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“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review  “A powerful, and in many [ways] insightful, explanation as to why grandiose programs of social reform, not to mention revolution, so often end in tragedy. . . . An important critique of visionary state planning.”—Robert Heilbroner, Lingua Franca  Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters.  “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker  “A tour de force.”—Charles Tilly, Columbia University  The Institution for Social and Policy Studies

A pioneering exploration of the differences between the brain’s right and left hemispheres and their effects on society, history, and culture—“one of the few contemporary works deserving classic status” (Nicholas Shakespeare, Times, UK)  “Persuasively argues that our society is suffering from the consequences of an over-dominant left hemisphere losing touch with its natural regulative ‘master’ the right. Brilliant and disturbing.”—Salley Vickers, a Guardian Best Book of the Year  “I know of no better exposition of the current state of functional brain neuroscience.”—W. F. Bynum, Times Literary Supplement  Why is the brain divided? The difference between right and left hemispheres has been puzzled over for centuries. Drawing upon a vast body of brain research, the renowned psychiatrist, author, and thinker Iain McGilchrist reveals that the difference between the two sides is profound—two whole, coherent, but incompatible ways of experiencing the world. The detail-oriented left hemisphere prefers mechanisms to living things and is inclined to self-interest, while the right hemisphere has greater breadth, flexibility, and generosity.  In the second part of his book, McGilchrist takes the reader on a journey through the history of Western culture, illustrating the tension between these two worlds as revealed in the thought and belief of thinkers and artists from the ancient to the modern, from Aeschylus to Magritte. He ultimately argues that, despite its inferior grasp of reality, the left hemisphere is increasingly taking precedence in today’s world—with potentially disastrous consequences.

Written by the preeminent democratic theorist of our time, this book explains the nature, value, and mechanics of democracy. In a new introduction to this Veritas edition, Ian Shapiro considers how Dahl would respond to the ongoing challenges democracy faces in the modern world.  “Within the liberal democratic camp there is considerable controversy about exactly how to define democracy. Probably the most influential voice among contemporary political scientists in this debate has been that of Robert Dahl.”—Marc Plattner, New York Times  “An excellent introduction for novices, as well as a trusty handbook for experts and political science mavens.”—Publishers Weekly

The first book to publish the entirety of Franz Kafka’s graphic output, including more than 100 newly discovered drawings  “The figures he drew stand alone as stories in themselves.”—Lauren Christensen, New York Times Book Review  “A sensational new book [that] reveals these hitherto hidden artworks for the first time. . . . This valuable volume allows us to see how, for Kafka, word and image walk arm in arm.”—Benjamin Balint, Jewish Review of Books  The year 2019 brought a sensational discovery: hundreds of drawings by the writer Franz Kafka (1883–1924) were found in a private collection that for decades had been kept under lock and key. Until now, only a few of Kafka’s drawings were widely known. Although Kafka is renowned for his written work, his drawings are evidence of what his literary executor Max Brod termed his “double talent.” Irresistible and full of fascinating figures, shifting from the realistic to the fantastic, the grotesque, the uncanny, and the carnivalesque, they illuminate a previously unknown side of the quintessential modernist author.  Kafka’s drawings span his full career, but he drew most intensively in his university years, between 1901 and 1907. An entire booklet of drawings from this period is among the many new discoveries, along with dozens of loose sheets. Published for the first time in English, these newly available materials are collected with his known works in a complete catalogue raisonné of more than 240 illustrations, reproduced in full color. Essays by Andreas Kilcher and Judith Butler provide essential background for this lavish volume, interpreting the drawings in their own right while also reconciling their place in Kafka’s larger oeuvre.

Born just fourteen months apart, one in London and the other in rural Suffolk, J. M. W. Turner and John Constable went on to change the face of British art  The two men have routinely been seen as polar opposites, not least by their peers. Differing in temperament, background, beliefs, and vision, they created images as dissimilar as their personalities.  Yet in many ways they were fellow travellers. As children of the late eighteenth century, both faced the same challenges and opportunities. Above all, they shared common cause as champions of a distinctively British art. Through their work, they fought for the recognition and appreciation of landscape painting—and in doing so ensured their reputations were forever intertwined and interlinked.  Nicola Moorby offers us a fresh perspective on two extraordinary artists, uncovering the layers of fiction that have embellished and disguised their greatest achievements. For Turner & Constable is not just a tale of two artists; it is also the story of the triumph of landscape painting.

