Andrew Nash – författare

During the course of the nineteenth century, the British publishing industry was transformed as the commercial, technological and legal structures underpinning the production and distribution of books and periodicals changed rapidly. The period has long been viewed as having witnessed the birth of a mass reading public as educational reforms, revolutions in transport and communications, as well as the introduction of mechanised processes of production, increased the supply of printed matter and the demand for reading material. Books and periodicals became cheaper and the market for them increasingly international. New retail outlets emerged, and library provision of various kinds expanded. At the same time, changes in copyright legislation and the emerging professionalisation of authorship changed the way the publishing industry worked with the authors and other players in the book trade. This four-volume collection brings together contemporary source material that charts the nature, timing and impact of these changes, and explores some of the key contexts and debates of the period. Each volume will present a documentary account of changes in the publishing industry from four distinct perspectives: production, commercial and business structures, legal structures, and readers and markets. This title will be of great interest to students and scholars of history and literature.

This volume assembles documents that illustrate the changing structure of the British publishing industry in the nineteenth century. It charts the increasing separation of the functions of printing, publishing and retailing in the production and distribution of books, and the emergence of new economic models of publishing. For most of the period the book trade operated on a shortage of capital, depending upon fragile networks of credit and debt which could lead, as in the financial crisis of 1825-6, to the collapse of many businesses. The volume documents how the structures of the industry impacted upon the pricing structure of books and periodicals and charts the slow emergence of a mass-market for print. Major points of contention such as the ‘taxes on knowledge’ and the battle over legal deposit are traced, along with recurring debates over discounting and underselling. The volume focuses on key moments such as the controversy over free trade in the 1840s and 1850s and the debates over price protection which led to the formation of the Net Book Agreement in 1900.

This volume brings together key documents covering technologies of production that affected the British publishing industry during a significant period of change. It focuses in particular on key source material related to industrialisation of print production, which saw major leaps forward as mechanised innovations increased the speed, efficiency and delivery of texts through the production process. The introduction of iron, steam and other forms of rotary power presses improved the output of the print room over the century. Alongside this came improvements in typesetting and associated tasks, with the adoption of linotype and monotype casting machines. Changes in available methods of reproducing illustrations such as the development of lithographic printing processes and, in the second half of the century, photographic processes such as half-tone and photogravure, enabled wider incorporation of illustrations into periodicals and books. Such technological changes also fed organisational changes within the print and publishing trade. National unions for the print trade were established in the middle of the century to adapt to new working conditions, and engaged in robust debates about technology and its effect in the workplace.

This volume assembles documents that illustrate the changing relations between authors and publishers in the nineteenth century, and the impact of copyright reform on publishing practices. The enormous expansion in the scale and variety of the marketplace for print after 1815 provided new opportunities for authors and prompted debates over intellectual property and the working relations between authors and publishers. The volume documents the impact of these changes on the publishing industry and its markets, focusing on key moments such as the emergence of the professional literary agent in the late 1870s and the formation of the Incorporated Society of Authors in 1883. It also includes key contemporary material related to copyright and intellectual property, which were major battle grounds affecting nineteenth-century textual circulation, author/publisher relations, financial sustainability, competitiveness in international markets, and industrial relations. The British publishing industry’s attempts to control piracy and unrestricted circulation of their titles in the US and elsewhere found expression in a number of pressure campaigns, formal government commissions, legal acts, and contributions to public debate through journal articles, pamphlets, speeches, and newspaper accounts, of which a representative selection are featured in this volume.

This volume documents how the nineteenth-century British publishing industry responded to and helped shape changes in readership and reading markets in the period. Focusing on broad social, economic and cultural changes, it traces the impact of improvements in transport and communication networks, which dramatically affected the production, distribution and retail of books and periodicals, and the implementation of the Education Acts of 1870 and 1871 which forced publishers to direct their attention to new markets and adopt cheaper publishing formats. The growth of circulating libraries, the revolution in serial and part publication, and the spread of railway bookstalls are among the many topics addressed in this volume which concludes with a section that documents the new pressures of censorship that arose as educational reforms provoked anxieties over the spread of cheap ‘pernicious’ literature.

