Valentina Bold – författare

Criticized as parsimonious and cruel in the later 1800s, the Poor Law for Scotland was first passed in 1845 as a frankly humanitarian measure in response to desperate poverty on display in Paisley and elsewhere in the early 1840s. Poor Law Inspector James Shaw Brown of Paisley Burgh Parish, a compassionate, detail-oriented bureaucrat, was charged with alleviating suffering while limiting expense. In his four-decade career he served the poor, the parochial board, and rate payers of the parish, weaving their conflicting needs and demands though the arcane rules of the law. Inspector Brown and colleagues across the nation interpreted and debated the meaning of the law in correspondence and the courts for decades before it approached its final form. This book delves into Inspector Brown’s life and records to reveal how poverty and the poor law shaped life experiences for tens of thousands of ordinary Scots in the middle years of the nineteenth century.

«We have here a masterly, well-indexed and clear account of the evolution of the legend of the Brahan Seer over the centuries, one that will add a contextual depth in understanding to the many sources which give the prophesies attributed to him. Sutherland manages to inform his readers of the way in which tales and traditions were transmitted in Gaelic culture, on the externally generated romantic images of the Highlands as well as their appropriation by the natives.»(Iwan Wmffre, University of Ulster)The Brahan Seer is a legendary figure known throughout Scotland and the Scottish diaspora, indeed anywhere there are people with an interest in looking into the future. This book traces the legend of the Seer between the sixteenth and twenty-first centuries. It considers the seer figure in relation to aspects of Scottish Highland culture and society that shaped its development during this period. These include the practice of witchcraft and prosecution of witches; the reporting of and scientific investigation of instances of second sight; and the perennial belief in and use of prophecy as a means of predicting events. In so doing the book provides a set of historicised contexts for understanding the genesis of the legend and how it changed over time through a synthesis of historical events, oral tradition, folklore and literary Romanticism. It contributes to the debates about witchcraft, second sight and prophecy and the relationship between ‘popular’ and ‘elite’ culture in Scotland. By taking the Brahan Seer as a case study it argues that ‘popular’ culture is not antithetical to ‘elite’ culture but rather in constant (and complex) interaction with it.

J. M. Barrie (1860 - 1937) is today known almost exclusively for one work: Peter Pan. Yet he was the most successful British playwright of the early twentieth century, and his novels were once thought equal to those of George Meredith and Thomas Hardy. Although in recent years there has been a revival of interest in Barrie's writing, many critics still fail to include him in surveys of fin de siecle literature or drama. Perhaps Barrie's remarkable variety of output has prevented him from being taken to the centre of critical discussions in any one area of literary criticism or history. Is Barrie predominantly a novelist or a playwright? Is he Victorian, Decadent, Edwardian or Modernist? Gateway to the Modern is the very first collection of essays on Barrie which attempts to do justice to the extraordinary range of his literary achievement. What emerges is a significant writer, fully immersed in the literary and intellectual culture of his day.