Visar resultat för..."JT Press"

The New Tibetan-English Dictionary of Modern Tibetan surpasses existing dictionaries in both scope and comprehensiveness. Containing more than 80,000 lexical items used in political, social, economic, literary, and scientific discourse, this invaluable sourcebook includes the tens of thousands of new words that have been coined or that have come into use since Tibet was incorporated into the People's Republic of China in 1951. The dictionary lists lexical items characteristic of the special written genre that was used by Tibetan government officials up to 1959 as well as new terminology used in the Tibetan exile communities in South Asia. It contains both the core lexical terminology used in everyday life and standard modern writing and many proverbs and sayings that appear frequently in contemporary literary materials. The entries provide spoken pronunciation and thousands of illustrative sentences.

In Agrotropolis, historian J. T. Way traces the developments of Guatemalan urbanization and youth culture since 1983. In case studies that bring together political economy, popular music, and everyday life, Way explores the rise of urban space in towns seen as quintessentially "rural" and showcases grassroots cultural assertiveness. In a post-revolutionary era, young people coming of age on the globally inflected city street used popular culture as one means of creating a new national imaginary that rejects Guatemala's racially coded system of castes. Drawing on local sources, deep ethnographies, and the digital archive, Agrotropolis places working-class Maya and mestizo hometowns and creativity at the center of planetary urban history.

In Agrotropolis, historian J. T. Way traces the developments of Guatemalan urbanization and youth culture since 1983. In case studies that bring together political economy, popular music, and everyday life, Way explores the rise of urban space in towns seen as quintessentially "rural" and showcases grassroots cultural assertiveness. In a post-revolutionary era, young people coming of age on the globally inflected city street used popular culture as one means of creating a new national imaginary that rejects Guatemala's racially coded system of castes. Drawing on local sources, deep ethnographies, and the digital archive, Agrotropolis places working-class Maya and mestizo hometowns and creativity at the center of planetary urban history.

Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art—only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art—only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An illustrated adventure telling the story of King Harald Sigurdsson, the last king of the Vikings Based on a true story, Harald’s adventure takes him from a frightened teenager to wealthy and powerful warrior and finally, to a ruthless and tyrannical king, whose ambition leads him to a futile, yet glorious death at the battle of Stamford Bridge in 1066. In this exciting and action-packed story, Harald journeys across the world from Scandinavia to Russia, Byzantium, Sicily, Turkey, Palestine and finally England. Travelling overland and by sea he gathers wealth, recongition and power, and along the way meets a range of famous and flamboyant historical figures including Cnut the Great, Prince Jaroslav of Kiev, the Empress Zoe and King Harold of England.

I had met only two or three of the neighboring Crackers when I realized that isolation had done something to these people. . . .They have a primal quality against their background of jungle hammock, moss-hung against the tremendous silence of the scrub country. The only ingredients of their lives are the elemental things.""--Marjorie Kinnan Rawlings, March 1930, in a letter to Alfred S. Dashiell of Scribner's Magazine.Except for one extended black family and ""one writer from up north,"" folks from Cross Creek were ornery, independent Crackers, J. T. Glisson writes in this memoir of growing up in the backwoods of north-central Florida. The time spanned the late twenties to the early fifties, and isolation and an abundance of mosquitoes and snakes were their claim to fame. The writer was Marjorie Kinnan Rawlings.In her 25 years at the Creek, Miz Rawlings was regarded as ""That Woman""--warm, high-strung, and simply eccentric. She drove recklessly, smoked in public, and had ""black spells."" A Pulitzer Prize did little to change her status. In Cross Creek everyone had space to be a character and every character had a title: the meanest, laziest, most pregnant, or best cat fisherman.Describing day-to-day life in unaffected prose, Glisson's portraits include Charley, the fisherman who did his banking in a Prince Albert tobacco can nailed to a tree; Bernie Bass, who spoke ""perfect Florida Cracker without polish""; Old Blue, young Jake Glisson's nuisance hog; Aunt Martha Mickens, the matriarch of all the blacks at the Creek (including Henry, the first critic to pass judgment on Jake's drawings); and especially Jake's father, Tom, the man whose wisdom, boundless optimism, and colorful speech figure prominently in Rawlings's Cross Creek. (Of his famous neighbor, Tom once commented that ""when she gets her tail up above her head, her brain don't work."")Glisson's own finely detailed pencil and pen-and-ink drawings illustrate these vignettes, and he explains that the idea of earning his living as an artist first came to him when he saw Rawlings's books illustrated with such vivid pictures that he could smell the sawgrass, sweat, and gunpowder of the Creek. No wonder: One edition of The Yearling--the story of a deer and a boy Jake's own age--was illustrated by N. C. Wyeth, who visited Cross Creek and chatted about drawing (""it's a matter of seeing and practice"") while eleven-year-old Jake watched him sketch.Tom Glisson died while his son was enrolled in art school in Sarasota; three years later Miz Rawlings died, and an era ended. Today J. T. Glisson lives four and a half miles from the house where he grew up. When there's a breeze from the south, he writes, he sits on his porch and listens to the soft rustling of palmetto fronds, almost embarrassed by the beauty of his memories.J. T. Glisson has been an illustrator, publisher, and businessman.

A nonviolent philosophical framework with practical methods for teachers and others who respond to writing.

A nonviolent philosophical framework with practical methods for teachers and others who respond to writing.

A team of experts comprehensively review the theoretical and practical aspects of applying antibodies in both the laboratory and clinic. For general understanding, the book thoroughly introduces the basic science of the antibody molecule, including recombinant engineering. Several novel in vivo applications of therapeutic antibodies are then presented to illustrate their special value in varied clinical settings. For those new to the field, there are readily reproducible methods for generating and purifying antibodies and for modifying them for clinical application. Timely and comprehensive, Diagnostic and Therapeutic Antibodies offers today's researchers a concise introduction to the field, as well as a highly useful compendium of practical protocols that will greatly facilitate the application of these powerful new diagnostic and therapeutic agents.