Celebrating the astounding creativity and originality of designer Alexander McQueen, who relentlessly questioned and confronted the requisites of fashion  “An authoritative and moving insight into the legacy of the British designer.”—Carola Long, Financial Times  “McQueen’s brilliance is celebrated in this sumptuous tome.”—Harper’s Bazaar  “Excellent.”—Huffington Post  Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer’s career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art.  Published to coincide with an exhibition at The Metropolitan Museum of Art organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography by renowned photographer Sølve Sundsbø; and a lenticular cover by Gary James McQueen.  Published by The Metropolitan Museum of Art/Distributed by Yale University Press  Exhibition Schedule:  The Metropolitan Museum of Art(May 4–August 7, 2011)

An accessible, contemporary introduction to the methods for determining cause and effect in the social sciences  “Causation versus correlation has been the basis of arguments—economic and otherwise—since the beginning of time. Causal Inference: The Mixtape uses legit real-world examples that I found genuinely thought-provoking. It’s rare that a book prompts readers to expand their outlook; this one did for me.”—Marvin Young (Young MC)Causal inference encompasses the tools that allow social scientists to determine what causes what. In a messy world, causal inference is what helps establish the causes and effects of the actions being studied—for example, the impact (or lack thereof) of increases in the minimum wage on employment, the effects of early childhood education on incarceration later in life, or the influence on economic growth of introducing malaria nets in developing regions. Scott Cunningham introduces students and practitioners to the methods necessary to arrive at meaningful answers to the questions of causation, using a range of modeling techniques and coding instructions for both the R and the Stata programming languages.

A comprehensive overview of renowned Belgian artist Berlinde De Bruyckere’s work since 2014, inspired by the figure of the angelBelgian artist Berlinde De Bruyckere has long been a leading light in the international contemporary art world whose sculptures, installations and drawings endeavor to find the meaning of humanity, physicality, suffering and vitality.Conceived in the loneliness and isolation of the COVID-19 pandemic, this book explores De Bruyckere’s recent, never-before-seen work inspired by the figure of the angel as portrayed in myths, stories, literature and art history. According to De Bruyckere, an angel—with its warm, dark wings—provides protection, a refuge from fear. The angel guards against a lonely existence and, even more importantly, against a lonely death. It symbolizes the fragile line De Bruyckere treads between artistic poeticism and engagement with current affairs.  This volume will serve as an essential resource on an artist whose works constitute a provocative and influential addition to the contemporary art canon.Distributed for MercatorfondsExhibition Schedule:Bonnefantenmuseum Maastrich, The Netherlands(March 29–September 26, 2021)

Flush with hundreds of illustrations, this book revisits the histories of chemistry, medicine, ideas, and culture through the lens of alchemy  “Philip Ball’s book is a treasure: beautifully illustrated and, as usual, the author caries his learning lightly.”—David Wootton, Spectator  The craft of alchemy has intrigued and mystified people since antiquity. Many early cultures are known to have experimented with chemical transformations: from dyes, glazes, and cosmetics in Bronze Age Egypt to life-extending elixirs pursued by scholars in ancient China and India. Many have also attempted to transform lead, mercury, and other metals into gold—and some claim to have succeeded. In this visually stunning volume, Philip Ball sets alchemy within the context of the history of science and culture, showing that it was not simply an esoteric fantasy but an important phase in the development of experimental science and natural philosophy.  Rich illustrations complement a narrative history of the methods and techniques developed in alchemical workshops, the search for the philosopher’s stone and “elixirs of life” that extended across diverse cultures, and the controversies surrounding the practices of making alchemical gold and alchemical medicine. Ball explores the rise of alchemy from its inception in Hellenistic culture, through the golden age of Islamic natural philosophy in the eighth to the eleventh centuries, to the emergence of the tradition of natural magic in the Renaissance, and to the roles of alchemical thought and practice in the beginnings of early modern science in the seventeenth century. He traces the persistence of alchemical ideas through the occult revival of the late nineteenth century and the fascination of the topic for modern artists and writers. This engaging and accessible book will provide readers of all backgrounds with a nuanced understanding of alchemy and its history.

