W. K. Wimsatt – författare
Visar alla böcker från författaren W. K. Wimsatt. Handla med fri frakt och snabb leverans.
4 produkter
4 produkter
1 185 kr
Skickas inom 3-6 vardagar
Literary Criticism: Idea and Act: The English Institute, 1939–1972: Selected Essays delves into the rich intellectual legacy of the English Institute, tracing its evolution from its inception in 1939 through its significant influence on American literary criticism over three decades. This anthology captures the diversity of critical approaches, scholarly debates, and cultural dialogues that shaped the study of literature in the 20th century. From discussions on editing and philological studies to groundbreaking interpretations of poetry, drama, and prose, the essays reflect a dynamic interplay between traditional scholarship and emergent critical theories. Key figures like Cleanth Brooks, Northrop Frye, and Geoffrey Hartman explore themes ranging from structuralism and archetypes to the aesthetics of modernity, demonstrating the Institute's role as a crucible for literary innovation.The volume also serves as a historical record, detailing the transition from early gatherings focused on practical criticism to a broader engagement with interdisciplinary and theoretical perspectives. The essays selected highlight pivotal moments in literary scholarship, such as the rise of New Criticism, the reimagining of Romantic and modernist texts, and the enduring relevance of classical poetics. Through its thoughtful curation, the book offers both a panoramic view of literary criticism's development and a testament to the enduring impact of the English Institute in fostering critical thought and intellectual exchange.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
1 858 kr
Skickas inom 3-6 vardagar
Literary Criticism: Idea and Act: The English Institute, 1939–1972: Selected Essays delves into the rich intellectual legacy of the English Institute, tracing its evolution from its inception in 1939 through its significant influence on American literary criticism over three decades. This anthology captures the diversity of critical approaches, scholarly debates, and cultural dialogues that shaped the study of literature in the 20th century. From discussions on editing and philological studies to groundbreaking interpretations of poetry, drama, and prose, the essays reflect a dynamic interplay between traditional scholarship and emergent critical theories. Key figures like Cleanth Brooks, Northrop Frye, and Geoffrey Hartman explore themes ranging from structuralism and archetypes to the aesthetics of modernity, demonstrating the Institute's role as a crucible for literary innovation.The volume also serves as a historical record, detailing the transition from early gatherings focused on practical criticism to a broader engagement with interdisciplinary and theoretical perspectives. The essays selected highlight pivotal moments in literary scholarship, such as the rise of New Criticism, the reimagining of Romantic and modernist texts, and the enduring relevance of classical poetics. Through its thoughtful curation, the book offers both a panoramic view of literary criticism's development and a testament to the enduring impact of the English Institute in fostering critical thought and intellectual exchange.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
572 kr
Skickas inom 3-6 vardagar
The sixteen essays in this volume form a series of related focuses upon various levels and areas of literary criticism. W.K. Wimsatt's assumption is that practice and theory of both the past and the present are integrally related-that there is a continuity in the materials of criticism-that a person who studies poetry today has a critical concern, not merely a historical interest, in what Aristotle or Plato said about poetry. He regards the great perennial problems of criticism as arising not by the whim of a tolerantly pluralist choice, but from the nature of language and reality.With profound learning and insight, Wimsatt treats almost the whole range of literary criticism. The first group of essays deals with fallacies he believes are involved in prevalent approaches to the literary object. The next two groups face the responsibilities of the critic who defends literature as a form of knowledge; they treat various problems of structure and style. The last group undertakes to examine the relation of literature to other arts, the relation of evaluative criticism to historical studies, and the relation of literature not only to morals, but more broadly to the whole complex of the Christian religious tradition.
492 kr
Skickas inom 3-6 vardagar
These ten essays, written over a period from 1950 to 1962, are bound together by their common concern with questions of the meaning of criticism and the larger meaning of literature itself. These difficult questions W.K. Wimsatt treats with characteristic wit and penetration, ranging easily from a broad consideration of principles to incisive comment on individual writers and works. The first part of the book is devoted to a discussion of literary theory. Wimsatt reviews the development of critical dialectic from the German romanticism of Schelling and the Schlegels to the mythopeic bravura of Northrop Frye. Himself a classical ironist, he nevertheless exposes here some of the extravagances of the ironic principle as flourished by the systematic Prometheans. The second and third parts contain essays on more particular topics: the meaning of "symbolism," Aristotle's doctrines of the tragic plot and catharsis, the theory of comic laughter, and the objective reading of English meters. Here too are extended comment on particular writers -- a study of the imagination of James Boswell, an analysis of the comedy of T. S. Eliot in The Cocktail Party, and a contrast in the handling of similar themes by Tennyson and Eliot. The fourth part is a comprehensive statement of the demands and opportunities confronting the critic in his or her role as teacher.