Subversive Histories, Feminist Futures – serie

When God Lost Her Tongue explores historical consciousness as captured through the Black feminist imagination that re-centers the perspectives of Black women in the African Diaspora, and revisits how Black women’s transatlantic histories are re-imagined and politicized in our contemporary moment.Connecting select historical case studies – from the Caribbean, the African continent, North America, and Europe – while also examining the retelling of these histories in the work of present-day writers and artists, Janell Hobson utilizes a Black feminist lens to rescue the narratives of African-descended women, which have been marginalized, erased, forgotten, and/or mis-remembered. African goddesses crossing the Atlantic with captive Africans. Women leaders igniting the Haitian Revolution. Unnamed Black women in European paintings. African women on different sides of the "door of no return" during the era of the transatlantic slave trade. Even ubiquitous "Black queens" heralded and signified in a Beyoncé music video or a Janelle Monáe lyric. And then there are those whose names we will never forget, like the iconic Harriet Tubman.This critical interdisciplinary intervention will be key reading for students and researchers studying African American women, Black feminisms, feminist methodologies, Africana studies, and women and gender studies.

When God Lost Her Tongue explores historical consciousness as captured through the Black feminist imagination that re-centers the perspectives of Black women in the African Diaspora, and revisits how Black women’s transatlantic histories are re-imagined and politicized in our contemporary moment.Connecting select historical case studies – from the Caribbean, the African continent, North America, and Europe – while also examining the retelling of these histories in the work of present-day writers and artists, Janell Hobson utilizes a Black feminist lens to rescue the narratives of African-descended women, which have been marginalized, erased, forgotten, and/or mis-remembered. African goddesses crossing the Atlantic with captive Africans. Women leaders igniting the Haitian Revolution. Unnamed Black women in European paintings. African women on different sides of the "door of no return" during the era of the transatlantic slave trade. Even ubiquitous "Black queens" heralded and signified in a Beyoncé music video or a Janelle Monáe lyric. And then there are those whose names we will never forget, like the iconic Harriet Tubman.This critical interdisciplinary intervention will be key reading for students and researchers studying African American women, Black feminisms, feminist methodologies, Africana studies, and women and gender studies.

Worlding Postcolonial Sexualities demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance.The book’s comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors.This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies.Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Worlding Postcolonial Sexualities demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance.The book’s comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors.This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies.Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Afro-Indigenous Women’s Survivance explores the rhetorics of survivance of Afro-Indigenous women and their activism. Delving into the way they have historically survived and resisted, it reveals how they navigate interlocking oppression.It also demonstrates the complexities of their identity formations due to the onslaught of discrimination and as an integral part of their survivance. Using case studies, this book features Afro-Indigenous activists across social locations while revealing the themes that underscore their implementation of their rhetorics of survivance. Thus, underscoring the valuable contributions Afro-Indigenous women make to healing colonial, historical, racial, and gendered racial traumas by telling their stories, sharing their wisdom systems, preserving women ancestors, and implementing activist projects. This book argues that Afro-Indigenous women sustain and preserve a larger category of Indigeneity that intertwines their Black and Native heritage.Afro-Indigenous Women’s Survivance is deal for scholars and students in Indigenous studies, African American studies, gender studies, and decolonial theory, this text invites activists, educators, and researchers to engage deeply with Afro-Indigenous women’s stories as transformative acts of resistance and recovery.

Afro-Indigenous Women’s Survivance explores the rhetorics of survivance of Afro-Indigenous women and their activism. Delving into the way they have historically survived and resisted, it reveals how they navigate interlocking oppression.It also demonstrates the complexities of their identity formations due to the onslaught of discrimination and as an integral part of their survivance. Using case studies, this book features Afro-Indigenous activists across social locations while revealing the themes that underscore their implementation of their rhetorics of survivance. Thus, underscoring the valuable contributions Afro-Indigenous women make to healing colonial, historical, racial, and gendered racial traumas by telling their stories, sharing their wisdom systems, preserving women ancestors, and implementing activist projects. This book argues that Afro-Indigenous women sustain and preserve a larger category of Indigeneity that intertwines their Black and Native heritage.Afro-Indigenous Women’s Survivance is deal for scholars and students in Indigenous studies, African American studies, gender studies, and decolonial theory, this text invites activists, educators, and researchers to engage deeply with Afro-Indigenous women’s stories as transformative acts of resistance and recovery.

Lesbian Porn Magazines and the Sex Wars re-examines the heated debates about the politics of sexuality known as the sex wars, investigating how they were fundamentally engaged in the complex intersections of gender, race, class, and sexuality. Groeneveld presents an accessible and fascinating framing of lesbian sex magazines as activist media texts engaged in education, community building, and dialogue, amplifying theories or writers and artists across the intersectional spectrum. Making use of archival material and a cohort of lesbian radical porn magazines, the book posits that collectively these magazines helped create and circulate new ideas about sex, power, and identity. The chapters cover lesbian public culture, trans self-representation, AIDS activism, and issues of consent. This is an essential intervention into sexuality studies and is suitable for students and scholars in gender and sexuality studies, sociology, media studies, literature, and cultural studies. Lesbian Porn Magazines and the Sex Wars: Reimagining Sex, Power and Identity is the 2021 winner of the NWSA Routledge Subversive Histories, Feminist Futures Prize.

Lesbian Porn Magazines and the Sex Wars re-examines the heated debates about the politics of sexuality known as the sex wars, investigating how they were fundamentally engaged in the complex intersections of gender, race, class, and sexuality. Groeneveld presents an accessible and fascinating framing of lesbian sex magazines as activist media texts engaged in education, community building, and dialogue, amplifying theories or writers and artists across the intersectional spectrum. Making use of archival material and a cohort of lesbian radical porn magazines, the book posits that collectively these magazines helped create and circulate new ideas about sex, power, and identity. The chapters cover lesbian public culture, trans self-representation, AIDS activism, and issues of consent. This is an essential intervention into sexuality studies and is suitable for students and scholars in gender and sexuality studies, sociology, media studies, literature, and cultural studies. Lesbian Porn Magazines and the Sex Wars: Reimagining Sex, Power and Identity is the 2021 winner of the NWSA Routledge Subversive Histories, Feminist Futures Prize.

Women, Fertility, and Maternal Art in Renaissance Florence examines maternity-centered art to reveal women’s crucial function in saving Florence from a depopulation catastrophe.Nativity and Madonna and Child images that graced many households and chapels in Florentine society formed a program of visual indoctrination, championing a 'birth epic' that glorified the social duty of reproduction but dismissed its high risk. As images emphasizing women’s reproductive value multiplied throughout the century, the accounts of their deaths in childbirth and the records of their elaborate public funerals present these mothers as new examples of self-sacrifice and martyrdom. This book re-centers the history of the Renaissance around women and their bodies – both as subjects of artistic representation and as critical but ignored contributors to Florentine society. It proposes a more inclusive vision of an era that is still too often addressed exclusively via the history of its male artists, bankers and merchants. Women, Fertility, and Maternal Art in Renaissance Florence appeals to both students and scholars in field of art history, social history, Renaissance art and gender studies, and also the general reader who has an interest in these areas.