A celebration of the work and lives of women artists who shaped the art world of 19th-century ParisIn the second half of the 19th century, Paris attracted an international gathering of women artists, drawn to the French capital by its academies and museums, studios and salons. Featuring thirty-six artists from eleven different countries, this beautifully illustrated book explores the strength of these women’s creative achievements, through paintings by acclaimed Impressionists such as Mary Cassatt and Berthe Morisot, and extraordinary lesser-known artists such as Marie Bashkirtseff, Anna Bilińska-Bohdanowicz, Paula Modersohn-Becker, and Hanna Pauli. It examines their work against the sociopolitical background of the period, when women were mostly barred from formal artistic education but cleverly navigated the city’s network of ateliers, salons, and galleries. Essays consider the powerfully influential work of women Impressionists, representations of the female artist in portraiture, the unique experiences of Nordic women artists, and the significant presence of women artists throughout the history of the Paris Salon. By addressing the long-undervalued contributions of women to the art of the later 19th century, Women Artists in Paris pays tribute to pioneers who not only created remarkable paintings but also generated momentum toward a more egalitarian art world.Published in association with the American Federation of ArtsExhibition Schedule:Denver Art Museum(10/22/17–01/14/18)Speed Art Museum(02/17/18–05/13/18)Clark Art Institute(06/09/18–09/03/18)

How Lenin’s regime turned Russia’s priceless cultural patrimony into armored cars, trains, planes, and machine gunsHistorians have never resolved a central mystery of the Russian Revolution: How did the Bolsheviks, despite facing a world of enemies and leaving nothing but economic ruin in their path, manage to stay in power through five long years of civil war?  In this penetrating book, Sean McMeekin draws on previously undiscovered materials from the Soviet Ministry of Finance and other European and American archives to expose some of the darkest secrets of Russia’s early days of communism. Building on one archival revelation after another, the author reveals how the Bolsheviks financed their aggression through astonishingly extensive thievery. Their looting included everything from the cash savings of private citizens to gold, silver, diamonds, jewelry, icons, antiques, and artwork.By tracking illicit Soviet financial transactions across Europe, McMeekin shows how Lenin’s regime accomplished history’s greatest heist between 1917 and 1922 and turned centuries of accumulated wealth into the sinews of class war. McMeekin also names names, introducing for the first time the compliant bankers, lawyers, and middlemen who, for a price, helped the Bolsheviks launder their loot, impoverish Russia, and impose their brutal will on millions.

A compelling and insightful argument for historical study as a way to understand and navigate the complex, often confusing world of decision-makingWinner, 2026 Lionel Gelber Prize“Gavin’s writing is nuanced and compelling. It’s also fun. . . . Churchill would have loved Gavin’s book and would have encouraged aspiring statespeople to study it carefully.”—John T. Shaw, Chicago TribuneIt seems obvious that we should use history to improve policy. If we have a good understanding of the past, it should enable better decisions in the present, especially in the extraordinarily consequential worlds of statecraft and strategy. But how do we gain that knowledge? How should history be used? Sadly, it is rarely done well, and historians and decision-makers seldom interact. But in this remarkable book, Francis J. Gavin explains the many ways historical knowledge can help us understand and navigate the complex, often confusing world around us.Good historical work convincingly captures the challenges and complexities the decision-maker faces. At its most useful, history is less a narrowly defined field of study than a practice, a mental awareness, a discernment, and a responsiveness to the past and how it unfolded into our present world—a discipline in the best sense of the word. Gavin demonstrates how a historical sensibility helps us to appreciate the unexpected; complicates our assumptions; makes the unfamiliar familiar and the familiar unfamiliar; and requires us, without entirely suspending moral judgment, to try to understand others on their own terms. This book is a powerful argument for thinking historically as a way for readers to apply wisdom in encountering what is foreign to them.

In this landmark commentary, Craig R. Koester offers a comprehensive look at a powerful and controversial early Christian text, the book of Revelation. Originally written for Christian communities in Asia Minor, Revelation depicts scenes of cosmic conflict in which God, the creator of the world, overcomes the forces of destruction and makes all things new. This often misunderstood portion of the New Testament repeatedly surprises readers by warning that judgment is imminent, only to interrupt the visions of terror with messages of hope and redemption.            Koester provides richly textured descriptions of the book’s setting and language, making extensive use of Greek and Latin inscriptions, classical texts, and ancient Jewish writings, including the Dead Sea Scrolls. While Revelation has often been viewed as world-negating, this commentary focuses on its deep engagement with social, religious, and economic issues. It also addresses the book’s volatile history of interpretation and its cultural impact over the centuries. The result is a groundbreaking study that provides powerful insights and sets new directions for the continued appreciation of this visionary religious text.

