BCP Classic Commentary S. – serie
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The surviving short mimes of Hero(n)das share much of their aims and background with the Alexandrian poetry of the first half of the third century BC, especially that of Callimachus and Theocritus. They are at once acutely aware of their literary ancestry, their choliambic metre based on archaic Hipponax, their genre on the traditions of Sophron, and their characters largely on the stock of New Comedy. They are literary and learned pieces but at the same time purport to present 'real life', particularly its seamier side - the bawd, the brothel-keeper, the purveyor of leather dildos. The mimes, comparable with but also interestingly different from the hexametre town mimes of Theocritus (and the Iamboi of Callimachus), present comic vignettes of life in Cos and Alexandria.
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A fascinating and almost fantastic chapter in the history of Virgil's reception concerns the 'Thirteenth Book of the Aeneid' written at Pavia in 1428 by Maphaeus Vegius, then a mere lad of twenty-two. For a century and a half after the invention of printing, this book was invariably placed alongside the Aeneid as though an integral part of it, but much more rarely thereafter and now it is seldom available in print. In it the Rutulians surrender to Aeneas; Latinus returns Turnus' body to his father, who performs the burial with due ceremony; Aeneas marries Lavinia and founds a city named after her; he succeeds eventually to Latinus' kingdom; and in the end receives from his mother Venus the gift of apotheosis among the stars. This edition, originally published in 1930, has a substantial introduction, Latin text faced by the English translation of Thomas Twyne (1584), Sebastian Brant's six illustrative woodcuts (1502) and Gavin Hamilton's translation into Scots dialect (1553). Bibliography is provided and succinct annotation, mostly devoted to Vegius' echoes of Virgil's own poetry.