Brazilian Literature – serie
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6 produkter
6 produkter
188 kr
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What if a man were so shallow that he couldn't believe his life had meaning unless he was loved and desired by millions of people?
163 kr
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"Originally published in Portuguese as A casa dos budas ditosos by Editora Objetiva Ltda.,1999"--T.p. verso.
175 kr
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There are no heroes in Igna cio de Loyola Branda o's world, only victims: not only of violence, but of deceit, desire, and fear. In The Good-Bye Angel, Branda o returns to his great subject: the tyranny of the community versus the individual, the city versus its inhabitants. Large enough to develop its own mythology, yet small enough to be provincial and petty, the city of Arealva (standing in for Brazil, and the world at large) is itself a character in Branda o's latest novel, toying with and finally consuming its citizens with the innocent cruelty of a cat with its prey--it's nothing personal, but it needs the meat. A cross between a film noir and a Greek tragedy, with more than its share of sex and drugs (though no rock 'n' roll), The Good-Bye Angel begins with a murder and ends in a panorama of ambition, obsession, libido, hypocrisy, and loneliness.
134 kr
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Complex and hauntingly beautiful, Lygia Fagundes Telles’s most acclaimed novel is a journey into the inner lives of three young women, each revealing her secrets and loves, each awaiting a destiny tied to the colorful and violent world of modern Brazil. Sensual and wealthy Lorena dreams of a tryst with a married man. Unhappy Lia burns with a frantic desire to free her imprisoned fiancé. Glamorous Ana Clara, unable to escape her past, falls toward a tragedy of drugs and obsession. Intimate and unforgettable, The Girl in the Photograph creates an extraordinary picture of the wonder and the darkness that come to possess a woman’s mind, and stands as one of the greatest novels to come out of Brazil in the late twentieth century.
188 kr
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Welcome to Sao Paulo, Brazil, in the not too distant future. Water is scarce, garbage clogs the city, movement is restricted, and the System--sinister, omnipotent, secret--rules its subjects' every moment and thought. Here, middle-aged Souza lives a meaningless life in a world where hope is a lie and all memory of the past is forbidden. A classic novel of "dystopia," looking back to Orwell's "1984" and forward to Terry Gilliam's "Brazil," "And Still the Earth" stands with Loyola Brandao's "Zero" as one of the author's greatest, and darkest, achievements.
188 kr
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Featuring ten stories never before translated, dating from 1878 to 1886 (regarded as Joaquim Machado de Assis’s most radically experimental period), this selection of short fiction by Brazil’s greatest author ranges in tone from elegiac and philosophical to impishly ironic. Including the author’s classic essay on world literature–also appearing in English for the first time–and with pieces chosen from his vast body of work for their playfulness, pathos, and stylistic subversion, this collection is an ideal introduction to one of world literature’s greatest talents.“A prodigy of accomplishment…deserving of a permanent place in world literature” – Susan Sontag“Everything about Joaquim Maria Machado de Assis seems double. There’s before and after, domestic and metaphysical, high and low, black and white, erotic and austere, short and long, trapped and free, gentle and cruel, perceived and real. The 200 or so stories he wrote spin out these oppositions into a remarkable variousness.”–Peter Robb, Times Literary Supplement“There is in Machado’s prose a playfulness that teases the reader, humor that mocks solemnity and seriousness. He punctures pretentiousness and ridicules received ideas (…) The range of allusions in his work would have amazed even Nabokov. And as with Nabokov, indeed as with any work of art which gives us what Nabokov calls the shiver between the shoulder blades, what elicits one’s astonished admiration is not to do with subject matter…but with that abstract and elusive concept…which manifests itself in that purely aesthetic thing called style.” – Zulfikar Ghose, Context No. 12