An intimate and human portrait of Perpetua, a third-century woman author who was idealized as a Christian martyr“[Ruden’s] fresh, engaging translation of the Perpetua dossier captures the nuances of the Latin with remarkable skill. She has an eye for fine but crucial distinctions of meaning. It is a pleasure to read something with such a sensitive guide.”—George Woudhuysen, Wall Street Journal On March 7, 203, in the monumental amphitheater at Carthage, Vibia Perpetua was one of five Christians who met their deaths after refusing to venerate the Roman emperor Septimius Severus and his son. Perpetua stood out from the other four, and in fact from all the other martyrs of her era and before: she was an aristocratic married woman with an infant son, and she is the first female prose author whose work survives. Offering a probing new translation of Perpetua’s extraordinary prison diary and situating the life behind that diary within the turbulent late Roman Empire, Sarah Ruden tells the story of Perpetua’s remarkable feat of self‑invention as a martyr. As she builds on Perpetua’s own words and integrates them into their religious and historical contexts, Ruden shines a light on Perpetua’s disarming candidness, her brashness, and her naïvété. In contrast to traditional portrayals of the saint as a brave but submissive young woman, Ruden’s narrative reveals a complex individual who flaunts a vivid public persona as a martyr while at the same time navigating the emotions of a mother, daughter, sister, and friend approaching death.

The magnum opus of 2004 Nobel laureate Elfriede Jelinek—a spectral journey through the catastrophic history embedded in the landscape of Austria  “The surface of [Jelinek’s] prose cracks and bursts . . . fissured by phantasmagorical description, gallows humor, multilingual puns, and scouring sarcasm. . . . Jelinek’s novel is finally . . . a furious accumulation of lost moments and possible outcomes, an enormous, spectral kaleidoscope erected before the unfathomable.”—Dustin Illingworth, Washington Post  The Alpenrose is a mountain resort nestled in Austria’s scenic landscape among historic churches and castles. It is a vacation idyll that attracts tourists from all over Europe. It is also a mass burial site.  Amid the snow-topped peaks and panoramic vistas, ghosts haunt the forest: Edgar Gstranz, a young skier who died in a car crash; Gudrun Bichler, a philosophy student who committed suicide in her bathtub; and Karin Frenzel, a widow who (perhaps) died in a bus accident. As the three slip in and out of the hotel, engaging unsuspecting tourists and seeking a way to return to life, the soil begins to crack under their feet as the dead of the Holocaust awaken: zombies determined to exact their revenge.  Scrupulously rendered for the first time in English by Gitta Honegger, The Children of the Dead takes readers on a mind-bending ride through time, space, and memory. Concocted from experimental theater, splatter film, Gothic literature, philosophy, religion, and more, Jelinek’s phantasmagorical masterwork is a fierce confrontation with our fraught legacies in the name of the innocent dead.

An accessible and authoritative biography of Walter Benjamin that guides the reader through the complexity of his intellectual legacy and the turbulence of his time“A short, serene volume. . . . Gordon avoids treating his subject in allegorical terms, in part because Benjamin always resisted conscription into a story larger than his own.”—Anahid Nersessian, New YorkerWalter Benjamin (1892–1940) is widely considered one of the most creative cultural critics of the twentieth century. Esteemed for his literary acumen and capacious imagination, he developed a unique style of criticism—his friend Hannah Arendt called it pearl-diving—that sought out fragments of redemption in the ruins of bourgeois civilization.Award-winning author Peter E. Gordon tells Benjamin’s story in a vivid and poetic style, inviting the reader to look beyond the image of Benjamin as a tragic figure of German-Jewish history and portraying him as a complex personality of unique and multifaceted gifts. Tracing Benjamin’s life from his Berlin childhood to his Parisian exile, through the romanticism of the youth movements and the conflicts over modernism and Marxism, Gordon brings Benjamin to life.

