Wolfgang Müller-Funk – författare

In a humane world, cruelty should not exist, and yet it has been a feature of our societies since time immemorial. From individual acts of cruelty to systematic torture and mass murder, cruelty has been humanity’s constant companion, attesting to a darker side of human nature. Cruelty involves the use of violence but it is more than this, since it is organized and calculated; its intention is to inflict pain and suffering on others, even to destroy the other. Cruelty is perhaps the ultimate form of violence in which the extermination of the other is staged as a threat in order to make others compliant or instil in them the fear of death.In this wide-ranging cultural history, Wolfgang Müller-Funk examines the ways in which different thinkers and authors – from Herodotus to Nietzsche, from Seneca to Musil and Koestler – have conceptualized and tried to make sense of a phenomenon we would prefer to ignore. He seeks to unveil the conditions under which an economy of cruelty emerges, in which violence is calculated and becomes a quasi-natural matter of course. The economy of cruelty involves the efficient use of means to pursue irrational goals. It also involves discourses and narrative patterns that legitimize organized violence and neutralize emotions, such as empathy and compassion, that would restrain or obstruct the pursuit of cruelty.This disturbing inquiry into the nature of cruelty and its role in human culture will be of interest to students and scholars throughout the humanities and to a wide general readership.

These collected essays contain fundamental contributions to contemporary cultural analysis and theory as well as exemplary interpretations of film, literature and other media. Central issues of current cultural studies are addressed: cultural narratives, cultural identity, collective memory and post-colonial thinking. The oeuvre of cultural and literary critic Wolfgang Müller-Funk encompasses historic analyses such as readings of Broch, Canetti and Musil, and the heritage they passed on. Other essays move from the beginning of the 20th to the 21st century and address questions of space, time and globalization discussing, for example, Walter Benjamin and 9/11.

Narrative/s in Conflict presents the proceedings of an international workshop, held at the Trinity Long Room Hub Dublin in 2013, to a wider audience. This was a cross-disciplinary cooperation between the comparative research network 'Broken Narratives' (University of Vienna), the research strand 'Identities in Transformation' (Trinity College Dublin) and the Graduate Center for the Study of Culture at the University of Giessen. What has brought this informal network together is its credo that theories of narrative should be regarded as an integral part of cultural analysis. Choosing exemplary case studies from early Habsburg days up to the the wars and genocides of the 20th century and the post-9/11 'War on terror', our volume tries to analyze the relation between representation and conflict, i.e. between narrative constructions, social/historical processes, and cultural agon. Here it is crucial to state that narratives do not simply and passively 'mirror' conflicts as the conventional ‘realistic’ paradigm suggests; they rather provide a symbolic, sense-making matrix, and even a performative dimension. It even can be said that in many cases, narratives make conflicts.