Francis Bacon Studies – serie
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3 produkter
3 produkter
Häftad, Engelska, 2025
281 kr
Skickas inom 5-8 vardagar
The fifth volume in the acclaimed Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon David Sylvester's Interviews with Francis Bacon remain the most consulted writing on Bacon. In this book, the fifth volume in the acclaimed Francis Bacon Studies series, Bacon's words appear in their unredacted form for the very first time. Other essays throw light on form and accident in Bacon's work, chimera and liminal entities, the psychology of the imposter and destroyed paintings. Half of this volume, an unprecedented proportion in the ‘Studies’ series, is devoted to one topic: key parts of Bacon’s responses in Interviews with Francis Bacon that were removed, either to maintain continuity or at Bacon's own insistence. This unpublished material will add immensely to this most frequently consulted resource and will require a reassessment of many of Bacon's statements and ideas. Maria Balaska considers the question: Where does a painting come from? She investigates forms and accidents in Bacon's work. Amanda J. Harrison studies chimera and liminal entities in Bacon’s work, while Darian Leader turns our attention to the psychology of the imposter. Martin Harrison examines photographs of four paintings that Bacon later destroyed, and are reproduced here for the first time.
Häftad, Engelska, 2019
281 kr
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Bacon and the Mind sheds light on Francis Bacon’s art by exploring his motivations, and in so doing opens up new ways of understanding his paintings through three pillars; art, neuroscience and psychology.This beautiful book is comprised of five essays, illustrated in colour throughout by Francis Bacon’s works. It is the first in a brand new series of books, Francis Bacon Studies, that seeks to illuminate Francis Bacon’s art and motivations.The first essay, by Christopher Bucklow, argues compellingly that Bacon does not depict the reality of his subjects, but rather their reality for him – in his memory, in his sensibility, and in his private world of sensations and ideas.Steven Jaron’s essay questions the psychological implications of Bacon’s habitual language, his obsession with ‘the wound’, with vulnerability and the nervous system. Jaron’s deconstruction of Bacon’s visual imagination results in revealing insights into the man and his work.Darian Leader’s long-time fascination with Bacon’s paintings predates his powerful BBC documentary, In the Name of the Father? (1996). His contribution to this book, presents the latest of his fresh and stimulating insights into the artist.The focus in John Onians’s contribution explores the effect of Bacon’s non-conscious mental processes in the creation of his paintings.‘The “Visual Shock” of Francis Bacon: An essay in Neuroaesthetics’ is a newly edited and now fully illustrated re-presentation of an article by Semir Zeki and Tomohiro Ishizu, previously accessible only online.Martin Harrison, Editor of Francis Bacon: Catalogue Raisonné, edits the book and contributes the Preface and Afterword.The Estate of Francis Bacon Publishing,supported by Francis Bacon MB Art Foundation Monaco,in association with Thames & Hudson.
Häftad, Engelska, 2019
281 kr
Skickas inom 5-8 vardagar
The second in a series of books that seeks to illuminate Francis Bacon’s art and motivations, and to open up fresh and stimulating ways of understanding his paintings.Francis Bacon is one of the most important artists of the 20th century. His works continue to puzzle and unnerve viewers, raising complex questions about their meaning. Over recent decades, two theoretical approaches to Bacon’s work have come to hold sway: firstly, that Bacon is an existentialist painter, depicting an absurd and godless world; and secondly, that he is an anti-representational painter, whose primary aim is to bring his work directly onto the spectator’s ‘nervous system’. Francis Bacon: Painting, Philosophy, Psychoanalysis brings together some of today’s leading philosophers and psychoanalytic critics to go beyond established readings of Bacon and to open up radically new ways of thinking about his art. The essays bring Bacon into dialogue with figures such as Aristotle, Hegel, Freud, Lacan, Adorno and Heidegger, as well as situating his work in the broader contexts of modernism and modernity. The result is a timely and thought-provoking collection that will be essential reading for anyone interested in Bacon, modern art and contemporary aesthetics.