A world-renowned philosopher’s genre-defying exploration of the mystery of consciousness  “[A] masterpiece. . . . The most thorough and rigorous account of the nature of reality to be published in a century.”—James Matthew Wilson, World Magazine  In a blossoming garden located far outside all worlds, a group of aging Greek gods have gathered to discuss the nature of existence, the mystery of mind, and whether there is a transcendent God from whom all things come. Turning to Eros, Psyche asks, “Do you see this flower, my love?”  So begins David Bentley Hart’s unprecedented exploration of the mystery of consciousness. Writing in the form of a Platonic dialogue, he systematically subjects the mechanical view of nature that has prevailed in Western culture for four centuries to dialectical interrogation. Powerfully rehabilitating a classical view in which mental acts are irreducible to material causes, he argues through the gods’ exchanges that the foundation of all reality is spiritual or mental rather than material. The structures of mind, organic life, and even language together attest to an infinite act of intelligence in all things that we may as well call God.  Engaging contemporary debates on the philosophy of mind, free will, revolutions in physics and biology, the history of science, computational models of mind, artificial intelligence, information theory, linguistics, cultural disenchantment, and the metaphysics of nature, Hart calls readers back to an enchanted world in which nature is the residence of mysterious and vital intelligences. He suggests that there is a very special wisdom to be gained when we, in Psyche’s words, “devote more time to the contemplation of living things and less to the fabrication of machines.”

The first authorized copy of this mysterious, much-speculated-upon, one-of-a-kind, centuries-old puzzle“For the first time, a complete reproduction [of] The Voynich Manuscript, has been published, featuring essays exploring what is known about the book and extra-wide margins so readers can record their responses to its beguiling, beautiful strangeness.”—Nina Maclaughlin, Boston Globe“For people who like a good historical mystery, this . . . fifteenth- or sixteenth-century Voynich Manuscript will fascinate.”—Rebecca Onion, Slate  Many call the fifteenth-century codex, commonly known as the “Voynich Manuscript,” the world’s most mysterious book. Written in an unknown script by an unknown author, the manuscript has no clearer purpose now than when it was rediscovered in 1912 by rare books dealer Wilfrid Voynich. The manuscript appears and disappears throughout history, from the library of the Holy Roman Emperor Rudolf II to a secret sale of books in 1903 by the Society of Jesus in Rome. The book’s language has eluded deciphering, and its elaborate illustrations remain as baffling as they are beautiful. For the first time, this facsimile, complete with elaborate folding sections, allows readers to explore this enigma in all its stunning detail, from its one-of-a-kind “Voynichese” text to its illustrations of otherworldly plants, unfamiliar constellations, and naked women swimming though fantastical tubes and green baths.  The essays that accompany the manuscript explain what we have learned about this work—from alchemical, cryptographic, forensic, and historical perspectives—but they provide few definitive answers. Instead, as New York Times best-selling author Deborah Harkness says in her introduction, the book “invites the reader to join us at the heart of the mystery.”

Selected as one of the Books of the Century by the New York Public Library  “The brilliance, the wealth of illustration, and the aptness of personal application . . . make the reading of these chapters an exciting experience.”—W. Norman Pittenger, New York Times Book Review  “The Courage to Be changed my life. It also profoundly impacted the lives of many others from my generation. Now Harvey Cox’s fresh introduction helps to open up this powerful reading experience to the current generation.”—Robert N. Bellah, University of California, Berkeley  Originally published in 1952, The Courage to Be has become a classic of twentieth-century religious and philosophical thought. The great Christian existentialist thinker Paul Tillich describes the dilemma of modern humankind and points a way to the conquest of the problem of anxiety. This edition includes a new introduction by Harvey Cox that situates the book within the theological conversation into which it first appeared and conveys its continued relevance in the current century.

A National Bestseller • Recommended by Financial Times as “What to Read in 2025”  “The central argument of Our Dollar, Your Problem—that the greenback’s pre-eminence was never guaranteed and might plausibly be overturned—could hardly be more timely.”—The Economist  A leading economist explores the global rise of the U.S. dollar and shows why its future stability is far from assured  Our Dollar, Your Problem argues that America’s currency might not have reached today’s lofty pinnacle without a certain amount of good luck. Drawing in part on his own experiences, including with policymakers and world leaders, Kenneth Rogoff animates the remarkable postwar run of the dollar—how it beat out the Japanese yen, the Soviet ruble, and the euro—and the challenges it faces today from crypto and the Chinese yuan, the end of reliably low inflation and interest rates, political instability, and the fracturing of the dollar bloc. Americans cannot take for granted that the Pax Dollar era will last indefinitely, not only because many countries are deeply frustrated with the system, but also because overconfidence and arrogance can lead to unforced errors. Rogoff shows how America’s outsized power and exorbitant privilege can spur financial instability—not just abroad but also at home.

