Will Brantley – författare

Conversations with Pauline Kael brings together roughly half of Kael's published interviews along with a lively debate between Kael and Jean-Luc Godard. Collectively, the interviews provide rewarding perspectives on Kael's aesthetics, her politics, and her perceptions about what it is she does as a critic. They also contain discussions of films that Kael did not have the chance to review or that were released after her retirement in 1991.This collection of her interviews will provide new and renewed pleasures for readers who have valued Kael's critical voice and her challenges to consensus during the second half of the twentieth century.

Conversations with Edmund White brings together twenty-one interviews with an author known for chronicling gay culture. Ranging from a 1982 discussion of his early works to a new and unpublished interview conducted in 2016, these interviews highlight White’s predilections, his major achievements, and the pivotal moments of his long, varied career.Since the 1973 publication of his first novel, Forgetting Elena, Edmund White (b. 1940) has become a major figure in literature and gay culture. White is, however, more than just a celebrated gay writer. He is an international man of letters, and his work crosses several genres. White’s fiction includes an autobiographical trilogy—A Boy’s Own Story, The Beautiful Room Is Empty, and The Farewell Symphony—along with more recent novels such as Jack Holmes and His Friend and Our Young Man. White’s love of French literature and culture is evident in biographies of Jean Genet, Marcel Proust, and Arthur Rimbaud, and his antipathy to American Puritanism suffuses his collected essays and memoirs and is on full display in two early nonfiction works that helped define the era of gay liberation: The Joy of Gay Sex, coauthored with Charles Silverstein, and States of Desire: Travels in Gay America.A professor of creative writing at Princeton University, White has earned many distinctions, including the National Book Critics Circle Award and the Lambda Literary Foundation’s Pioneer Award. White has been a generous interviewer, sharing his time and insights not only with major publications such as the Paris Review, but also with smaller online publications for more limited audiences. A lively commentator, White has never been afraid to speak his mind, even when the result has been public feuds with literary peers on both sides of the Atlantic.

Conversations with Edmund White brings together twenty-one interviews with an author known for chronicling gay culture. Ranging from a 1982 discussion of his early works to a new and unpublished interview conducted in 2016, these interviews highlight White’s predilections, his major achievements, and the pivotal moments of his long, varied career.Since the 1973 publication of his first novel, Forgetting Elena, Edmund White (b. 1940) has become a major figure in literature and gay culture. White is, however, more than just a celebrated gay writer. He is an international man of letters, and his work crosses several genres. White’s fiction includes an autobiographical trilogy—A Boy’s Own Story, The Beautiful Room Is Empty, and The Farewell Symphony—along with more recent novels such as Jack Holmes and His Friend and Our Young Man. White’s love of French literature and culture is evident in biographies of Jean Genet, Marcel Proust, and Arthur Rimbaud, and his antipathy to American Puritanism suffuses his collected essays and memoirs and is on full display in two early nonfiction works that helped define the era of gay liberation: The Joy of Gay Sex, coauthored with Charles Silverstein, and States of Desire: Travels in Gay America.A professor of creative writing at Princeton University, White has earned many distinctions, including the National Book Critics Circle Award and the Lambda Literary Foundation’s Pioneer Award. White has been a generous interviewer, sharing his time and insights not only with major publications such as the Paris Review, but also with smaller online publications for more limited audiences. A lively commentator, White has never been afraid to speak his mind, even when the result has been public feuds with literary peers on both sides of the Atlantic.

The twenty-four interviews collected in Conversations with Sarah Schulman, roughly a fifth of those that exist, have enabled Schulman to expound upon her distinctive fusion of art and social commitment. Ranging from major forums to smaller venues, and covering a period of more than thirty years, these interviews provide full evidence of Schulman’s value as a pivotal player in the intellectual life of her time. Schulman’s career as a writer, activist, teacher, and oral historian is now in its fifth decade. Spanning multiple fiction genres, her eleven novels include After Delores (1988), Rat Bohemia (1995), The Child (2007), and Maggie Terry (2018). A native New Yorker, Schulman (b. 1958) writes for the people that she writes about—women and men making the most of a society that seems continually marked by homophobia, which Schulman regards as less a phobia than an unacknowledged pleasure system.Readers have come to relish Schulman’s provocations, nowhere more so than through her books of nonfiction on topics such as gentrification and the interlocking nature of conflict and abuse. And since the early 1980s, when Schulman worked as a journalist, readers have come to applaud her searing indictments of the nation’s woeful response to its AIDS crisis. Schulman has received both The LGBTQ Center’s Kessler Award for a body of work that has influenced the field of gay and lesbian studies and the Publishing Triangle’s Bill Whitehead Award for lifetime achievement. She holds an endowed chair in creative writing at Northwestern University.

The twenty-four interviews collected in Conversations with Sarah Schulman, roughly a fifth of those that exist, have enabled Schulman to expound upon her distinctive fusion of art and social commitment. Ranging from major forums to smaller venues, and covering a period of more than thirty years, these interviews provide full evidence of Schulman’s value as a pivotal player in the intellectual life of her time. Schulman’s career as a writer, activist, teacher, and oral historian is now in its fifth decade. Spanning multiple fiction genres, her eleven novels include After Delores (1988), Rat Bohemia (1995), The Child (2007), and Maggie Terry (2018). A native New Yorker, Schulman (b. 1958) writes for the people that she writes about—women and men making the most of a society that seems continually marked by homophobia, which Schulman regards as less a phobia than an unacknowledged pleasure system.Readers have come to relish Schulman’s provocations, nowhere more so than through her books of nonfiction on topics such as gentrification and the interlocking nature of conflict and abuse. And since the early 1980s, when Schulman worked as a journalist, readers have come to applaud her searing indictments of the nation’s woeful response to its AIDS crisis. Schulman has received both The LGBTQ Center’s Kessler Award for a body of work that has influenced the field of gay and lesbian studies and the Publishing Triangle’s Bill Whitehead Award for lifetime achievement. She holds an endowed chair in creative writing at Northwestern University.