jainism, Buddhism, and Christianity, the book demonstrates how sacred items influence and enliven the worlds of religious participants across South Asia and into the diaspora. Contributors examine a variety of objects to describe the ways sacred materials derive and confer meaning and efficacy, emerging from and giving shape to religious and nonreligious realms alike. Material forms of deity and divine power are considered along with commonplace ritual items, including images, clay pots, and camphor. The work also attends to materiality's complex role within the "materially suspicious" contexts of Islam, Theravada Buddhism, and Roman Catholicism. This engaging collection presents new frameworks for contemplating the ways in which historical, social, and sacred processes intertwine and collectively shape human and divine activity.