The first comparative, comprehensive history of Nazi mass killing—showing how genocidal policies were crucial to the regime’s strategy to win the war  Nazi Germany killed approximately 13 million civilians and other noncombatants in deliberate policies of mass murder, mostly during the war years. Almost half the victims were Jewish, systematically destroyed in the Holocaust, the core of the Nazis’ pan-European racial purification programme.  Alex Kay argues that the genocide of European Jewry can be examined in the wider context of Nazi mass killing. For the first time, Empire of Destruction considers Europe’s Jews alongside all the other major victim groups: captive Red Army soldiers, the Soviet urban population, unarmed civilian victims of preventive terror and reprisals, the mentally and physically disabled, the European Roma and the Polish intelligentsia. Kay shows how each of these groups was regarded by the Nazi regime as a potential threat to Germany’s ability to successfully wage a war for hegemony in Europe.  Combining the full quantitative scale of the killings with the individual horror, this is a vital and groundbreaking work.

As in many postcommunist states, politics in Ukraine revolves around the issue of national identity. Ukrainian nationalists see themselves as one of the world’s oldest and most civilized peoples, as “older brothers” to the younger Russian culture.Yet Ukraine became independent only in 1991, and Ukrainians often feel like a minority in their own country, where Russian is still the main language heard on the streets of the capital, Kiev. This book is a comprehensive guide to modern Ukraine and to the versions of its past propagated by both Russians and Ukrainians. Andrew Wilson provides the most acute, informed, and up-to-date account available of the Ukrainians and their country.Concentrating on the complex relation between Ukraine and Russia, the book begins with the myth of common origin in the early medieval era, then looks closely at the Ukrainian experience under the tsars and Soviets, the experience of minorities in the country, and the path to independence in 1991. Wilson also considers the history of Ukraine since 1991 and the continuing disputes over identity, culture, and religion. He examines the economic collapse under the first president, Leonid Kravchuk, and the attempts at recovery under his successor, Leonid Kuchma. Wilson explores the conflicts in Ukrainian society between the country’s Eurasian roots and its Western aspirations, as well as the significance of the presidential election of November 1999.

The 50th anniversary edition of a classic text, featuring an expanded selection of color studies  “The landmark 1963 book by Josef Albers . . . isn’t just for aspiring artists. Its mesmerizing illustrations are a revelation for anyone interested in color theory and human perception.”—Pilar Viladas, New York Times  “A visionary work.”—Malcolm Jones, Newsweek  Josef Albers’s classic Interaction of Color is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Albers’s singular explanation of complex color theory principles.  Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since. With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on color, as pioneering today as when Albers created it.  Fifty years after Interaction’s initial publication, this anniversary edition presents a significantly expanded selection of close to sixty color studies alongside Albers’s original text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency and reversed grounds. A celebration of the longevity and unique authority of Albers’s contribution, this landmark edition will find new audiences in studios and classrooms around the world.

A monumental cartographic history of the African slave trade, updated and expanded in a new edition  In the first edition of Atlas of the Transatlantic Slave Trade, two leading historians explored details of the 350-year history of African slave traffic to the New World. They showed, with nearly 200 original maps, where the captives came from, how long the journeys lasted, how many died on the voyages, and what the ports and destinations were. They also presented details about the trade itself, including the economics.  In this groundbreaking revised edition, 25 new maps locate the major language groups involved in the traffic and show the movement of Africans from the interior of the continent to the Americas, as well as from one part of the Americas to another. Accompanying the maps, as in the first edition, are revealing illustrations and contemporary literary selections, including poems, letters, and diary entries.  With up-to-date information drawn from the database Slave Voyages (www.slavevoyages.org), with its records of more than 36,000 voyages, the atlas provides the fullest possible picture of the extent and inhumanity of one of the largest forced migrations in history.

A bold new account of Europe’s plight as it faces political fracture, economic stagnation and external challenges from the U.S., China and Russia  Today, Europe finds itself in a fast-changing, polarised world dominated by Chinese-American rivalry. The European Union and its surrounding nonmember states, despite initial successes after the fall of the Berlin Wall, have failed to implement a strategy for success in the twenty-first century. Britain’s exit from the Union has weakened both sides, and Russia’s invasion of Ukraine has thrown these shortcomings into sharp relief. How should states across the continent position themselves in the decades to come?  Drawing on unpublished archives and interviews with over 150 leading figures, David Marsh investigates Europe’s present crisis, from the march of populism, Franco-German malaise, and the breakdown of relations with Putin’s Russia. Fault lines are emerging in the monetary union, while the fight against climate change has impacted growth. Facing its gravest test since the Second World War, Europe must find fresh reserves of resilience—and seek out renewed international partnerships to ensure success.