William Clark Russell wrote more than forty nautical novels. Immensely popular in their time, his works were admired by contemporary writers, such as Conan Doyle, Stevenson and Meredith, while Swinburne, considered him 'the greatest master of the sea, living or dead'. Based on extensive archival research, Nash explores this remarkable career.

This book brings into view the most enduring and distinctive philosophical current in South African history—one often obscured or patronized as Afrikaner liberalism. It traces this current of thought from nineteenth-century disputes over Dutch liberal theology through Stellenbosch existentialism to the prison writings of Breyten Breytenbach, and examines related themes in the work of Olive Schreiner, M. K. Gandhi, and Richard Turner. At the core of this tradition is a defence of free speech in its classical sense, as a virtue necessary for a good society, rather than in its modern liberal sense as an individual right. Out of this defence of free speech, conducted in the face of charges of heresy, treason, and immorality, a range of philosophical conceptions developed—of the self constituted in dialogue with others, of freedom as transcendence of the given, and of a dialectical movement of consciousness as it is educated through debate and action. This study shows the Socratic commitment to "following the argument where it leads," sustained and developed in the storm and stress of a peculiar modernity.

The Cambridge History of the Book in Britain is an authoritative series which surveys the history of publishing, bookselling, authorship and reading in Britain. This seventh and final volume surveys the twentieth and twenty-first centuries from a range of perspectives in order to create a comprehensive guide, from growing professionalisation at the beginning of the twentieth century, to the impact of digital technologies at the end. Its multi-authored focus on the material book and its manufacture broadens to a study of the book's authorship and readership, and its production and dissemination via publishing and bookselling. It examines in detail key market sectors over the course of the period, and concludes with a series of essays concentrating on aspects of book history: the book in wartime; class, democracy and value; books and other media; intellectual property and copyright; and imperialism and post-imperialism.

The Cambridge History of the Book in Britain is an authoritative series which surveys the history of publishing, bookselling, authorship and reading in Britain. This seventh and final volume surveys the twentieth and twenty-first centuries from a range of perspectives in order to create a comprehensive guide, from growing professionalisation at the beginning of the twentieth century, to the impact of digital technologies at the end. Its multi-authored focus on the material book and its manufacture broadens to a study of the book's authorship and readership, and its production and dissemination via publishing and bookselling. It examines in detail key market sectors over the course of the period, and concludes with a series of essays concentrating on aspects of book history: the book in wartime; class, democracy and value; books and other media; intellectual property and copyright; and imperialism and post-imperialism.

This book brings into view the most enduring and distinctive philosophical current in South African history—one often obscured or patronized as Afrikaner liberalism. It traces this current of thought from nineteenth-century disputes over Dutch liberal theology through Stellenbosch existentialism to the prison writings of Breyten Breytenbach, and examines related themes in the work of Olive Schreiner, M. K. Gandhi, and Richard Turner. At the core of this tradition is a defence of free speech in its classical sense, as a virtue necessary for a good society, rather than in its modern liberal sense as an individual right. Out of this defence of free speech, conducted in the face of charges of heresy, treason, and immorality, a range of philosophical conceptions developed—of the self constituted in dialogue with others, of freedom as transcendence of the given, and of a dialectical movement of consciousness as it is educated through debate and action. This study shows the Socratic commitment to "following the argument where it leads," sustained and developed in the storm and stress of a peculiar modernity.

William Clark Russell wrote more than forty nautical novels. Immensely popular in their time, his works were admired by contemporary writers, such as Conan Doyle, Stevenson and Meredith, while Swinburne, considered him 'the greatest master of the sea, living or dead'. Based on extensive archival research, Nash explores this remarkable career.