Vernon White - Böcker

This is the second book in the new SCM "Society and Church" series, which attempts to make sense of the Church and Christianity in a secular society and context, and explore what the former can legitimately contribute to the latter. How do we make sense of who and what we are in this secular, 21st century context of incredible - and often disorienting - change in so many areas of life? That is the central question which this book sets out to answer. At present, in our society, there are major, rapid and interconnected changes in information technology, globalization, work and employment practices, consumerism, and family, all of which have a pressing bearing on our sense of self. How may we best live through this process of change, and does Christian faith propose a mode of living which can be beneficial to personal identity? In answering these two questions, the latter affirmatively, the author develops a theology of faithfulness, which he thinks, like theology itself, has been unjustly neglected in providing answers. White enables theology to speak to a central issue of contemporary life with considerable power and persuasiveness.

In this book Vernon White sets out to address the crisis of credibility that increasingly has affected traditional claims made for the Atonement, and attempts to explain how the life, death, and resurrection of Jesus Christ can have a universal saving significance. The present work stands as something of a sequel to the author's earlier book The Fall of a Sparrow, which attempted to show how God might be conceived as being universally and specially active in the world. In this study, White concentrates on the saving nature of that activity, and the coherence which he feels emerges if this is grounded in the particularity of the Christ-event. In defending the constitutive nature of Christ's role in the salvation of the world, without relying on Anselmian or penal substitutionary models of atonement, White proposes an atonement model which could rehabilitate such a belief without offending moral and conceptual sensibilities. A supporting chapter is provided outlining the kind of christology required to sustain this model, while the final chapters of the book discuss the ethical implications of the position adopted.

Do our lives have purpose? Despite the rise of secularism, we are still confronted by a sense of meaning and direction in the events of history and our own lives - something which is beyond us and not our own creation/imagination. Using the novels of Thomas Hardy and Julian Barnes, Vernon White tracks this belief in intellectual history and tests its resilience in modern literature. Both novelists portray modern and late-modern scenarios where, although the idea of an objective purpose has been deconstructed, it still haunts the protagonists.Using literature as the starting point, the discussion moves on to an exploration of this belief in its theological form, through the doctrine of providence. White critically reviews the classic canon of providence and its pressure points - the problems in divine causality, the metaphysical assumptions required in its acceptance, and the contradictions to be found between God's purpose and the metanarratives of history. Using Barth and Frei, White suggests new ways of re-imagining divine providence to take account of these issues. The credibility of this re-defined providence is then tested against scripture, experience and praxis, with the result being an understanding of providence that does not rely on empirical progress.

Do our lives have purpose? Despite the rise of secularism, we are still confronted by a sense of meaning and direction in the events of history and our own lives - something which is beyond us and not our own creation/imagination. Using the novels of Thomas Hardy and Julian Barnes, Vernon White tracks this belief in intellectual history and tests its resilience in modern literature. Both novelists portray modern and late-modern scenarios where, although the idea of an objective purpose has been deconstructed, it still haunts the protagonists.Using literature as the starting point, the discussion moves on to an exploration of this belief in its theological form, through the doctrine of providence. White critically reviews the classic canon of providence and its pressure points - the problems in divine causality, the metaphysical assumptions required in its acceptance, and the contradictions to be found between God's purpose and the metanarratives of history. Using Barth and Frei, White suggests new ways of re-imagining divine providence to take account of these issues. The credibility of this re-defined providence is then tested against scripture, experience and praxis, with the result being an understanding of providence that does not rely on empirical progress.

Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book’s three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what—if anything—makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God.A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity’s long relationship with music, including those working in the fields of theology, musicology, and liturgical studies.

Good governance is one of the UK's fundamental values, and citizens are entitled to expect that public officials, both elected and non-elected, behave according to the highest standards of ethical behaviour. However, such lofty aspirations are not enough to root out corruption. If integrity in public life is to be maintained, the core principles behind it must be constantly sustained and strengthened. This new Haus Curiosities volume, published in collaboration with Westminster Abbey Institute, looks at the place and meaning of integrity in the individual public servant, in public service institutions, and in the wider public they purport to serve. It tries to answer the fundamental questions of what integrity means in public life, what lasting value it has, and why it has such a critical part to play in the constitution of Britain. The book also explores how people in public service institutions can cease to behave with humanity when those institutions deny the individual human spirit. On the other hand, the authors argue for the critical importance of institutions in upholding values when fallible humans forget them, as we have witnessed in the Civil Service's steadfast and stabilising response to the Brexit referendum and its uncertain aftermath. Integrity in Public Life provides a critique of and an essential guide to integrity, leaving the reader with some hope for its continued place in public life.