Wes Williams – författare

To call something ''monstrueux'' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth ''monstrueux'' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the ''mighty magic'' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is thetranslation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity.This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and''bio-politics'' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching.The centre of the book''s gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.

This is the first full-length study of the place and meaning of pilgrimage in European Renaissance culture. It makes new material available and also provides fresh perspectives on canonical writers such as Rabelais, Montaigne, Margurite de Navarre, Erasmus, Petrarch, Augustine, and Gregory of Nyssa. Wes Williams undertakes a bold exploration of various interlinking themes in Renaissance pilgrimage: the location, representation, and politics of the sacred, together with the experience of the everyday, the extraordinary, the religious, and the represented. Williams also examines the literary formation of the subjective narrative voice in his texts, and its relationship to the rituals and practices he reviews. This wide-ranging and timely new work aims both to gain a sense of the shapes of pilgrim experience in the Renaissance and to question the ways in which recent theoretical and historical research in the area has determined the differences between fictional worlds and the real.

To call something 'monstrueux' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth 'monstrueux' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the 'mighty magic' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is the translation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity. This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and 'bio-politics' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching.The centre of the book's gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.

Rights were once thought to derive from the God-given nature of man. But today human rights and religion are sometimes in conflict. The universal claims made for rights can put them at odds with the revealed truths from which religions derive their authority. Many people’s sense of human worth and dignity nevertheless depends on recognising the divine in each of us. Where rights and revelation diverge, how can the differences be negotiated? How should we measure individual claims to freedom against the demands of religious traditions? In this volume, eminent theologians and anthropologists set out the terms of religion’s holds on its own truths, while historians, philosophers, and activists set out their vision for a society in which the competing truths must be accommodated not peacefully but without violence. Their respondents join the debate with fierce conviction, indicating their doubts and concerns in relation to the often compatible but sometimes competing claims of religion and rights.

For young adults and people who want help achieving their goals, Wes''s advice based on his life experiences as the "Godfather of Canadian Hip Hop" will guide them on the right path.As someone who has experienced the highs and lows that come with being a performer, Wes "Maestro" Williams has had to overcome many challenges in his life. These are also the same challenges that we all face on the way to where we want to be, and Wes''s practical and empowering strategies will help you get there. Sometimes these obstacles come from within, whether it''s a fear of failure or low self-esteem. Sometimes they come from your circumstances; perhaps there are people around you who are keeping you down or "in your place," even if they don''t mean to. In Stick to Your Vision, Wes shows you how to define your vision, how to achieve it, and what to do once you''re there. He offers useful tips and advice, as well as inspirational stories and quotes, and exercises that will keep you moving towards your own vision.From the Hardcover edition.