Diversity and Plurality in South Asia – serie

“The Mahatma Misunderstood” studies the relationship between the production of novels in late-colonial India and nationalist agitation promoted by the Indian National Congress. The volume examines the process by which novelists who were critically engaged with Gandhian nationalism, and who saw both the potentials and the pitfalls of Gandhian political strategies, came to be seen as the Mahatma’s standard-bearers rather than his loyal opposition.

This book assesses the validity of ‘anti-politics’ critiques of development, first popularised by James Ferguson, in the peculiar context of India. It examines the new context provided by decentralization of state functioning where keeping politics out of development (development as the anti-politics machine) can no longer be taken for granted. The case of a highly technocratic state watershed development programme that also seeks to be participatory is used to illustrate the tensions between prescriptive development policy and a growing political democracy.

“The Mahatma Misunderstood” studies the relationship between the production of novels in late-colonial India and nationalist agitation promoted by the Indian National Congress. The volume examines the process by which novelists who were critically engaged with Gandhian nationalism, and who saw both the potentials and the pitfalls of Gandhian political strategies, came to be seen as the Mahatma’s standard-bearers rather than his loyal opposition.

This book traces the heightened time-consciousness that has emerged since the 1990s in popular Indian discourses – across cinema, television, print and consumer culture – and argues that these anxieties concerning time are symptomatic of the struggle between labor and capital. Drawing on critical theory, cinema and media studies and Marxist-feminist concepts, Kapur shows how the recent political-economic shift in India toward neoliberalism has been accompanied by a new emphasis on youth and a preoccupation with change, novelty and the acceleration of time, with profound consequences for conceptions of time, youth and the relations between generations.

This innovative book analyses the growth of Deobandi Islam, a religious sect whose followers include extremist groups, through the frame of a counterculture in conflict with mainstream Muslim society. Due to its relationship with the Taliban, close links to al-Qaeda, and worldwide reach through the ‘Tablighi Jamaat’ (Proselytization Group), the Deoband Madrassah Movement has come to acquire global significance. In Pakistan, Deobandi schools have increasingly been associated with the rise of an intolerant and militant strain of Islam linked with terrorist activities.

This innovative book analyses the growth of Deobandi Islam, a religious sect whose followers include extremist groups, through the frame of a counterculture in conflict with mainstream Muslim society. Due to its relationship with the Taliban, close links to al-Qaeda, and worldwide reach through the ‘Tablighi Jamaat’ (Proselytization Group), the Deoband Madrassah Movement has come to acquire global significance. In Pakistan, Deobandi schools have increasingly been associated with the rise of an intolerant and militant strain of Islam linked with terrorist activities.

Caste, Entrepreneurship and the Illusions of Tradition is an ethnographic study of the potters of Kolkata’s Kumartuli, an analysis of their lives and the related commodification and instrumentalization of caste. This group of artisans turned artists do not display passive responses to colonial and capitalist encounters but engage actively with the modern and economic developments of society at large, redefining the concept of caste identity in the process. Caste, Entrepreneurship and the Illusions of Tradition suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.

Caste, Entrepreneurship and the Illusions of Tradition is an ethnographic study of the potters of Kolkata’s Kumartuli, an analysis of their lives and the related commodification and instrumentalization of caste. This group of artisans turned artists do not display passive responses to colonial and capitalist encounters but engage actively with the modern and economic developments of society at large, redefining the concept of caste identity in the process. Caste, Entrepreneurship and the Illusions of Tradition suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.

In ‘Art, Politics and the Environment in Bangladesh’ the notion of staging guides the authors to explore how shifting social and political realities of Bangladesh unfold from historical events and cultural processes that are neither straightforward nor self-evident. The essays trace these unfoldings from varied disciplinary perspectives. The trope of staging that is investigated is multivalent. Consider, for instance, the massive enthusiasm for staging local elections for villages that have disappeared owing to the movement of rivers or the resistance to the shrimping industry in areas disastrously poldered by previous Dutch development interventions. They help visualize the impact of the continuous rewriting and remaking – and at times erasure – of the spaces and histories of a region variously known as East Bengal, East Pakistan and Bangladesh. The quandaries that colonial bureaucratic classifications pose for staging the boundaries of indigenous peoples in contemporary Bangladesh, or the politics of reception of the cinematic representations of the 1971 war, produced decades apart, are examples of such ground-making. Each essay rethinks long-standing assumptions drawing on a combination of new empirical research and theoretical perspectives within anthropology, theatre and film studies, political science and development studies.