Andrew Nash is Reader in Book History and Deputy Director of the Institute of English Studies, University of London. In addition to books on Victorian and Scottish literature he has edited or co-edited The Culture of Collected Editions (2003), Literary Cultures and the Material Book (2007) and New Directions in the History of the Novel (2014). Claire Squires is Director of the Stirling Centre for International Publishing and Communication at the University of Stirling. Her publications include Marketing literature: the making of contemporary writing in Britain (2007) and, with Padmini Ray Murray, the article 'The Digital Publishing Communications Circuit'. I. R. Willison held several senior posts in the British Museum Library from 1955 until his retirement in 1987. As Senior Research Fellow in the Institute of English Studies he has played a leading part in the development of book history as a field in the English-speaking world. He edited volume 4 of the New Cambridge Bibliography of English Literature (Cambridge, 1972) and has authored numerous essays on bibliography, book history, and librarianship in Britain and in a global context. He was awarded a CBE for services to the History of the Book in 2005.

'Inevitably in a volume of this kind there are elements, aspects and topics one would have liked to have seen covered, but that are not. Equally, topics are covered that one did not expect, or even know about. Regardless, the volume is a treasure trove of information. Like all previous volumes in the series, Volume Seven is extremely rich, detailed, carefully edited, and authoritative.' Wim Van Mierlo, Library and Information History

• Part I: 1. Materials, technologies and the printing industry Sarah Bromage and Helen Williams; 2. Format and design Sebastian Carter; 3. The digital book Padmini Ray Murray; Part II: 4. Authorship Andrew Nash and Claire Squires; 5. Publishing David Finkelstein and Alistair McCleery; 6. Distribution and bookselling Iain Stevenson; 7. Reading and ownership Andrew Nash, Claire Squires and Shafquat Towheed; Part III: 8. Literature Andrew Nash and Jane Potter; 9. Children's books Peter Hunt and Lucy Pearson; 10. Schoolbooks and textbook publishing Sarah Pedersen; 11. Popular science Peter J. Bowler; 12. Popular history Helen Williams; 13. Religion Michael Ledger-Lomas; 14. Publishing for leisure Susan Pickford; 15. Museum and art book publishing Sarah Anne Hughes; 16. Music John Wagstaff; 17. University presses and academic publishing Samatha J. Rayner; 18. Journals (STM and humanities) Michael Mabe and Anthony Watkinson; 19. Information, reference, and government publishing Susan Pickford; 20. Maps, cartography and geographical publishing Iain Stevenson; 21. Magazines and periodicals Anthony Quinn; 22. Comics and graphic novels Mark Nixon; Part IV: 23. The book in Wartime Jane Potter; 24. Books, intellectual property and copyright Catherine Seville; 25. Books and the mass market: class, democracy and value Rónán McDonald; 26. The book and civil society Kate Longworth; 27. Sex, race and class: the radical, alternative and minority booktrade in Britain Gail Chester; 28. Counter-culture and underground Chris Atton; 29. Books and other media Alexis Weedon; 30. Book events, book environments David Finkelstein and Claire Squires; 31. The book, British imperialism and post-imperialism Caroline Davis.

Andrew Nash is Reader in Book History and Deputy Director of the Institute of English Studies, University of London. In addition to books on Victorian and Scottish literature he has edited or co-edited The Culture of Collected Editions (2003), Literary Cultures and the Material Book (2007) and New Directions in the History of the Novel (2014). Claire Squires is Director of the Stirling Centre for International Publishing and Communication at the University of Stirling. Her publications include Marketing literature: the making of contemporary writing in Britain (2007) and, with Padmini Ray Murray, the article 'The Digital Publishing Communications Circuit'. I. R. Willison held several senior posts in the British Museum Library from 1955 until his retirement in 1987. As Senior Research Fellow in the Institute of English Studies he has played a leading part in the development of book history as a field in the English-speaking world. He edited volume 4 of the New Cambridge Bibliography of English Literature (Cambridge, 1972) and has authored numerous essays on bibliography, book history, and librarianship in Britain and in a global context. He was awarded a CBE for services to the History of the Book in 2005.

