William L. Randall – författare

Our everyday lives are enmeshed in storytelling: the stories we tell about our memories, the people we know, and the world we inhabit; those we tell about our families and communities; and the narratives we encounter in books, movies, and television. Narrative structures how we view ourselves and everything around us.In The Narrative Complexity of Ordinary Life, William L. Randall shows how concepts central to the study of narrative psychology--such as narrative development and the interrelation between narrative and identity, cognition, and development--are integral to everyday life. He makes the case that all people function as narrative psychologists by continually storying their lives in memory and imagination, as well as speculating on the stories that others may be living, a process that Randall refers to as storyotyping.Relying heavily on narrative, Randall draws from experiences in his own life to illustrate various concepts in narrative psychology. His inquiry leads him to the topics of gossip, rumor, and the narrative complexity of nostalgia. In doing so, he makes the case that all people function as narrative psychologists by continually storying - or, cementing - their lives in memory and imagination, a process Randall refers to as "storyotyping".

Against the background of Socrates' insight that the unexamined life is not worth living, Reading Our Lives investigates the often overlooked inside dimensions of aging. Despite popular portrayals of mid and later life as entailing inevitable decline, this book looks at ageing as, potentially, a process of poeisis: a creative endevour of fashioning meaning from the ever-accumulating texts - memories and reflections - that constitute our inner worlds. At its centre is the conviction that although we are constantly reading our lives to some degree anyway, doing so in a mindful manner is critical to our development in the second half of life.Drawing on research in numerous disciplines - including cognitive psychology, neuroscience, and the psychology of ageing - this book presents a vision of aging that promises to accommodate such time-honoured concepts as wisdom and spirituality; one that understands aging as a matter not merely of getting old but of consciously growing old.

In its brief but vigorous history, gerontology has spawned a broadening range of specializations. One of the newest of such specializations is narrative gerontology, so named for its emphasis on the biographical, or inside, dimensions of the experience of aging.Telling stories about our world, our relationships, and ourselves is fundamental to how we make meaning. Everything from our history to our religion and our memories to our emotions is linked to the tales we tell ourselves, and others, about where we have come from and where we are going. They are central to who we are. The biographical side of human life is every bit as critical to fathom as the biological side, if we seek a more balanced, positive, and optimistic perspective on what aging is about; if we would honor the dignity and complexity, the humanity and uniqueness of the lives of older persons, no matter what their health or economic standing. In this respect, a narrative approach is particularly suited to the exploration of such topics as meaning, spirituality, and wisdom, and the connections they share.This volume reflects a selection of new directions and insights, and constitutes a general broadening and deepening of narrative gerontology, exploring its implications for theory and research in the field of aging, and for the quality of life of older adults themselves. Such deepening indicates a greater refinement of thought, method, and intervention. The evolution of narrative gerontology is also evidenced by a significant increase in the number of faculty and graduate students engaged in research in this area, as well as by increasing collaboration among researchers, practitioners, and administrators in applying narrative insights to contexts such as long term care - indeed, healthcare in general. These initiatives have given rise to the phrase, "narrative care as core care".

Our everyday lives are enmeshed in storytelling: the stories we tell about our memories, the people we know, and the world we inhabit; those we tell about our families and communities; and the narratives we encounter in books, movies, and television. Narrative structures how we view ourselves and everything around us. In The Narrative Complexity of Ordinary Life, William L. Randall shows how concepts central to the study of narrative psychology--such as narrative development and the interrelation between narrative and identity, cognition, and development--are integral to everyday life. He makes the case that all people function as narrative psychologists by continually storying their lives in memory and imagination, as well as speculating on the stories that others may be living, a process that Randall refers to as storyotyping. Relying heavily on narrative, Randall draws from experiences in his own life to illustrate various concepts in narrative psychology. Randall's inquiry also takes him to the topics of gossip, rumor, and the narrative complexity of nostalgia. He contemplates the storied nature of the news, and by extension, history. Randall discusses the nature of spirituality and religion as "master narratives." He also draws upon the work of Dan McAdams to discuss how the stories people internalize and tell to others reveal a great deal about the way in which they interpret and experience the world around them, ultimately arguing that the recurring themes in people's lives shape their personalities.

From time to time we all tend to wonder what sort of “story” our life might comprise: what it means, where it is going, and whether it hangs together as a whole. In The Stories We Are, William Lowell Randall explores the links between literature and life and speculates on the range of storytelling styles through which people compose their lives. In doing so, he draws on a variety of fields, including psychology, psychotherapy, theology, philosophy, feminist theory, and literary theory.Using categories like plot, character, point of view, and style, Randall plays with the possibility that we each make sense of the events of our lives to the extent that we weave them into our own unfolding novel, as simultaneously its author, narrator, main character, and reader. In the process, he offers us a unique perspective on features of our day-to-day world such as secrecy, self-deception, gossip, prejudice, intimacy, maturity, and the proverbial “art of living.”First published in 1995, this second edition of The Stories We Are includes a new preface and afterword by the author that offer insight into his argument and evolution as a scholar, as well as an illuminating foreword by Ruthellen Josselson.

This book explores the complex connections between the memories, emotions, and objects that hold special meaning for us across the years.