W. S. F. Pickering – författare

Durkheim's sociological thought is based on the premise that the world cannot be known as a thing in itself, but only through representations, rough approximations of the world created either individually or collectively. This set of papers by leading Durkheimians from Britain, America and continental Europe is the first concentrated attempt to understand what he meant by representations, how his understanding of the term was influenced by Kant and by neo-Kantians like Charles Renouvier and how his use of the concept in his work developed over time. By arguing that his use of representations at the the core of Durkheim's sociological thought, this book makes a unique contribution to Durkheimian studies which have recently been dominated by positivist and functionalist interpretations, and reveals a thinker very much in tune with contemporary developments in philosophy, linguistics and sociology.

Durkheim's sociological thought is based on the premise that the world cannot be known as a thing in itself, but only through representations, rough approximations of the world created either individually or collectively. This set of papers by leading Durkheimians from Britain, America and continental Europe is the first concentrated attempt to understand what he meant by representations, how his understanding of the term was influenced by Kant and by neo-Kantians like Charles Renouvier and how his use of the concept in his work developed over time. By arguing that his use of representations at the the core of Durkheim's sociological thought, this book makes a unique contribution to Durkheimian studies which have recently been dominated by positivist and functionalist interpretations, and reveals a thinker very much in tune with contemporary developments in philosophy, linguistics and sociology.

Until recently the subject of suffering and evil was neglected in the sociological world and was almost absent in Durkheimian studies as well. This book aims to fill the gap, with particular reference to the Durkheimian tradition, by exploring the different meanings that the concepts of evil and suffering have in Durkheim's works, together with the general role they play in his sociology. It also examines the meanings and roles of these concepts in relation to suffering and evil in the work of other authors within the group of the Année sociologique up until the beginning of World War II. Finally, the Durkheimian legacy in its wider aspects is assessed, with particular reference to the importance of the Durkheimian categories in understanding and conceptualizing contemporary forms of evil and suffering.

Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians' engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim's own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Levi-Strauss, Michel Leiris, and Georges Bataille. The contributors - scholars from a range of theoretical orientations and disciplinary perspectives - are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.

This volume brings together a comprehensive selection of Émile Durkheim's writings on religion. Besides helping to establish the discipline of sociology in France, Dukrheim is widely recognized as one of the founding figures in the modern study of religion. Included are important sections of The Elementary Forms of Religious Life (1912), some of Durkehim's early reviews, articles, and extracts from books. The volume also contains comprehensive bibliographies, and early reviews of Durkheim's work on religion by such writers as van Gennep, Goldenwieser, Stanner, and the French sociologist Gaston Richard.

There has been a growing interest in Durkheim, founding father of sociology, since the 1970s. This volume takes a look at the current stage of Durkheimian studies, pointing out paths scholars are now following as they examine the various themes of study that Durkheim opened up to the academic world. They clearly demonstrate the continuing importance of Durkheim's works and the benefits to be derived from re-reading them in the light of contemporary social developments.

"There is much of interest in this well-presented volume. Mauss's careful discussion of differences among types of oral rites - incantations, spells, invocations - remains instructive." * Social Anthropology "Anthropologists, sociologists and theologians will be grateful for the first English translation of this important early text by Marcel Mauss ...The notes edited by Robert Parkin and some 'Concluding Anthropological Reflections' by Howard Morphy make this a very valuable item for Mauss scholarship." * Reviews in Religion and Theology "Mauss's foray into the issue of prayer, though inchoate, is as unexpected as it is significant ...Pickering has produced a highly scholarly and indispensable volume ...Impeccably translated ...this will be the standard reference for Mauss on the topic of prayer." * New Blackfriars Marcel Mauss (1872-1950) never completed his Doctoral thesis on prayer. Yet his scarcely mentioned introduction (Books I and II) of 176 pages and privately printed in 1909, can be seen as some of his most important work. His argument that much of prayer is a social act will be of great interest to anthropologists, sociologists and theologians.Here, the first English translation to be published, is preceded by a general introduction by W.S.F.Pickering and finally a specific commentary on Mauss's use of ethnographic material. W.S.F. Pickering, British Centre for Durkheimian Studies, Oxford University; postscript by Howard Morphy, University of Canberra. Published in Association with the Durkheim Press.

There has been a growing interest in Durkheim, founding father of sociology, since the 1970s. This volume takes a look at the current stage of Durkheimian studies, pointing out paths scholars are now following as they examine the various themes of study that Durkheim opened up to the academic world. They clearly demonstrate the continuing importance of Durkheim's works and the benefits to be derived from re-reading them in the light of contemporary social developments.

Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians’ engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim’s own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Lévi-Strauss, Michel Leiris, and Georges Bataille. The contributors—scholars from a range of theoretical orientations and disciplinary perspectives—are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.