Wendy I. Zierler - Böcker

Hava Shapiro is among the nearly forgotten Jewish women writers who sought acceptance in Jewish literary circles of the last century. Born in Slavuta (modern-day Ukraine) in 1878, she published works of fiction, memoir, literary criticism, and journalism, including a volume of short fiction and a scholarly monograph on the Czech leader Masaryk. Her handwritten diary - the first known diary to be kept by a woman in Hebrew - evokes not only the momentous events of her day but also the experiences of women like herself who failed to follow the dictates of Jewish tradition and aspired to roles beyond those of wife and mother.In ""To Tread New Ground"": Selected Writings of Hava Shapiro editors and translators Carole B. Balin and Wendy I. Zierler present an English anthology of Shapiro’s late-nineteenth and early-twentieth century Hebrew writings. The selection culls from her short fiction, feminist literary criticism, reportage and literary essays, as well as her diary and hundreds of letters. Shapiro chronicled publicly and privately such cataclysmic events as the Russian Revolution and both World Wars, in addition to critical episodes in the Jewish past, including pogroms, mass migration, ruptures in traditional Jewish life, and the development of Zionism. A list of Shapiro’s intimates, whom she describes in both her diary and published reminiscences, reads like a ""who’s who"" of the Russian Haskalah: including Y. L. Peretz, Reuven Brainin, David Frischmann, Nahum Sokolov, Micha Yosef Berdischevsky, and Hayim Nahman Bialik. To further contextualize Shapiro’s writings, Balin and Zierler include a thorough introduction and translations of critical essays about Shapiro.Balin and Zierler’s Hebrew edition of Shapiro’s writing, Behikansi atah, which was published in Israel in 2008, brought the first broad attention and readership to Shapiro’s remarkable biography and writings. The translations in ""To Tread New Ground"", which include previously uncollected materials, will be welcomed by English-speaking readers interested in Hebrew literature, East European Jewish history, and gender studies.

Interweaving memoir with Hebrew poetry, Going Out with Knots illuminates author Wendy I. Zierler’s literary and personal Jewish mourning journey in the aftermath of unremitting personal loss.She begins with her story: the death of both her parents in one year; the challenges she faced as a woman saying Kaddish in an Orthodox synagogue; and her decision to teach a weekly class on modern Hebrew poems that addressed grief, prayer, and God wrestling. Each subsequent chapter delves into the works of a different modern Hebrew poet-Lea Goldberg, Avraham Ḥalfi, Yehuda Amichai, Rachel Morpurgo, Rachel Bluwstein, Ruhama Weiss, and Amir Gilboa-in the order in which she translated, interpreted, and taught their poems (many translated into English for the first time). Each poet, like Zierler, comes to writing deeply connected to Jewish tradition and yet at odds with it, too.Ultimately, Going Out with Knots reflects on how a woman living in a modern Orthodox community can claim a place in the male-centered rituals that Jewish tradition prescribes for mourning, and how immersion in modern Hebrew poetry can respond deeply to both communal (COVID-19, October 7) as well as personal losses, offering a new form of theology and Torah.

Brings popular cinema and Jewish religious texts into a meaningful dialogue.Finalist for the 2017 National Jewish Book Award in Modern Jewish Thought and Experience presented by the Jewish Book Council Movies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of "inverted midrash": while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in God's image), among others.