The first volume of a groundbreaking two-part commentary on the book of Genesis by leading biblical scholar Ronald Hendel  The first eleven chapters of Genesis narrate the origin of the universe; the creation of the first human beings; the beginnings of moral reasoning, society, and culture; and the cataclysmic global flood. By showing how life and civilization came into being, Genesis 1–11 offers a richly drawn map for understanding the world as a meaningful cosmos and an ethical guide for human purpose and responsibility within it.  The culmination of over thirty years of research, this long-awaited study by leading Genesis scholar Ronald Hendel is the first comprehensive scholarly commentary on Genesis 1–11 in a generation. Drawing on archaeological discoveries from Israel and the ancient Near East as well as contemporary methods of scholarship, it presents a multilayered view of the classic text. The extensive introduction, notes, and comments explore ancient textual versions and editions, historical contexts, literary style and design, compositional history, cosmology, ethics, and the book’s interpretive life in Judaism and Christianity. Featuring numerous illustrations, this engagingly written commentary is an indispensable, field-defining guide to the first eleven chapters of the Bible.

A renowned scholar argues that liberal hegemony—the policy America has pursued since the Cold War ended—is doomed to failNamed a Financial Times Best Book of 2018“Idealists as well as realists need to read this systematic tour de force.”—Robert D. Kaplan, author of The Return of Marco Polo’s WorldIt is widely believed in the West that the United States should spread liberal democracy across the world, foster an open international economy, and build international institutions. The policy of remaking the world in America’s image is supposed to protect human rights, promote peace, and make the world safe for democracy. But this is not what has happened. Instead, the United States has become a highly militarized state fighting wars that undermine peace, harm human rights, and threaten liberal values at home.In this major statement, the renowned international-relations scholar John Mearsheimer argues that liberal hegemony—the foreign policy pursued by the United States since the Cold War ended—is doomed to fail. It makes far more sense, he maintains, for Washington to adopt a more restrained foreign policy based on a sound understanding of how nationalism and realism constrain great powers abroad. The Great Delusion is a lucid and compelling work of the first importance for scholars, policymakers, and everyone interested in the future of American foreign policy.

What was childhood like for medieval boys and girls in England? How were children named and brought up, what hazards faced them, what games did they play, and how were they prepared for adulthood? This richly detailed book provides for the first time a complete history of childhood in England from about the year 1000 to the sixteenth century. Leading medieval historian Nicholas Orme draws together a vast range of sources and disciplines—history, literature, religion, and art—to create a picture of medieval childhood more comprehensive than ever before. Beginning with pregnancy and childbirth, Orme explores the succeeding stages of a child’s growth to adulthood. He discusses baptism, the significance of birthdays and ages, and family life, including upbringing, food, clothes, sleep, and the plight of the poor. He also chronicles the misfortunes of childhood, from disablement, abuse, and accidents to illness and death. In a fascinating review of the special culture of children, the author describes their rhymes, toys, and games; their religion and relationship to the Church; and their learning to read the literature for children. The final chapter of the book explains how adolescents grew up and entered the adult world.In this vivid recreation of childhood in the middle ages, Orme underscores the importance medieval society attached to childhood. Childhood was clearly regarded as a distinct cultural period in life, and children were considered both special and different from adults.

This stunning collection showcases the love poetry and mystical teachings at the heart of the Islamic tradition in accurate and poetic original translationsAt a time when the association of Islam with violence dominates headlines, this beautiful collection offers us a chance to see a radically different face of the Islamic tradition. It traces a soaring, poetic, popular tradition that celebrates love for both humanity and the Divine as the ultimate path leading humanity back to God.Safi brings together for the first time the passages of the Qur’an sought by the Muslim sages, the mystical sayings of the Prophet, and the teachings of the path of “Divine love.” Accurately and sensitively translated by leading scholar of Islam Omid Safi, the writings of Jalal al‑Din Rumi can now be read alongside passages by Kharaqani, ‘Attar, Hafez of Shiraz, Abu Sa‘id‑e Abi ’l‑Khayr, and other key Muslim mystics. For the millions of readers whose lives have been touched by Rumi’s poetry, here is a chance to see the Arabic and Persian traditions that produced him.