'Inevitably in a volume of this kind there are elements, aspects and topics one would have liked to have seen covered, but that are not. Equally, topics are covered that one did not expect, or even know about. Regardless, the volume is a treasure trove of information. Like all previous volumes in the series, Volume Seven is extremely rich, detailed, carefully edited, and authoritative.' Wim Van Mierlo, Library and Information History

• Part I: 1. Materials, technologies and the printing industry Sarah Bromage and Helen Williams; 2. Format and design Sebastian Carter; 3. The digital book Padmini Ray Murray; Part II: 4. Authorship Andrew Nash and Claire Squires; 5. Publishing David Finkelstein and Alistair McCleery; 6. Distribution and bookselling Iain Stevenson; 7. Reading and ownership Andrew Nash, Claire Squires and Shafquat Towheed; Part III: 8. Literature Andrew Nash and Jane Potter; 9. Children's books Peter Hunt and Lucy Pearson; 10. Schoolbooks and textbook publishing Sarah Pedersen; 11. Popular science Peter J. Bowler; 12. Popular history Helen Williams; 13. Religion Michael Ledger-Lomas; 14. Publishing for leisure Susan Pickford; 15. Museum and art book publishing Sarah Anne Hughes; 16. Music John Wagstaff; 17. University presses and academic publishing Samatha J. Rayner; 18. Journals (STM and humanities) Michael Mabe and Anthony Watkinson; 19. Information, reference, and government publishing Susan Pickford; 20. Maps, cartography and geographical publishing Iain Stevenson; 21. Magazines and periodicals Anthony Quinn; 22. Comics and graphic novels Mark Nixon; Part IV: 23. The book in Wartime Jane Potter; 24. Books, intellectual property and copyright Catherine Seville; 25. Books and the mass market: class, democracy and value Rónán McDonald; 26. The book and civil society Kate Longworth; 27. Sex, race and class: the radical, alternative and minority booktrade in Britain Gail Chester; 28. Counter-culture and underground Chris Atton; 29. Books and other media Alexis Weedon; 30. Book events, book environments David Finkelstein and Claire Squires; 31. The book, British imperialism and post-imperialism Caroline Davis.

Andrew Nash is Reader in Book History and Deputy Director of the Institute of English Studies, University of London. In addition to books on Victorian and Scottish literature he has edited or co-edited The Culture of Collected Editions (2003), Literary Cultures and the Material Book (2007) and New Directions in the History of the Novel (2014). Claire Squires is Director of the Stirling Centre for International Publishing and Communication at the University of Stirling. Her publications include Marketing literature: the making of contemporary writing in Britain (2007) and, with Padmini Ray Murray, the article 'The Digital Publishing Communications Circuit'. I. R. Willison held several senior posts in the British Museum Library from 1955 until his retirement in 1987. As Senior Research Fellow in the Institute of English Studies he has played a leading part in the development of book history as a field in the English-speaking world. He edited volume 4 of the New Cambridge Bibliography of English Literature (Cambridge, 1972) and has authored numerous essays on bibliography, book history, and librarianship in Britain and in a global context. He was awarded a CBE for services to the History of the Book in 2005.

'Inevitably in a volume of this kind there are elements, aspects and topics one would have liked to have seen covered, but that are not. Equally, topics are covered that one did not expect, or even know about. Regardless, the volume is a treasure trove of information. Like all previous volumes in the series, Volume Seven is extremely rich, detailed, carefully edited, and authoritative.' Wim Van Mierlo, Library and Information History

• Part I: 1. Materials, technologies and the printing industry Sarah Bromage and Helen Williams; 2. Format and design Sebastian Carter; 3. The digital book Padmini Ray Murray; Part II: 4. Authorship Andrew Nash and Claire Squires; 5. Publishing David Finkelstein and Alistair McCleery; 6. Distribution and bookselling Iain Stevenson; 7. Reading and ownership Andrew Nash, Claire Squires and Shafquat Towheed; Part III: 8. Literature Andrew Nash and Jane Potter; 9. Children's books Peter Hunt and Lucy Pearson; 10. Schoolbooks and textbook publishing Sarah Pedersen; 11. Popular science Peter J. Bowler; 12. Popular history Helen Williams; 13. Religion Michael Ledger-Lomas; 14. Publishing for leisure Susan Pickford; 15. Museum and art book publishing Sarah Anne Hughes; 16. Music John Wagstaff; 17. University presses and academic publishing Samatha J. Rayner; 18. Journals (STM and humanities) Michael Mabe and Anthony Watkinson; 19. Information, reference, and government publishing Susan Pickford; 20. Maps, cartography and geographical publishing Iain Stevenson; 21. Magazines and periodicals Anthony Quinn; 22. Comics and graphic novels Mark Nixon; Part IV: 23. The book in Wartime Jane Potter; 24. Books, intellectual property and copyright Catherine Seville; 25. Books and the mass market: class, democracy and value Rónán McDonald; 26. The book and civil society Kate Longworth; 27. Sex, race and class: the radical, alternative and minority booktrade in Britain Gail Chester; 28. Counter-culture and underground Chris Atton; 29. Books and other media Alexis Weedon; 30. Book events, book environments David Finkelstein and Claire Squires; 31. The book, British imperialism and post-imperialism Caroline Davis.